ARRI News

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.

Cinematographer Kevin Garrison wanted to keep it real for Taron Lexton’s new picture “Nomad”.

For the second year in a row, ARRI created a professional exchange platform to discuss important trends affecting the media and broadcast industry complete with expert equipment and solutions.

In “On Yoga: The Architecture of Peace,” Brazilian cinematographer Adolpho Veloso follows still-photographer Michael O’Neill on a trip through today’s world of yoga. In this interview, he shares his experience of working on this visually impressive documentary, shot with the ARRI AMIRA camera.

ARRI Approved Certified Pre-Owned Program has been field-tested and is getting rave reviews. Director Noam Kroll shares his experiences.

China’s second highest-grossing release in history earned $700 million at the worldwide box office and is currently the third biggest global release of 2019. Still under the radar in many parts of the world, “The Wandering Earth,” shot and lit with ARRI equipment, is now available on Netflix.

At the Festival de Cannes, the vast majority of winning and participating productions relied on ARRI equipment. On the Croisette, ARRI was present at the event and behind the scenes.

The Italian feature “Rock ‘n’ Roll Robot” was shot with the ALEXA Mini camera, Ultra Primes lenses, and lighting equipment from ARRI. DP Federico Annicchiarico AIC-Imago and his team talk about the filming.

With magnificent sets, advanced equipment, and the modern concept of media convergence, Beijing Television’s (BTV) brand new media convergence studio opened and utilizes more than 100 LED lighting sets from ARRI.

Chilean cinematographer and ASC Heritage Award nominee, Andrés Gallegos, shares his experience at the helm of the short film “Shoe Shiner,” shot with ARRI ALEXA Studio camera.

At the shooting of the music video “Sido feat. Haftbefehl & Kool Savas – 4 Uhr Nachts” a SkyPanel 360-C and two SkyPanels 60-C provided the lighting. Cinematographer Nikola Krivokuca on the use of ARRI LED spotlights.

The French theater collective Compagnie Des Cinq Roues performed in the renowned French Théâtre du Soleil in Paris with stage light from ARRI’s SkyPanel S60-C—and will do so in more than 60 theatres and festivals across the country soon.