For ARRI’s contributions to the industry, the company will receive the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy® Awards.
ARRI is proud to announce ALEXA 35 – the new native 4K Super 35 camera that elevates digital cinematography to unprecedented heights.
The new Orbiter Fresnel Lens creates a precise light spot with a soft single shadow, and it delivers true Fresnel output with a real Gaussian field of light.
ALEXA Mini LF SUP 7.1.1 has the same features as the previous release, but additionally supports the new Codex Compact Drive 2TB, Codex Compact Drives 1TB that were updated for new firmware in ALEXA 35, and all Compact Drives 1TB that are shipped following the release of this SUP.
James Franklin, virtual production supervisor at Sky Studios—Sky’s original programming arm—explains how supernatural crime thriller “The Rising” took advantage of ARRI Stage London’s automation and playback systems.
Cinematographer Alexandre Bartholo reveals the challenges of shooting a multi-camera baking battle and how his team masterfully orchestrated the show with an arsenal of ARRI camera and lighting systems.
Korean DP Jin Ho Jung took on the challenge of capturing imagery that seamlessly combined magical visuals with a heartfelt musical drama through the ALEXA Mini LF’s high dynamic range and wide color gamut.
Cinematographer João Pedro Plácido aip talks to ARRI about choosing a Signature look for director Jeanne Waltz’s “The Wind Whistling in the Cranes.”
In commercials and music videos, the goal is to provoke an unexpected and emotional response in the viewer, says DP Benoit Soler in our third story about the use of ARRI technology on set of advertising shoots.
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