The 2023 Oscar winners in Best Picture, Best Cinematography, Best International Feature, and other categories put their trust in ARRI technology.
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Orbiter convinces with its outperforming light engine and changeable optics. Transform your Orbiters in seconds for any application you need.
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Launching the new line of ARRI Impression Filters are eight Impression V Filters that give a vintage feel to Signature Prime and Signature Zoom lenses.
The ALEXA Mini LF SUP 7.2 is all about connectivity and control.
ARRI technology helped DP Álex de Pablo define the two parts of “The Beasts,” winner of Best Film and Best Cinematography at the 2023 Goya Awards.
On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.
Cinematographer K.K. Senthil Kumar ISC reports on his visual choices and challenges on the blockbuster Telugu-language action drama movie “RRR,” directed by S.S. Rajamouli.
A dreamy, colorful, surreal film, “The Springtime of My Life” is a comedy featuring two famous Italian musicians. On various sets in Sicily, DP Carlo Rinaldi made extensive use of ARRI Orbiter lights.
Based on the terrorist attacks in Paris 2015, the powerful thriller “November” was captured by DP Nicolas Noir AFC with the ALEXA Mini LF and ARRI SkyPanels.
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