Unparalleled precision in every detail. Crisp projection of a light spot, immaculate gobo projection and precise shutter cuts. Entirely even field without color aberration.
The versatile ARRI RIA‑1 Radio Interface Adapter is out now and available to order! Also launched are the RED and SONY camera control licenses for the ARRI Hi‑5 hand unit, as well as the Focusbug license.
ARRI is proud to announce ALEXA 35 – the new native 4K Super 35 camera that elevates digital cinematography to unprecedented heights.
ALEXA Mini LF SUP 7.1.1 has the same features as the previous release, but additionally supports the new Codex Compact Drive 2TB, Codex Compact Drives 1TB that were updated for new firmware in ALEXA 35, and all Compact Drives 1TB that are shipped following the release of this SUP.
César-winning duo of filmmakers pairs up with ARRI cameras and lights to bring the chilling atmosphere of “La Tour” to life.
From fashion commercials to series teasers, cinematographer Michele Brandstetter de Bellesini chooses to work with ARRI ALEXA Mini LF, ALEXA Mini, Signature Primes, TRINITY, and SkyPanel.
Major news broadcaster Al Araby TV relied on ARRI Solutions and Ideal Systems Group to design and engineer a fully IP-based lighting network in its Doha headquarters, enabling greater control and integration into the broadcast infrastructure.
NorthHouse and Helen Dulay for Warner Music Entertainment created a promo for a special Coldplay performance, using ARRI Stage London to place the band into a fantasy version of Dubai’s Al Wasl dome.
James Franklin, virtual production supervisor at Sky Studios—Sky’s original programming arm—explains how supernatural crime thriller “The Rising” took advantage of ARRI Stage London’s automation and playback systems.
For ARRI’s contributions to the industry, the company will receive the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy® Awards.
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