Cinematographer Benedict Spence recalls shooting the fast-paced BBC/AMC hospital drama series with ARRI’s flagship large-format camera during the pandemic.

The inspiring short film “Grace” was accomplished by DP Dennis Zanatta ABC in harsh environments in the New Mexico desert with ALEXA 35, Signature Prime lenses, and ARRI Orbiter.

In a video interview, lighting designer Michael Heidinger explains how he used ARRI Orbiters and SkyPanels to illuminate a spectacular live show visualizing artificial intelligence in a completely new way.

Key grip Gary Hymns tells ARRI how he, cinematographer Sir Roger Deakins CBE, ASC, BSC, and the camera and grip crew worked with MAXIMA on Sam Mendes’ new film “Empire of Light.”

Cinematographer Arvind Kashyap speaks to ARRI about working in large format on the challenging location shoot of director Rishab Shetty’s action thriller “Kantara.”

DP Gyeong Hyeon Hwang worked with ALEXA cameras and ARRI lenses to find the perfect balance between realism and melodrama for the Singaporean-Korean film “Ajoomma,” directed by Shuming He.