Cameras

Despite inclement weather conditions and a variety of indoor and outdoor settings, DP Julien Hirsch was able to “discover the flexibility and simplicity of the ALEXA Mini LF” on one of his latest projects.

ARRI builds global solutions business with end-to-end cine and broadcast solutions. First reference projects include mixed reality studio DARK BAY and WELT TV studios, entirely equipped with IP-based lighting technology.

Giorgio Diritti’s film, captured with ALEXA Mini, has earned cinematographer Matteo Cocco prizes at the European Film Awards, Italian Golden Globes, and David di Donatello Awards.

With the use of ARRI equipment, including ALEXA Mini, AMIRA, and SkyPanels, several French television producers and broadcasters are upping their game with cinematic images.

Director Blake Farber and director of photography Corrado Serri AIC share their experience shooting with the Mini LF and Signature Prime lenses for Pepsi's 'Discover' commercial.

This year’s Academy Awards recognized many outstanding films and artists this year. ARRI is honored to have supported Oscar’s big winner of the evening, “Nomadland,” and many others. 

Director Hamish Hamilton discusses his experience using ARRI cameras at the 2021 Super Bowl Halftime Show for the first time and how the ALEXA Minis and AMIRAs delivered epic imagery to millions.

From the ALEXA LF camera, ARRI Signature Prime lenses, and SkyPanel lights to ARRI Rental’s ALEXA 65 camera and DNA lenses, various mega films, released during the Chinese Lunar Festival, were captured with a range of ARRI technology.

Indonesia’s rising cinematographer, Vera Lestafa, and the first TRINITY operator in the country, Hanafi “Aan” Malik, join forces to shoot romance drama film “Under the Age” while equipped with the ultimate combination of ALEXA LF, Signature Primes, and TRINITY.