Camera Stabilizer Systems

We are excited to share that Curt O. Schaller, Product Manager Camera Stabilizer Systems at ARRI, has been honored with a Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences for his work on the TRINITY 2 camera stabilizer system.

ARRI’s 20th award from the Academy of Motion Picture Arts and Sciences honoring the company’s engineers and showcasing the company’s dedication to technological innovations for the industry

The ARRI TRINITY 2, our hybrid camera stabilizer system that combines mechanical and electronic stabilization, has been recognized by the Academy of Motion Picture Arts and Sciences with a Scientific and Engineering Award®! 🏆

With a Pan Axis Module attached, the head of ARRI’s TRINITY 2 camera stabilizer converts into a compact and powerful three-axis stabilized remote head, allowing TRINITY 2 operators to expand the skills and chargeable services they can offer on set. By augmenting the powerful tilt and roll motors of the TRINTY 2 head with a similarly powerful pan axis, the new module permits TRINITY 2 to be used in situations that would normally be reserved for standalone remote heads or three-axis gimbals.

The Tally system gives the host and the talent a signal, indicating they are on air. This second-generation system ensures constant brightness for both sides, with a stronger light on the talent side, and a softer light for the operator. In this Tech Talk you will learn how to set up the Tally with our Camera Stabilizer Systems ARTEMIS 2 and TRINITY 2 / TRINITY Gen.1.

The CCP Live is an upgraded version of our Camera Control Panel CCP-1. Its updated back panel now offers a down-converter for a monitor image and a Tally outlet. Product Manager Curt O. Schaller shows you the features and setup of this new camera control unit in a multicam environment.

Get to know our camera stabilizer TRINITY Live, specifically made for live productions! Product Manager Curt Schaller walks you through the setup and features of the new system, which offers a lightweight rig, stable communication to the OB van, and many more benefits for broadcast productions.

ARRI introduces a second generation of its TRINITY and ARTEMIS camera stabilizers. The new modular system has been redesigned down to the smallest detail, incorporating enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity. A quick and easy upgrade transforms the purely mechanical ARTEMIS 2 into the hybrid TRINITY 2, which adds electronic stabilization for an even wider range of movements and angles.

Five of the world’s top stabilizer operators were invited to a sneak peek and an exclusive workshop for ARRI’s TRINITY 2 and ARTEMIS 2. Watch their reactions and see the first shots ever taken on ARRI’s brand new stabilizers!

Watch this video about solutions available to support your camera in ARRI Stabilizer systems with Jeanfre Fachon, Product Manager ARRI Camera Accessories. Learn more in this Tech Talk!

Watch Product Manager Curt Schaller and special guest Nino Pansini (known for "Ford v Ferrari," "Fast & Furious," and many more) demonstrate the SRH‑360 and its accessories that allow a remote operating workflow, in order stay safe on set and comply with Covid guidelines.

Discover new possibilities with the latest accessories for our Camera Stabilizer Systems (CSS) and learn how and where to use the new SSB-1 bracket. This webinar will also show how to improve the balance of your TRINITY with the help of counterweights and donuts. Insider Tips: Product Manager Curt O. Schaller will reveal how to improve the overall performance of the TRINITY with refined balancing procedures and alternative PID settings.