DP Thomas Hardmeier and gaffer Laurent Héritier talk about their experience with the ALEXA LF, ALEXA Mini LF, ARRI Signature Primes, and SkyPanels on Jean-Pierre Jeunet’s “Bigbug” for Netflix.

Gaffer Stéphane Bourgoin talks about his latest projects, such as “The Last Duel” and “Emily in Paris,” shot in France and lit with ARRI lights.

DP Hidetoshi Shinomiya and Lighting Director Daiki Takai JSL relied on the stability and versatility of ARRI equipment to capture the genuine and raw emotions of the characters from the Oscar®-winning film “Drive My Car.”

For the state-of-the-art Sportsnet Studios, lighting director James Downey chose ARRI SkyPanels due to their expertise in illuminating virtual reality, augmented reality, and 3D spaces.

The 94th Academy Awards recognized many outstanding films. Oscar® winners including “Dune,” “CODA,” “The Power of the Dog,” and “Drive My Car” were captured using ARRI technology. 

DP Josua Stäbler talks about working with ARRI’s large-format camera and attempting carbon neutrality on the YouTube climate change series, “Seat at the Table.”