Cameras

From the initial planning to the final installation, ARRI provided holistic expertise and top-notch equipment to create, together with partners, the DARK BAY Virtual Production Stage in Babelsberg near Berlin.

Director Paul Dugdale discusses the challenge of shooting multiple live performances across the sprawling music festival site, using ALEXA Mini and AMIRA cameras.

Shot with a camera and lens package supplied by ARRI Rental and among others also illuminated with ARRI lights, “The Midnight Sky” was an audience favorite on Netflix before being nominated for Best Special Effects at the 93rd Academy Awards. Join us for a look behind the scenes from a camera and lighting perspective.  

Shot with the ARRI ALEXA Mini camera, lensed with ARRI Signature Primes, and lit with ARRI’s M-Series and SkyPanels, DP Vladan Radovic vividly recreates the lights and colors of Rome in the 8th century BC for “Romulus.”

At the Festival de Cannes 2021, the vast majority of winning and participating productions relied on ARRI equipment. At and surrounding the event, ARRI played a behind the scenes role and also sponsored several prizes.

Cinematographer Ross Riege teams with Oscar-winner Larry Sher ASC to bring the depth and beauty of ARRI’s large-format cinematography to NBC’s new sitcom “Rutherford Falls.”

For her two films screening in the Festival de Cannes’ Main Competition, cinematographer Jeanne Lapoirie relied on the winning combination of ARRI’ ALEXA Mini camera and Master Grips with ARRI SkyPanels playing a supporting role.

Australian DP Alexander Leeway crafts unique ARRI Signature Prime looks by using the lenses’ magnetic rear filter holder on his music video shoot for Phondupe’s "Silo".

Despite inclement weather conditions and a variety of indoor and outdoor settings, DP Julien Hirsch was able to “discover the flexibility and simplicity of the ALEXA Mini LF” on one of his latest projects.