James Franklin, virtual production supervisor at Sky Studios—Sky’s original programming arm—explains how supernatural crime thriller “The Rising” took advantage of ARRI Stage London’s automation and playback systems.

For ARRI’s contributions to the industry, the company will receive the Philo T. Farnsworth Corporate Achievement Award at the 74th Engineering, Science & Technology Emmy® Awards.

Cinematographer Alexandre Bartholo reveals the challenges of shooting a multi-camera baking battle and how his team masterfully orchestrated the show with an arsenal of ARRI camera and lighting systems.

Korean DP Jin Ho Jung took on the challenge of capturing imagery that seamlessly combined magical visuals with a heartfelt musical drama through the ALEXA Mini LF’s high dynamic range and wide color gamut.

Cinematographer João Pedro Plácido aip talks to ARRI about choosing a Signature look for director Jeanne Waltz’s “The Wind Whistling in the Cranes.”

In commercials and music videos, the goal is to provoke an unexpected and emotional response in the viewer, says DP Benoit Soler in our third story about the use of ARRI technology on set of advertising shoots.