ARRI addresses the growing demand for high-quality virtual production, integrated systems, and efficient workflows with the dedicated business unit ARRI Solutions and two new senior management positions.

ARRI technology helped DP Álex de Pablo define the two parts of “The Beasts,” winner of Best Film and Best Cinematography at the 2023 Goya Awards.

On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.

Cinematographer K.K. Senthil Kumar ISC reports on his visual choices and challenges on the blockbuster Telugu-language action drama movie “RRR,” directed by S.S. Rajamouli.

The 2023 Oscar winners in Best Picture, Best Cinematography, Best International Feature, and other categories put their trust in ARRI technology.

A dreamy, colorful, surreal film, “The Springtime of My Life” is a comedy featuring two famous Italian musicians. On various sets in Sicily, DP Carlo Rinaldi made extensive use of ARRI Orbiter lights.