Orbiter convinces with its outperforming light engine and changeable optics. Transform your Orbiters in seconds for any application you need.
Industry-leading image quality in a lightweight,
For more than a century of creativity and technology, the company received the Philo T. Farnsworth Corporate Achievement Award.
Unparalleled precision in every detail. Crisp projection of a light spot, immaculate gobo projection and precise shutter cuts. Entirely even field without color aberration.
DP Batara Goempar ICS shoots action-packed scenes and heart-pounding stunts with the lightweight and visually gripping ARRI large-format system.
Cinematographer Benedict Spence recalls shooting the fast-paced BBC/AMC hospital drama series with ARRI’s flagship large-format camera during the pandemic.
The inspiring short film “Grace” was accomplished by DP Dennis Zanatta ABC in harsh environments in the New Mexico desert with ALEXA 35, Signature Prime lenses, and ARRI Orbiter.
In a video interview, lighting designer Michael Heidinger explains how he used ARRI Orbiters and SkyPanels to illuminate a spectacular live show visualizing artificial intelligence in a completely new way.
Key grip Gary Hymns tells ARRI how he, cinematographer Sir Roger Deakins CBE, ASC, BSC, and the camera and grip crew worked with MAXIMA on Sam Mendes’ new film “Empire of Light.”
Cinematographer Arvind Kashyap speaks to ARRI about working in large format on the challenging location shoot of director Rishab Shetty’s action thriller “Kantara.”
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