ARRI News

Netflix’s “1899” demonstrates the huge creative potential that LED volumes can unleash for filmmakers. DP Nik Summerer shares his experiences of collaborating with ARRI Solutions on an effective virtual production design.

Sur la mini-série consacrée à l’incendie de Notre-Dame de Paris, le directeur de la photographie Jean-Max Bernard a utilisé les ARRI Signature Primes, l’ALEXA Mini LF et les SkyPanel pour sublimer l’épopée des soldats du feu.

Shooting a French miniseries about the Notre-Dame de Paris fire, cinematographer Jean-Max Bernard used ARRI Signature Primes, the ALEXA Mini LF, and SkyPanel lights to enhance the firefighters’ epic.

At this year’s EnergaCamerimage, ARRI showcased tools and sponsored various educational and social offerings. ARRI cameras and lenses were also behind the top award-winning films, including the Gold, Silver, and Bronze Frog.

As one of the first UK productions, the music video “Breathe” was captured with the ALEXA 35 along with ARRI Orbiter and SkyPanel lights. Director Adam Young and DP Jamie Haigherty from Paper Sky Films talked to us about their experiences with the latest ARRI technology.

광고와 뮤직비디오는 젊은 촬영감독들이 마음껏 창의성을 발휘할 수 있는 장이 됩니다. 오노야마 촬영감독이 ARRI 장비를 사용하여 촬영한 글로벌 브랜드 광고와 역대 최고의 노래들을 영상화한 작업에 대해 이야기합니다.

Shot with the ALEXA Mini LF, Signature Primes, and ARRI lights, Netflix’s feature film “Robbing Mussolini” is structured into four aesthetic worlds. ARRI talked to DP Gian Filippo Corticelli about his experiences on set in Italy and colorist Andrea Baracca about the finishing touches of the film. 

Girato con ALEXA Mini LF, lenti Signature Prime e luci ARRI, il film Netflix "Robbing Mussolini" è strutturato in quattro mondi estetici. Il DP Gian Filippo Corticelli ha condiviso con ARRI la sua esperienza sul set, mentre il colorist Andrea "Red" Baracca ha aggiunto preziosi dettagli circa le finiture apportate al film.

Usando le ottiche ARRI Signature Prime insieme alle luci ARRI SkyPanel, Orbiter e ARRIMAX, Il direttore della fotografia Italo Petriccione ha illuminato "Il ritorno di Casanova", una storia in cui il tempo e i colori sono mutevoli. 

Using ARRI Signature Prime lenses along with ARRI SkyPanel, Orbiter, and ARRIMAX lights, cinematographer Italo Petriccione captured “The Return of Casanova,” a story with changing time periods and color designs. 

For ARRI’s contributions to the industry, the company received the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy® Awards.

Iklan dan video musik adalah taman bermain kreatif bagi sinematografer muda. DP Kanamé Onoyama berbicara tentang karyanya untuk merek global dan visualisasi dari pemecah rekor tangga lagu dengan peralatan ARRI