DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”

Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an interactive commercial video, shot on ALEXA XT and ALEXA Mini cameras with Master Anamorphic lenses.


The immersive camera movement of “1917”

Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”


ARRI equipment and services support Oscar® winners

The 92nd Academy Awards recognized many outstanding films this year. Oscar® winners including “Parasite,” “1917,” and “Joker” were all captured with ARRI camera systems and serviced by ARRI Rental. 


ARRI sponsorship continues to light up La Fémis in Paris

Renewed support from ARRI Lighting helped to realize short films created by third-year students at the renowned film school, La Fémis.


DP Craig Wrobleski CSC creates immersive horror with the ALEXA LF on Netflix's "In the Tall Grass"

Canadian DP Craig Wrobleski discusses his new film "In the Tall Grass," now streaming on Netflix. Wrobleski shares his experiences filming the supernatural horror, and his take on ARRI's large-format camera system.


DP Robert Cauble wins cinematography award for commercial shot with ALEXA Mini from the ARRI CPO program

Fully serviced and tested before being supplied by the ARRI Approved Certified Pre-Owned (CPO) program, Robert Cauble’s ALEXA Mini was put through its paces on “Story of the East,” a tourism commercial shot at remote and challenging locations in Indonesia. 


Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.


DP Tey Clamor on ALEXA LF and Mini LF: “The image quality is superb”

The Philippine feature film “Isa Pa, with Feelings” was captured by DP Tey Clamor with ARRI’s ALEXA LF, ALEXA Mini LF, and TRINITY. In this interview, she shares her experience of working with ARRI’s large-format camera system for the very first time.


Adam Kimmel ASC taps ARRI Signature Prime lenses for commercial work

Thanks to their ability to handle skin tones, cinematographer Adam Kimmel ASC chooses the ARRI Signature Primes in films for global brands including Audi, Jeep, and a new Netflix comedy show.


ARRI activities at Energa Camerimage 2019

Returning to Toruń, Poland,this November, Energa Camerimage is one of the highlights in ARRI’s calendar. Below are the full details of the ARRI events and activities at the festival this year.

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens choices and shares his experience during the difficult shooting conditions.


“Space Dogs” DP Yunus Roy Imer: “ARRI is sincere and reliable”

For “Space Dogs,” DP Yunus Roy Imer filmed in Moscow with stray dogs. In an interview the cinematographer talks about the difficulties of shooting the film, his equipment selection from ARRI Rental, and the color grading at ARRI Media—also in a video.