Standing ovations at the premiere of “The Orphanage” at the @Festival_Cannes. @shahrbanoosadat (Director) & @Adomeitfilm (Producer): “The #ARRI family offered us an all-around support for camera, light, & grip equipment, VFX & sound mix. They made us feel welcome & at home.”

At Sundance Film Festival “Sea of Shadows” by director and cinematographer Richard Ladkani won the Audience Award. Now the dramatic documentary thriller about Mexican cartels and Chinese traffickers, who join forces to poach the rare totoaba fish, is celebrated during its German premiere at the DOK.fest München. 

Director’s Fortnight hosted the opening masterclass with @johncarpenterofficial and French directors Katell Quillévéré and Yann Gonzalez. The discussion was captured with two #ARRI #AMIRA cameras in Multicam mode and ARRI/Fujinon ALURA Zoom lenses controlled with ARRI Master Grips.

Today “Les Misérables” by director Ladj Ly will be screened in the main competition. The French film was shot by cinematographer Julien Poupard AFC, who worked with ARRI’s ALEXA Mini camera and Master Grips. Read more...

Congratulations to Maggie Olkuska on winning the #ARRI #AMIRA Award for outstanding camera work in a documentary film! Yesterday at @dokfest she was honored for her work on “Rediscovery.” The award, endowed with 5,000 euros, was presented by Stephan Schenk (ARRI).

Visit our #ARRIMedia International team at @mdf_cannes at @Festival_Cannes 2019 until May 23 at booth Lérins M11, Palais des Festival.

Eight cinematographers and three editors were awarded with the renowned German Camera Award (Deutscher Kamerapreis) in Cologne, with #ARRI as a sponsor. In 2019 the honorary prize went to Benedict Neuenfels (“Styx”). Christopher Aoun (“Capernaum”) was honored for the “Best Camera in a Feature Film.”

As a supplier of products and services for the motion picture industry, it´s important for ARRI to be present at the world´s most important film festival. Read more...

“30 days in the jungles of the Solomon Islands and Thailand on the Burma railway, and the #ARRI #AMIRA did not miss a beat or fail even in the worst heat and humidity. ARRI AMIRA is the only camera I trust when filming for National Geographic.” – Jamie Knights, DP at Epic TV Studios