ARRI News

Thanks to their ability to handle skin tones, cinematographer Adam Kimmel ASC chooses the ARRI Signature Primes in films for global brands including Audi, Jeep, and a new Netflix comedy show.

Returning to Toruń, Poland,this November, Energa Camerimage is one of the highlights in ARRI’s calendar. Below are the full details of the ARRI events and activities at the festival this year.

The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens choices and shares his experience during the difficult shooting conditions.

For “Space Dogs,” DP Yunus Roy Imer filmed in Moscow with stray dogs. In an interview the cinematographer talks about the difficulties of shooting the film, his equipment selection from ARRI Rental, and the color grading at ARRI Media—also in a video.

Cinematographer Ferran Paredes Rubio talked with ARRI on “The Mayor of Rione Sanità” directed by Mario Martone. The Italian feature was shot with ALEXA XT Plus and ALEXA Mini cameras while being lit with lighting equipment by ARRI.

When Callaway Golf wanted to upgrade its video productions, video producer Tony Regalmuto and marketing manager Ethan Ganot had a wish list: the system had to be versatile to handle different production demands, easy enough for non-professionals to use and provide the highest quality result.

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”

2019 Grammy Awards are nominated for four Emmy Awards, including Lighting Design. Go behind the scenes with lighting designers Bob Dickinson and Noah Mitz to discover how they used the ARRI SkyPanel S360-C during the show.

The first customer shipments of ARRI’s new ALEXA Mini LF begins. Pre-production cameras have already been used on high-end productions by cinematographers like Roger Deakins and Greig Fraser.

ARRI’s new LED point source Orbiter ushers in a new era of digital lighting. A versatile lamphead featuring a range of changeable optics, state-of-the-art ARRI Spectra six-color light engine, innovative software, and much more.

Join us at IBC in Amsterdam this September to experience ARRI’s latest technology and breathtaking showreels—with a free entry pass.

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.