ARRIFLEX 416 series - the pinnacle of 16 mm camera

The resilience of the Super 16 film format was demonstrated in 2006 when ARRI released the ARRIFLEX 416. Providing the ergonomics and operational characteristics found in ARRI 35 mm cameras, the 416 was used on TV shows, movies, and short-form productions that appreciated its advanced features and silent operation.

A 416 Plus model followed, with integrated accessory electronics for cleaner camera builds, and then the 416 Plus HS (High Speed) in 2008 - the last film camera ever made by ARRI - doubling the maximum frame rate to 150 fps.

Beloved by filmmakers

Today, the ARRIFLEX 416 is among the most sought-after film cameras, with pre-owned examples having sold to modern buyers for prices that far exceed the original cost when new. As the last analog camera ever built by ARRI, it represents the high-water mark of motion picture mechanical engineering—decades and decades of expertise contained in a nimble and elegant package.

Ed Lachman ASC used his own ARRIFLEX 416 to shoot “Carol” for director Todd Haynes

Ed Lachman ASC used his own ARRIFLEX 416 to shoot “Carol” (2015), arguably the most beautiful Super 16 film ever made.

Main features

Compact, lightweight, ergonomic
The quietest 16 mm camera
35-style viewfinder and video assist
RGB ARRIGLOW illuminated frame lines
Same control panel as the ARRIFLEX 235

Technical data

FEATURE	ARRIFLEX 416	ARRIFLEX 416 Plus	ARRIFLEX 416 Plus HS
NOTE:	Specs apply to all blank spaces to the right
Film format	Super 16 DIN 15602
Film gate	Super 16 only (12.35 x 7.5 mm, 0.486 x 0.295 inches)
Lens mount (adjustable for Super 35 format)	54 mm PL
Flange focal distance	52.00 mm - 0.01
Movement	Silent precision movement, single pull down claw, single registration pin. Pull down pitch adjustable
Viewfinder eyepiece	Same 8x eyepiece as ARRIFLEX 235
Eyepiece extension	Same short and medium extensions as ARRIFLEX 235
Forward run	1 - 75 fps		1 - 150 fps
Sound	< 20 db(A) @ 24 fps		<29 db(A) @ 24 fps
Ground glass	16SR 3 fiber optic screens
Temperature range	−20° to + 50°C (+4° to +122°F)
Shutter	Manually adjustable to: 45°, 90°, 135°, 144°, 150°, 172.8°, 180°
Power supply	24 V DC nominal (accepts 21 - 35 V DC)
Accessory power outputs	1x 24V RS connector on 416, or 2x 24V RS connector on 416 Plus & 416 Plus HS 1x 24V REMOTE connector 1x 24V Heated Eyecup connector 2x 12V MINI MONITOR connectors on IVS
Weight (camera body, viewfinder, eyepiece, IVS, magazine and film)	5.5 kg / 12.1 lbs	5.8 Kg / 12.8 Lbs
Magazine	416 Shoulder Magazine 120/400 (SHM-3), Time Code Module optional

Downloads

Apr. 1, 2006

ARRIFLEX 416 Brochure

Early color sales brochure - "The Power of 16" - covering the innovative technology inside the camera body, key features, accessories, and the new ARRI/Zeiss Ultra 16 lenses.

Apr. 7, 2006

Introduction to Super 16

A color supplement explaining all the technical and practical aspects of the Super 16 format, along with comments from eight international filmmakers who explain the creative advantages on real-world productions.

Dec. 1, 2006

ARRIFLEX 416 Instruction Manual

Exhaustive, 236-page manual for the 416, with information about literally every aspect of setting up, loading, rigging, and using the camera.

Oct. 1, 2007

ARRIFLEX 416 Quick Guide

A condensed but still detailed overview of all the crucial information required for camera crews to familiarize themselves with the 416's layout, adjustment, and operation.