ARRI Cameras

Cinematographer Paolo Carnera relied on ALEXA Mini LF and ARRI Signature Primes to capture “Io Capitano,” the story of two African men and their dangerous passage from Senegal to Europe.

The team behind “Man Suang” pushed the boundaries of artful cinematography by incorporating candlelights and a blend of vibrant colors with the help of the ALEXA 35.

Cinematographer Johannes Obermaier BVK and 1st AC Georg Lanz reveal how they created a nimble camera setup with the ALEXA Mini LF, Signature Primes, Hi‑5, and Master Grip.

Directing duo, dom&nic, push the boundaries of virtual production techniques on their latest Chemical Brothers promo film

Director Amanda Nell Eu and cinematographer Jimmy Gimferrer’s art-house horror film, captured with the ARRI AMIRA and lit with ARRI lights, won the grand prize for best feature at Cannes’ International Critics’ Week.

Young Belgian cinematographer Caroline Guimbal relied on the ALEXA Mini and ARRI lighting fixtures for the subtle photography of award-winning feature film “Love According to Dalva”.

One of the most acclaimed cameras is being listed for sale by ARRI CPO (Certified Pre‑Owned). Obviously, we are referring to the ARRIFLEX 435 Extreme, which has a place of honor by dedicated filmmakers. The price is $21,000. Would you buy it?

Once again, ARRI played a major part behind the scenes of the 76th Festival de Cannes. The company supplied most screening films with equipment, hosted glamorous events, illuminated the red carpet, and strengthened its relationships with filmmakers.

Cinematographer David Lanzenberg creatively harnessed the ALEXA Mini LF, ARRI Signature Primes, and Orbiter lights to create captivating visuals in Netflix's hit series “Wednesday.”