ARRI receives an Engineering Emmy®, the highest TV technology recognition for outstanding achievement in engineering development for its SkyPanel family of LED softlights.
From the initial planning to the final installation, ARRI provided holistic expertise and top-notch equipment to create, together with partners, the DARK BAY Virtual Production Stage in Babelsberg near Berlin.
ARRI is releasing ALEXA Mini LF Software Update Package 7.1, an update that includes a new recording format for anamorphic productions.
Seamless workflow integration for broadcast lighting systems
Director Edoardo De Angelis, cinematographer Agostino Vertucci, and camera operator Emilio Giliberti, who worked together on the Italian film “Non ti pago,” recount their experiences with the ARRI TRINITY camera stabilizer.
Director Paul Dugdale discusses the challenge of shooting multiple live performances across the sprawling music festival site, using ALEXA Mini and AMIRA cameras.
Shot with a camera and lens package supplied by ARRI Rental and among others also illuminated with ARRI lights, “The Midnight Sky” was an audience favorite on Netflix before being nominated for Best Special Effects at the 93rd Academy Awards. Join us for a look behind the scenes from a camera and lighting perspective.
Shot with the ARRI ALEXA Mini camera, lensed with ARRI Signature Primes, and lit with ARRI’s M-Series and SkyPanels, DP Vladan Radovic vividly recreates the lights and colors of Rome in the 8th century BC for “Romulus.”
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