Cameras

Korean DP Nak Seon Go showcases realistic images and authentic colors in the ominous cinematography of “Kingdom: Ashin of the North” with the help of the ARRI ALEXA Mini LF’s high dynamic range and ACES compatibility.

Using ARRI’s ALEXA LF, DP Bruno Delbonnel ASC, AFC crafted a minimalist approach to the cinematography of Joel Coen’s “The Tragedy of Macbeth.”

DP Aiden Ulrich chooses ARRI ALEXA Mini LF’s, Signature Primes, and WCU-4s to capture the Khaite SS2022 runway show at New York Fashion Week.

ARRI, Sky Studios, Dimension, DNEG, and Creative Technology partner to champion new skills, innovation, and insights. Double Oscar-winner Paul Franklin (“Interstellar,” “Inception”) directs the Virtual Production Innovation Project.

ARRI returned to Camerimage this year to showcase its large-format and Super 35 camera systems, equipped with the award-winning ALEXA sensor, at the top of their game.

Offering guests a mixture of virtual and live events in Toruń, Poland, EnergaCAMERIMAGE will certainly be a highlight of 2021. Below are the full details of the publicly accessible ARRI events and activities at the festival this year.

“White Building” cinematographer Douglas Seok found the ARRI ALEXA Mini to be a reliable partner as they shot under Cambodia’s hostile climate, harsh sunlight, and unfavorable shooting locations.

Brazilian DP Julio Costantini discusses the approach and technology utilized on his latest film “Confessions of an Invisible Girl.” The Netflix Original was shot on ARRI ALEXA Mini LF and ARRI Signature Primes in ARRIRAW and lit by ARRI SkyPanels.

From the initial planning to the final installation, ARRI provided holistic expertise and top-notch equipment to create, together with partners, the DARK BAY Virtual Production Stage in Babelsberg near Berlin.