Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.


DP Tey Clamor on ALEXA LF and Mini LF: “The image quality is superb”

The Philippine feature film “Isa Pa, with Feelings” was captured by DP Tey Clamor with ARRI’s ALEXA LF, ALEXA Mini LF, and TRINITY. In this interview, she shares her experience of working with ARRI’s large-format camera system for the very first time.


Adam Kimmel ASC taps ARRI Signature Prime lenses for commercial work

Thanks to their ability to handle skin tones, cinematographer Adam Kimmel ASC chooses the ARRI Signature Primes in films for global brands including Audi, Jeep, and a new Netflix comedy show.


ARRI activities at Energa Camerimage 2019

Returning to Toruń, Poland,this November, Energa Camerimage is one of the highlights in ARRI’s calendar. Below are the full details of the ARRI events and activities at the festival this year.

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens choices and shares his experience during the difficult shooting conditions.


“Space Dogs” DP Yunus Roy Imer: “ARRI is sincere and reliable”

For “Space Dogs,” DP Yunus Roy Imer filmed in Moscow with stray dogs. In an interview the cinematographer talks about the difficulties of shooting the film, his equipment selection from ARRI Rental, and the color grading at ARRI Media—also in a video.


Behind the cinematography of “The Mayor of Rione Sanità”

Cinematographer Ferran Paredes Rubio talked with ARRI on “The Mayor of Rione Sanità” directed by Mario Martone. The Italian feature was shot with ALEXA XT Plus and ALEXA Mini cameras while being lit with lighting equipment by ARRI.


Callaway Live Ups Its Game with ARRI SkyPanels

When Callaway Golf wanted to upgrade its video productions, video producer Tony Regalmuto and marketing manager Ethan Ganot had a wish list: the system had to be versatile to handle different production demands, easy enough for non-professionals to use and provide the highest quality result.


Roger Deakins on his journey to ARRI’s large format

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”


ARRI SkyPanel S360-C at 2019 Grammy Awards

2019 Grammy Awards are nominated for four Emmy Awards, including Lighting Design. Go behind the scenes with lighting designers Bob Dickinson and Noah Mitz to discover how they used the ARRI SkyPanel S360-C during the show.


ARRI ALEXA Mini LF camera ships and inspires cinematographers worldwide

The first customer shipments of ARRI’s new ALEXA Mini LF begins. Pre-production cameras have already been used on high-end productions by cinematographers like Roger Deakins and Greig Fraser.


Experience ARRI at IBC 2019

Join us at IBC in Amsterdam this September to experience ARRI’s latest technology and breathtaking showreels—with a free entry pass.