Cameras

Director Blake Farber and director of photography Corrado Serri AIC share their experience shooting with the Mini LF and Signature Prime lenses for Pepsi's 'Discover' commercial.

This year’s Academy Awards recognized many outstanding films and artists this year. ARRI is honored to have supported Oscar’s big winner of the evening, “Nomadland,” and many others. 

Director Hamish Hamilton discusses his experience using ARRI cameras at the 2021 Super Bowl Halftime Show for the first time and how the ALEXA Minis and AMIRAs delivered epic imagery to millions.

From the ALEXA LF camera, ARRI Signature Prime lenses, and SkyPanel lights to ARRI Rental’s ALEXA 65 camera and DNA lenses, various mega films, released during the Chinese Lunar Festival, were captured with a range of ARRI technology.

Indonesia’s rising cinematographer, Vera Lestafa, and the first TRINITY operator in the country, Hanafi “Aan” Malik, join forces to shoot romance drama film “Under the Age” while equipped with the ultimate combination of ALEXA LF, Signature Primes, and TRINITY.

On the acclaimed movie “Never Rarely Sometimes Always,” French cinematographer Hélène Louvart shot with ARRIFLEX 416 film cameras, while for other projects she has chosen the ALEXA Mini.

Using ARRI’s ALEXA LF and ALEXA Mini LF cameras with Signature Primes, DP Luo Pan ASC, CNSC and director Guan Hu shoot an epic war film on a tight schedule.

ARRI technology illuminated and captured a virtual production experience in France for the fashion market. Read and watch, what happened behind the scenes.

Production is ramping up globally and demand for the ALEXA Mini LF continues to increase. The release of the ALEXA Mini LF Software Update Package SUP 6.0.22 increases general system stability and fixes a number of bugs.  

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