Cameras

Shot with ALEXA Mini LF and ARRI SkyPanel lighting, the TV series “The Lions of Sicily” sent filmmakers Fabrizio Lucci and Paolo Genovese on a creative journey with 22 weeks of filming. 

French cinematographer Pierre Milon chose to work with ARRI tools for a beautiful biopic dedicated to sailor Florence Arthaud.

From fashion commercials to series teasers, cinematographer Michele Brandstetter de Bellesini chooses to work with ARRI ALEXA Mini LF, ALEXA Mini, Signature Primes, TRINITY, and SkyPanel.

In commercials and music videos, the goal is to provoke an unexpected and emotional response in the viewer, says DP Benoit Soler in our third story about the use of ARRI technology on set of advertising shoots.

Boy meets shark in a swimming pool: Italian cinematographer Ivan Casalgrandi utilized the ALEXA Mini LF and ARRI lights to shoot “Shark Teeth,” a feature debut “on the edge of reality.”

Cinematographer Paolo Carnera relied on ALEXA Mini LF and ARRI Signature Primes to capture “Io Capitano,” the story of two African men and their dangerous passage from Senegal to Europe.

The team behind “Man Suang” pushed the boundaries of artful cinematography by incorporating candlelights and a blend of vibrant colors with the help of the ALEXA 35.

Cinematographer Johannes Obermaier BVK and 1st AC Georg Lanz reveal how they created a nimble camera setup with the ALEXA Mini LF, Signature Primes, Hi‑5, and Master Grip.

Directing duo, dom&nic, push the boundaries of virtual production techniques on their latest Chemical Brothers promo film