Cameras

As the one of the very first users of TRINITY, Junior Lucano is carving out a niche as a “go-to” ARRI TRINITY operator in China. So far, he has completed four films. One of his most memorable projects to date, “Hidden Man,” allowed him to showcase his skills with the TRINITY stabilization rig.

“Drunk History” achieves many looks to transport viewers to a different time and place for each story.

Camera crews from around the world share their positive WVS feedback.

During the shooting of Rita Falk’s novel adaptation “Hannes,” ARRI’s Operator Control Unit OCU-1 made its film debut. DP Christian Marohl and camera assistants Sascha El Gendi and Julius Aeneas Thamer report on their experiences.

The opening ceremony celebrating the 100th anniversary of the Bauhaus was filmed with four ARRI AMIRAs and two ALEXA Minis and streamed live on Arte Concert. Director Thomas Janze talks about the camera setup.

Since it’s Jury Prize win at the Cannes Film Festival in May 2018, “Capernaum” has been impressing critics and audiences alike. Recently it has been nominated for Best Foreign Language Film by the Academy Awards and BAFTA.

500 meters off the ground, a couple of brave athletes, a twenty-some person crew, and ARRI equipment participated in the launch of this year’s Deutschlandjahr: a year-long nationwide festival celebrating Germany’s close friendship to the United States.

Netflix and ZDFneo are now airing the high-end crime series “Perfume.” This Constantin Film production was shot with equipment from ARRI Rental and co- and post-produced by ARRI Media. A look behind the scenes.

Berlin-based DP Winnie Heun chose ARRI lights, cameras, and lenses for a recent Knorr commercial and claimed he "had the right tools for the job."