As popular as the ARRIFLEX 16ST and 16M had proved for newsgathering, by the 1960s it was clear that the market needed a sync-sound 16 mm option. ARRI launched the ARRIFLEX 16BL (Blimped Lightweight) in 1965; its moving parts were mounted on a platen that ‘floated’ within the camera housing to insulate operating noise.
Zoom lenses were factory-installed in special lens blimps to further reduce noise levels. The lens itself connected to the film movement, while the blimp connected to the camera housing, preventing an acoustic bridge. A later version of the camera was designated 16BLEQ and featured a built-in crystal-controlled motor.