ALEXA 35 Live brings ARRI’s famously cinematic look to the fast-paced world of multi-camera live productions. As part of a complete system that includes a fiber camera adapter and base station, RCP, and numerous ARRI Multicam accessories, ALEXA 35 Live seamlessly integrates into modern live infrastructures for everything from sports, concerts, and talk shows to premium corporate events and streaming productions.
The ALEXA 35 Live’s Super 35-sized 4K sensor delivers ARRI’s unrivalled image quality, accurate color rendition, pleasing skin tones, and truly cinematic shallow focus. Capturing 17 stops of dynamic range—more than any other camera on the market—ALEXA 35 Live handles even the most extreme lighting situations for the best results in SDR and HDR.
ARRI cameras are renowned for making it easy to craft stunningly beautiful images and the ALEXA 35 Live provides all the common live production shading controls to continue this tradition into the live realm. But the system goes even further, with additional creative options that can quickly give any project a fresh look.
The built-in ARRI Look Library offers 87 cinematic looks that control color in three intensities and can be activated at the push of a button, catering to a huge variety of shooting scenarios. In addition, several specially developed Multicam looks provide time-saving presets for typical live production scenarios such as studios, concerts, or ski racing.
Adjust individual hues without affecting other colors in the scene. This enables precise color matching between different camera channels, with color correction targeted to meet the specific needs of a production or location.
Streamline your workflow with pre‑installed Multicam user settings and extended “Scene File” support. These tools provide ready‑to‑use profiles and savable setups controlled from the RCP for rapid visual consistency across camera channels.
Connect your RCP to the Fiber Base Station, which automatically detects an ALEXA 35 camera head when it is set to DHCP. This saves time and allows easy swapping of Fiber Camera Adapters and camera heads between different base stations.
The Live Production System LPS-1 consists of the Fiber Camera Adapter and the Fiber Base Station. They can be connected either with a hybrid fiber cable that delivers both power and uncompressed 4K video over distances up to 2 km, or with a tactical fiber cable up to 10 km in length. An extra fiber tunnel and Ethernet tunnel increase the system's flexibility with additional video, audio, or control signals.
Fiber Camera Adapter
The Fiber Camera Adapter of the ALEXA 35 Live - Multicam System attaches to the camera quickly and simply. Once in place, it harmoniously extends the ALEXA 35 Live body to create a pleasing, unified form factor that is easy to work with.
Minimal cabling
Locking into place via a satisfyingly robust and self-aligning mechanical interface, the Fiber Camera Adapter then connects to the camera externally with a single FCA-to-Ethernet cable.
Familiar connections and intuitive controls
The Fiber Camera Adapter features a full complement of industry-standard interfaces such as SMPTE 311, 2-channel intercom, 4x RETURN video inputs selectable on two separate controls, GPIO, TRACKER, and comprehensive audio connectivity including LINE or AES outputs and AES, LINE, or MIC level input with selectable +48 V phantom power.
Fiber Base Station
The Fiber Base Station integrates seamlessly into live production environments, supporting multiple simultaneous outputs such as UHD with HD as progressive or interlaced video. Features include a broadcast-quality down-converter and hot-swappable redundant power supply.
Flexible and powerful cable options
The SMPTE 311 hybrid fiber cable includes copper connections to supply up to 400 W of power for the camera and 12 V or 24 V accessories. It also allows uncompressed 4K video transmission over a distance of up to 2 km. Tactical fiber cable lengths of up to 10 km can be used if the camera is powered locally.
Future-proof connectivity
The many Fiber Base Station interfaces include future-proof SMPTE 2110 IP capabilities, as well as a SMPTE 2022-7 "seamless protection switching" redundant network for absolute safety and reliability.
The 10-inch LPM-1 provides a clear image even in full sunlight due to its 1500-nit display brightness, wide viewing angle, accurate color rendition, and two sunhood options. Robust, customizable, and with a built-in tally light, the monitor features a large, easy-grab handle for rapid repositioning.
For fast setup and easy configuration, the ALEXA 35 Live - Multicam System is equipped with several carefully considered user interfaces, providing control when and where you need it. A jog wheel and display on both the Fiber Camera Adapter and the Fiber Base Station provide status display and allow on-the-spot adjustments, saving time and hassle. The ARRI Webremote allows full control of the camera, while a Multicam web interface provides full configuration of the Fiber Camera Adapter and Fiber Base Station, including signal routing, diagnostics, and software updates. The Skaarhoj Reactor web interface allows full control, configuration, and updating of the Skaarhoj RCP.
The ALEXA 35 Live - Multicam System is available in different sets that meet the varied needs of customers. Multicam extension sets are also available for ALEXA 35 owners who want to expand into the live production market. A critical part of these sets are the many bespoke accessories that ARRI has created to tailor the system to different styles of live, multi-camera shooting.
ARRI Touchdown System
The Touchdown System comprises the Touchdown Receiver Plate TRP-1 and the Touchdown Base Plate TBP-1, with built-in long shoulder pad, 15 mm rod support, and ARRI rosettes. Together, they offer a new camera mounting system that is lightweight, self-aligning, super-stable when used on a tripod, and capable of rapid transitions to handheld operation.
Live Production Handle LPH-1
Combining minimal weight with exceptional strength, the LPH-1 perfectly complements the ALEXA 35 Live camera, extending over the Fiber Camera Adapter for better monitor ergonomics and offering numerous accessory mounting points. The LPH-1 is compatible with the LWS-6 for 15 mm rod support and with various viewfinder mounting brackets, including the MVB-1 and VMB-5.
Large Lens Adapter LLA-1
ARRI's Large Lens Adapter offers a completely new way of working. It allows instant mounting of ARRI cameras to large box lenses, without tedious alignment procedures. The LLA-1 is lightweight and strong, providing multiple mounting options for accessories and cable management. Compatible with all PL and B4 box lenses, it is available with a cable to connect a PL mount (Hirose) to a box lens, as well as a rain cover and a flight case.
Tally Light Module TLM-1
For those not using the LPM-1 with integrated tally and camera ID, this standalone tally light with alphanumeric camera ID display has a versatile mounting interface and connects to the camera via daisy-chainable LBUS.
Monitor Yoke Support MYS-1L
The Monitor Yoke Support MYS-1L supports the ARRI Camera Control Monitor CCM-1, and allows for one-handed, counterbalanced, four-axis adjustment of the monitor, which is lockable in any position.
Stabilizer Adapter Mounts
A wide range of SAM plates are available to allow the ALEXA 35 Live to mount quickly, without tools, to a range of stabilization systems from ARRI and third-party suppliers. Accessories for SAM plates offer a variety of lens support and counterweight options.
ALEXA 35 Live is available in a range of modular system sets designed to meet different live‑production requirements, from compact entry configurations to fully featured broadcast setups. Customers can choose between Multicam System Sets that include the ALEXA 35 Live camera, or Extension Sets that expand existing systems with LPS‑1 hardware and accessories.
The Multicam System Entry, Standard, and Pro Sets provide ready‑to‑deploy camera packages tailored to different levels of production complexity — offering a scalable path into high‑end live workflows with optimized fiber connectivity and broadcast control.
For productions that already own an ALEXA 35 Live camera, Extension Sets (Entry, Standard, and Pro) are available without a camera body, enabling flexible system expansion using LPS‑1 and additional accessories. This modular approach allows productions to select exactly the level of performance, connectivity, and redundancy required for their specific live environment.
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