Cameras

Production is ramping up globally and demand for the ALEXA Mini LF continues to increase. The release of the ALEXA Mini LF Software Update Package SUP 6.0.22 increases general system stability and fixes a number of bugs.  

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Cinematographer Greig Fraser ACS, ASC takes us behind the scenes of Disney’s groundbreaking live-action Star Wars series “The Mandalorian.” He discusses shooting in-camera effects with ALEXA LF on the series, which is Emmy-nominated in 15 categories.

“How to Be a Good Wife,” a hit this summer in French cinemas, along with soon to be released “My Cousin”and“Waiting for Bojangels” were all captured with ALEXA LF and ARRI Signature Prime lenses. Cinematographer Guillaume Schiffman AFC explains his choice of tools which also included ARRI SkyPanel and ALEXA Mini LF. 

Cinematographers Nancy Schreiber, ASC, and Richard J. Vialet split duties behind the camera for a show some are calling “brilliant.” We catch up with Schreiber to learn more about her experience, the inspiration for the show’s look and why it was important to hire a diverse crew.

As a cinematographer and camera operator, Léglise was looking for tools that were robust yet lightweight. He wanted ease and flexibility without having to compromise on skin tone or color rendering. The AMIRA camera together with its ARRIRAW recording option and the ARRI Master Grips provided the support he needed in all conditions.

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.

For the second year in a row, ARRI created a professional exchange platform to discuss important trends affecting the media and broadcast industry complete with expert equipment and solutions.

China’s second highest-grossing release in history earned $700 million at the worldwide box office and is currently the third biggest global release of 2019. Still under the radar in many parts of the world, “The Wandering Earth,” shot and lit with ARRI equipment, is now available on Netflix.