Representation of the arri 100 mm lens Master Macro 100.

Master Macro 100

For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty. 

Designed for the ANSI Super 35 image format, the ARRI Master Macro 100 can be used on any PL mount 35 mm film and single sensor digital camera. 

With a 1:1 magnification ratio, a maximum aperture of T2.0 and an optical design developed specifically for macro work, the ARRI Master Macro delivers phenomenally sharp and contrasty images with vibrant colors for extreme close-ups of the highest visual quality.  


Dedicated to Motion Picture Macro Work

  • 100 mm macro lens with 1:1 magnification ratio
  • novel optical design optimized for close-up work
  • specifically created for cine applications
  • Wide T-stop range: T2.0 (infinity)/T4.3 (close focus) to T32

ARRI Master Prime Optical Quality

  • based on Master Prime technology
  • high resolution, high contrast
  • dramatically reduced flare
  • brilliant, vibrant colors
  • low geometric distortion
  • minimized chromatic aberration
  • Super Color Matched to ARRI Master Primes, ARRI Ultra Primes, ARRI LDS Ultra Prime, ARRI Ultra 16 and Alura Zoom lenses

ARRI Master Prime Ergonomics

  • long focal length allows greater distance to subject
  • expanded focus scale (1.4x revolutions) for greater accuracy
  • individually calibrated focus scale
  • simple and robust construction (no mechanical exposure compensation)
  • focus and iris scales in standard Master Prime positions

Lens Data System

  • LDS for display of T-stop compensation on WCU‑4
  • optional electronic exposure compensation with lens motors


The versatile 100 mm Master Macro is the only must-have lens on every job I shoot.

Cinematographer Viv Scanu (Film credits include: Out of the Shadows, Balentes and many more)

The Master Macro 100 is the only Macro lens you can use like a regular lens, without compromises.

Cinematographer Stefan von Borbely (known for Commercials for global brands, such as Lexus, Bosch, Nikon, LG and many more)

Technical Data


Master Macro 100/T2.0

Type (1)

Makro-Planar T* XP

Lens Mout (2)


Aperture (3)

T2.0/T4.3 to T32

Close focus (4)

0.35 m / 13 3/4"

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