The new Orbiter Docking Ring allows for the application of third-party optics on the Orbiter. The adapter and three other innovative tools extend Orbiter's flexibility, making this advanced luminaire even more versatile.
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ARRI just released LiOS 1.3, an update to the advanced control software of the ARRI Orbiter.
From the initial planning to the final installation, ARRI provided holistic expertise and top-notch equipment to create, together with partners, the DARK BAY Virtual Production Stage in Babelsberg near Berlin.
ARRI is releasing ALEXA Mini LF Software Update Package 7.1, an update that includes a new recording format for anamorphic productions.
Korean DP Nak Seon Go showcases realistic images and authentic colors in the ominous cinematography of “Kingdom: Ashin of the North” with the help of the ARRI ALEXA Mini LF’s high dynamic range and ACES compatibility.
Using ARRI’s ALEXA LF, DP Bruno Delbonnel ASC, AFC crafted a minimalist approach to the cinematography of Joel Coen’s “The Tragedy of Macbeth.”
Chief electrician, Sidney Baucheron, talks to ARRI about his different projects and experiences, sometimes in extreme conditions.
DP Aiden Ulrich chooses ARRI ALEXA Mini LF’s, Signature Primes, and WCU-4s to capture the Khaite SS2022 runway show at New York Fashion Week.
ARRI, Sky Studios, Dimension, DNEG, and Creative Technology partner to champion new skills, innovation, and insights. Double Oscar-winner Paul Franklin (“Interstellar,” “Inception”) directs the Virtual Production Innovation Project.
ARRI returned to Camerimage this year to showcase its large-format and Super 35 camera systems, equipped with the award-winning ALEXA sensor, at the top of their game.
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