ARRI News

From the ALEXA LF camera, ARRI Signature Prime lenses, and SkyPanel lights to ARRI Rental’s ALEXA 65 camera and DNA lenses, various mega films, released during the Chinese Lunar Festival, were captured with a range of ARRI technology.

ARRI’s new LED fixture Orbiter impresses producers, gaffer, DP, and actors alike on the set of “Wandering in Time,” a new Romanian feature film scheduled to release this summer.

Indonesia’s rising cinematographer, Vera Lestafa, and the first TRINITY operator in the country, Hanafi “Aan” Malik, join forces to shoot romance drama film “Under the Age” while equipped with the ultimate combination of ALEXA LF, Signature Primes, and TRINITY.

On the acclaimed movie “Never Rarely Sometimes Always,” French cinematographer Hélène Louvart shot with ARRIFLEX 416 film cameras, while for other projects she has chosen the ALEXA Mini.

Using ARRI’s ALEXA LF and ALEXA Mini LF cameras with Signature Primes, DP Luo Pan ASC, CNSC and director Guan Hu shoot an epic war film on a tight schedule.

While working on “All Russians Love Birch Trees,” DP Juan Sarmiento G. learns to appreciate the light quality and other features of ARRI’s Orbiter for the first time.

Sudan’s first-ever Oscar entry “You Will Die At Twenty” was shot and supported with ARRI camera and lighting equipment. Director Amjad Abu Alala and DP Sébastien Goepfert share insights about this piece of African film history.

Cinematographer Valerio Azzalishot “Rose Island,” the first Italian feature film produced in large format, with ARRI’s ALEXA LF, ALEXA Mini LF,and ARRI ZEISS Master Anamorphic lenses. 

Now streaming on Netflix, Jangle’s colorful, magical world was brought to life by DP Remi Adefarasin on ARRI ALEXA LF cameras and Signature Prime lenses.

ARRI technology illuminated and captured a virtual production experience in France for the fashion market. Read and watch, what happened behind the scenes.

Photographer Thomas Kierok chooses ARRI Orbiter and SkyPanels to illuminate his timely project “Corona Art Kids” which highlights the impact of the corona pandemic on children.

Despite the current restrictions, ARRI continues to support the international festival of cinematography as a sponsor and through a collection of exclusive, virtual content. See the full details of what remote festival guests and fans can expect from ARRI during Camerimage, running online November 14 to 21.