ARRI Cameras

Once again, ARRI played a major part behind the scenes of the 76th Festival de Cannes. The company supplied most screening films with equipment, hosted glamorous events, illuminated the red carpet, and strengthened its relationships with filmmakers.

Cinematographer David Lanzenberg creatively harnessed the ALEXA Mini LF, ARRI Signature Primes, and Orbiter lights to create captivating visuals in Netflix's hit series “Wednesday.”

Thai DP T-Thawat Taifayongvichit utilizes ALEXA Mini LF’s high dynamic range and color science to bring out the textures of food and class division for his latest Netflix feature film.

Tailor-made solution for cinematic quality production comprises design, engineering, and project oversight for cutting-edge turnkey studio facilities, including virtual production and cyclorama stages.

ARRI Americas introduces its newest and ongoing community engagement and education series, ARRI CLOSE-UP. Watch the video highlights from the kickoff event with the series’ first guest, Academy Award-nominated cinematographer Mandy Walker.

With its new office in Rome, ARRI continues to promote and support the Italian film industry. At the opening ceremony, more than 100 guests celebrated this important milestone.

DP Ralph Kaechele BVK uses the ALEXA Mini LF’s nuanced color rendition and large-format aesthetic to craft a big-screen look for TV movie “The Hunted – In the Camorra’s Net.”

DP Christopher Probst ASC showcases the capabilities of the Orbiter, ARRI’s advanced LED light for image capture and color fidelity, in a short film titled “An Ace up the Sleeve.”

ALEXA Mini LF with Signature Primes, TRINITY stabilizer, and ARRI lights: Cinematographer Emanuele Zarlenga has made extensive use of ARRI tools in his latest commercials.