Jackson Hole_Teaser
Jackson Hole_Teaser

ARRI Signature lenses


Modern lenses. Timeless look.

The immersive Signature look is a combination warmth and natural detail that is flattering to skin tones, silky-smooth bokeh that enhances depth in every format, and best-in-class highlight and shadow retention. Full of life and character, Signature images are beautiful whatever the format, resolution, and deliverable requirements. ARRI Signature Primes and Signature Zooms cover a focal length range of 12 mm to 510 mm, which is the largest in the industry.

Coloured marking of the outgoing signal from the camera hand unit ARRI Hi-5.
Unsurpassed image quality

Warm, smooth skin tones

Open shadows with crisp blacks

Exceptionally soft bokeh

Swappable radio modules of the camera hand unit ARRI hi-5.
Modern lens

Fine details beautifully rendered

No visible focus breathing

Representation of the integrated NATO rail and several mounting points of the camera hand unit ARRI hi-5.
The widest, most consistent focal length range

Consistency of look and quality across all lenses

Largest focal length range in the industry

The Signature Primes are lightweight, with a lovely clarity to the edges of the frame and no distortion even on the wide lenses.

Bharathwaaj Subbu_Picture

Bharathwaaj Subbu

Cinematographer

The image that the LF and the Signatures produces seems, to me, more like what my eyes see than anything else I have experienced so far.

Cinematographer Oliver Maier about the ARRI Signature Zoom cine lens.

Roger Deakins ASC, BSC, CBE

Cinematographer

The Signature Zooms performed similarly to a prime lens, giving us clean yet delicate images, especially at T2.8 on the 24-75 mm lens, which was what I was mainly on.

0-arri-BTS-los-enviados-dp-miguel-gilaberte

Rachel Liew

Cinematographer

I love the image from the Signatures. It’s a very clean look, but not too sharp; it has a softness that seems very film-like to me, and when I put flare in the lens it really looks beautiful.

Cinematographer Keiko Nakahara talking about the ARRI Signature Prime Lenses.

Keiko Nakahara

Cinematographer

The 65-300 mm lens is FANTASTIC. Just like the Signature Primes, this zoom has super smooth bokeh which helps accentuate the 3-dimensional pop of the subject.

Cinematographer Oliver Maier about the ARRI Signature Zoom cine lens.

Eric Girgash 

Director of Photography

Huge perspective range, consistent look

Signature Prime Consistent focal length Comparison
Representation of the integrated NATO rail and several mounting points of the camera hand unit ARRI hi-5.
Safe investment

Optimal results with all sensors due to near-telecentric design

24/5 global services

LPL Mount on MiniLF
Universal LPL lens mount

Camera-independent

Open standard

Covering all image circles up to 46 mm large format

FAQ Picture Teaser
Tuneable Impression V Filters

Endless scope to create unique looks

Enhanced production value without additional cost

Iconic imagery from ARRI Signature lenses

Our ARRI Creative Lens Showcase webpage presents the work of cinematographers who have chosen ARRI lenses and filters to bring their creative ideas to life.

As a cinematographer, our obligation is to show things in a better way and in a different way, in ways you haven’t seen before. These lenses give us that possibility.

Cinematographer Oliver Maier about the ARRI Signature Zoom cine lens.

Christopher Doyle HKSC

Cinematographer

In my opinion, Paramount’s hit series "The Envoys" could only be shot with ARRI Signature Zoom lenses. I didn't see any other option for the levels of quality, contrast, and definition that I was looking for.

0-arri-BTS-los-enviados-dp-miguel-gilaberte

Miguel P. Gilaberte AEC

Cinematographer

ARRI’s Signature Primes are an example of perfection in lens design. They are immaculate. The ability to add rear elements to give a distinctive look is an added bonus.


Bildschirmfoto 2020-01-08 um 15.15.17

Michael Seresin ONZM, BSC

Cinematographer

I was pleasantly surprised by the lenses' distortion-free image. No matter what focal length I set, the lines were straight, with no edge blur or vignetting. Skin tones are soft, smooth, and cosmetic, but also vital and natural.

Cinematographer Oliver Maier about the ARRI Signature Zoom cine lens.

Oliver Maier

Cinematographer

“For this project I wanted to use ARRI Signature Primes for their combination of warmth and smooth skin rendition with a modern look and crisp blacks. The director asked me to consider using a zoom lens for framing flexibility and dynamic shots. ARRI Signature Zooms were the perfect solution because they preserve the unique image quality and cinematic look that I love in Signature Primes, without compromise.”

Cinematographer Oliver Maier about the ARRI Signature Zoom cine lens.

Dennis Zanatta

Director of Photography

Kyoto movie image captured with ARRI Signature Prime lenses.
Exceptionally soft bokeh and delicate flares

Credits

Halo (1)

Parthenope

Halo (1)

Bridgerton

Halo (1)

The First Omen

May_December_Poster

Caracas

Halo (1)

The Hunger Games: The Ballad of Songbirds & Snakes

Halo (1)

Red, White and Blue

Halo (1)

Io Capitano

Halo (1)

The Flash

Halo (1)

Strange Way of Life

Halo (1)

Cocaine Bear

Halo (1)

M3GAN

Meet the Signatures

News & Updates

ARRI Signature Zoom 65 - 300 mm T2.8 example footage.