ARRI News

The first customer shipments of ARRI’s new ALEXA Mini LF begins. Pre-production cameras have already been used on high-end productions.

ARRI’s new LED point source Orbiter ushers in a new era of digital lighting. A versatile lamphead featuring a range of changeable optics, state-of-the-art ARRI Spectra six-color light engine, innovative software, and much more.

Join us at IBC in Amsterdam this September to experience ARRI’s latest technology and breathtaking showreels—with a free entry pass.

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.

Cinematographer Kevin Garrison wanted to keep it real for Taron Lexton’s new picture “Nomad”.

For the second year in a row, ARRI created a professional exchange platform to discuss important trends affecting the media and broadcast industry complete with expert equipment and solutions.

In “On Yoga: The Architecture of Peace,” Brazilian cinematographer Adolpho Veloso follows still-photographer Michael O’Neill on a trip through today’s world of yoga. In this interview, he shares his experience of working on this visually impressive documentary, shot with the ARRI AMIRA camera.

ARRI Approved Certified Pre-Owned Program has been field-tested and is getting rave reviews. Director Noam Kroll shares his experiences.

China’s second highest-grossing release in history earned $700 million at the worldwide box office and is currently the third biggest global release of 2019. Still under the radar in many parts of the world, “The Wandering Earth,” shot and lit with ARRI equipment, is now available on Netflix.

At the Festival de Cannes, the vast majority of winning and participating productions relied on ARRI equipment. On the Croisette, ARRI was present at the event and behind the scenes.

The Italian feature “Rock ‘n’ Roll Robot” was shot with the ALEXA Mini camera, Ultra Primes lenses, and lighting equipment from ARRI. DP Federico Annicchiarico AIC-Imago and his team talk about the filming.

With magnificent sets, advanced equipment, and the modern concept of media convergence, Beijing Television’s (BTV) brand new media convergence studio opened and utilizes more than 100 LED lighting sets from ARRI.