ARRI is releasing a second generation of its TRINITY and ARTEMIS camera stabilizers. The new modular system has been redesigned down to the smallest detail and equips filmmakers with unprecedented visual dexterity and progress the language of cinema.
The 94th Academy Awards recognized many outstanding films. Oscar® winners including “Dune,” “CODA,” “The Power of the Dog,” and “Drive My Car” were captured using ARRI technology.
The new Orbiter Docking Ring allows for the application of third-party optics on the Orbiter. The adapter and three other innovative tools extend Orbiter's flexibility, making this advanced luminaire even more versatile.
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ARRI now offers selected pre-owned and refurbished lighting fixtures for sale.
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DP Thomas Hardmeier and gaffer Laurent Héritier talk about their experience with the ALEXA LF, ALEXA Mini LF, ARRI Signature Primes, and SkyPanels on Jean-Pierre Jeunet’s “Bigbug” for Netflix.
DP Hidetoshi Shinomiya and Lighting Director Daiki Takai JSL relied on the stability and versatility of ARRI equipment to capture the genuine and raw emotions of the characters from the Oscar®-winning film “Drive My Car.”
For the state-of-the-art Sportsnet Studios, lighting director James Downey chose ARRI SkyPanels due to their expertise in illuminating virtual reality, augmented reality, and 3D spaces.
DP Josua Stäbler talks about working with ARRI’s large-format camera and attempting carbon neutrality on the YouTube climate change series, “Seat at the Table.”
At the top-ranking New Year’s Eve television special this year, 80 ARRI SkyPanel S360-Cs were chosen to illuminate the sensational event.
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