largeformat_video loop - preview

Camera Systems

Integrated product lines for seamless compatibility

For over 100 years, ARRI has been making tools that expand creative possibilities for filmmakers. Today, the uniquely wide range of interconnected camera products available from ARRI reflects the company's system approach, whereby individual products work well with third-party gear, but extra value is added if all components are from ARRI. To maintainn third-party compability, ARRI establishes industry standards, works closely with other manufacturers, and provides its image processing technologies to developers of postproduction tools. But on set, nothing will unlock more featire and ensure greater peace of mind than keeping everything ARRI.

Bildschirmfoto 2020-02-17 um 13.32.39

Video Technical Information - Preventing Damage to SDI Outputs

Marc Shipman-Mueller explains in this minute-long video why damage to SDI outputs can occur and what to do to prevent it.


Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.

01_0501_traumfabrik_13_foto_julia_terjung_tobis_film Kopie

Dream project “Traumfabrik”

For producer Tom Zickler and director Martin Schreier, their new film “Traumfabrik” (“Dream Factory”) is a real dream of a project. In an interview they talk about this complex film production—and about their collaboration with ARRI.


ARRI, this year in cooperation with Volucap, organizes the second International Broadcast Day

For the second year in a row, ARRI created a professional exchange platform to discuss important trends affecting the media and broadcast industry complete with expert equipment and solutions.


ARRI Behind the Scenes of "The Wandering Earth"

China’s second highest-grossing release in history earned $700 million at the worldwide box office and is currently the third biggest global release of 2019. Still under the radar in many parts of the world, “The Wandering Earth,” shot and lit with ARRI equipment, is now available on Netflix.


Cannes winners rely on ARRI equipment

At the Festival de Cannes, the vast majority of winning and participating productions relied on ARRI equipment. On the Croisette, ARRI was present at the event and behind the scenes.


Why DP Federico Annicchiarico relied on ARRI equipment for “Rock ‘n’ Roll Robot”

The Italian feature “Rock ‘n’ Roll Robot” was shot with the ALEXA Mini camera, Ultra Primes lenses, and lighting equipment from ARRI. DP Federico Annicchiarico AIC-Imago and his team talk about the filming.


Andrés Gallegos on his short film “Shoe Shiner”

Chilean cinematographer and ASC Heritage Award nominee, Andrés Gallegos, shares his experience at the helm of the short film “Shoe Shiner,” shot with ARRI ALEXA Studio camera.


TRINITY Operator Junior Lucano on Chinese film “Hidden Man”

As the one of the very first users of TRINITY, Junior Lucano is carving out a niche as a “go-to” ARRI TRINITY operator in China. So far, he has completed four films. One of his most memorable projects to date, “Hidden Man,” allowed him to showcase his skills with the TRINITY stabilization rig.