ARRI News

Photographer Thomas Kierok chooses ARRI Orbiter and SkyPanels to illuminate his timely project “Corona Art Kids” which highlights the impact of the corona pandemic on children.

Despite the current restrictions, ARRI continues to support the international festival of cinematography as a sponsor and through a collection of exclusive, virtual content. See the full details of what remote festival guests and fans can expect from ARRI during Camerimage, running online November 14 to 21.

Cinematographer Giles Nuttgens BSC chooses ALEXA LF and ARRI Signature Primes for the Netflix film “Enola Holmes,” about the younger sister of Sherlock and Mycroft Holmes.

Originally a modern kabuki stage performance, Japanese film “Takizawa Kabuki ZERO 2020 The Movie” ventures into uncharted territory by giving a new spin to a Japanese classic, all made possible by TRINITY operator Taro Kimura.

In the LIPS research project, camera and lighting technology by ARRI enables musicians to perform joint real-time concerts at remote locations.

Seeing an increase in demand for flexible remote camera operating, Chinese rental facility Xing Gunag Heng Yi takes delivery of the country’s first ARRI Stabilized Remote Head SRH-360.

Lighting Supervisor Gregory Pickard gives ARRI behind the scenes from LinkedIn Learning stages in Carpentaria, CA and explains how his team created the lighting system that can be adjusted in 10 minutes.

ARRIAL is the new production and office building that has been precisely tailored to meet ARRI's future needs.

It marks five years since ARRI's SkyPanel was released for the first time and changed the lighting industry forever. To celebrate, we collected the seven most unusual installations of SkyPanel that we have seen to date.

Shot with ALEXA Mini and supported by ARRI, “Tragic Jungle” premiered at the 77th Venice International Film Festival. In a video interview director Yulene Olaizola and cinematographer Sofía Oggioni talk about the challenges when filming on the border between Mexico and Belize.

Cinematographer Greig Fraser ACS, ASC takes us behind the scenes of Disney’s groundbreaking live-action Star Wars series “The Mandalorian.” He discusses shooting in-camera effects with ALEXA LF on the series, which is Emmy-nominated in 15 categories.

“How to Be a Good Wife,” a hit this summer in French cinemas, along with soon to be released “My Cousin”and“Waiting for Bojangels” were all captured with ALEXA LF and ARRI Signature Prime lenses. Cinematographer Guillaume Schiffman AFC explains his choice of tools which also included ARRI SkyPanel and ALEXA Mini LF.