Cameras

Using ARRI’s ALEXA LF and ALEXA Mini LF cameras with Signature Primes, DP Luo Pan ASC, CNSC and director Guan Hu shoot an epic war film on a tight schedule.

ARRI technology illuminated and captured a virtual production experience in France for the fashion market. Read and watch, what happened behind the scenes.

Production is ramping up globally and demand for the ALEXA Mini LF continues to increase. The release of the ALEXA Mini LF Software Update Package SUP 6.0.22 increases general system stability and fixes a number of bugs.  

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Cinematographer Greig Fraser ACS, ASC takes us behind the scenes of Disney’s groundbreaking live-action Star Wars series “The Mandalorian.” He discusses shooting in-camera effects with ALEXA LF on the series, which is Emmy-nominated in 15 categories.

“How to Be a Good Wife,” a hit this summer in French cinemas, along with soon to be released “My Cousin”and“Waiting for Bojangels” were all captured with ALEXA LF and ARRI Signature Prime lenses. Cinematographer Guillaume Schiffman AFC explains his choice of tools which also included ARRI SkyPanel and ALEXA Mini LF. 

Cinematographers Nancy Schreiber, ASC, and Richard J. Vialet split duties behind the camera for a show some are calling “brilliant.” We catch up with Schreiber to learn more about her experience, the inspiration for the show’s look and why it was important to hire a diverse crew.

As a cinematographer and camera operator, Léglise was looking for tools that were robust yet lightweight. He wanted ease and flexibility without having to compromise on skin tone or color rendering. The AMIRA camera together with its ARRIRAW recording option and the ARRI Master Grips provided the support he needed in all conditions.

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.