ARRI is releasing ALEXA Mini LF Software Update Package 7.1, an update that includes a new recording format for anamorphic productions.
Seamless workflow integration for broadcast lighting systems
The new central component of ARRI’s Electronic Control System (ECS). Hi-5 - fifth-generation intelligent hand unit.
Orbiter comes with immense versatility and outstanding colors. Get yours now!
Shot with a camera and lens package supplied by ARRI Rental and among others also illuminated with ARRI lights, “The Midnight Sky” was an audience favorite on Netflix before being nominated for Best Special Effects at the 93rd Academy Awards. Join us for a look behind the scenes from a camera and lighting perspective.
Shot with the ARRI ALEXA Mini camera, lensed with ARRI Signature Primes, and lit with ARRI’s M-Series and SkyPanels, DP Vladan Radovic vividly recreates the lights and colors of Rome in the 8th century BC for “Romulus.”
After filming several Chinese hit films, cinematographer Gao Pengyu takes the reigns with camera and lighting for his latest project. On “Emergency Rescue,” the ARRI Orbiter is able to convince Gao’s crew with its ease of use and power.
At the Festival de Cannes 2021, the vast majority of winning and participating productions relied on ARRI equipment. At and surrounding the event, ARRI played a behind the scenes role and also sponsored several prizes.
Cinematographer Ross Riege teams with Oscar-winner Larry Sher ASC to bring the depth and beauty of ARRI’s large-format cinematography to NBC’s new sitcom “Rutherford Falls.”
For her two films screening in the Festival de Cannes’ Main Competition, cinematographer Jeanne Lapoirie relied on the winning combination of ARRI’ ALEXA Mini camera and Master Grips with ARRI SkyPanels playing a supporting role.
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