Be there for the reveal. The countdown has begun. On Tuesday, May 31, 2022 at 6 pm (CEST) ARRI announces its new Super 35 camera.
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ARRI is releasing a second generation of its TRINITY and ARTEMIS camera stabilizers. The new modular system has been redesigned down to the smallest detail and equips filmmakers with unprecedented visual dexterity and progress the language of cinema.
The 94th Academy Awards recognized many outstanding films. Oscar® winners including “Dune,” “CODA,” “The Power of the Dog,” and “Drive My Car” were captured using ARRI technology.
The new Orbiter Docking Ring allows for the application of third-party optics on the Orbiter. The adapter and three other innovative tools extend Orbiter's flexibility, making this advanced luminaire even more versatile.
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DP Thomas Hardmeier and gaffer Laurent Héritier talk about their experience with the ALEXA LF, ALEXA Mini LF, ARRI Signature Primes, and SkyPanels on Jean-Pierre Jeunet’s “Bigbug” for Netflix.
Gaffer Stéphane Bourgoin talks about his latest projects, such as “The Last Duel” and “Emily in Paris,” shot in France and lit with ARRI lights.
DP Hidetoshi Shinomiya and Lighting Director Daiki Takai JSL relied on the stability and versatility of ARRI equipment to capture the genuine and raw emotions of the characters from the Oscar®-winning film “Drive My Car.”
For the state-of-the-art Sportsnet Studios, lighting director James Downey chose ARRI SkyPanels due to their expertise in illuminating virtual reality, augmented reality, and 3D spaces.
DP Josua Stäbler talks about working with ARRI’s large-format camera and attempting carbon neutrality on the YouTube climate change series, “Seat at the Table.”
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