ARRI activities at Energa Camerimage 2019

See the full details of ARRI´s events and activities at the festival of cinematography this year inToruń, Poland.

Roger Deakins on his journey to ARRI’s large format

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”

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What’s new? Everything!

The new ultra-bright LED point source with a variety of optics.

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ARRI Broadcast Solutions

ARRI’s expertise in HD and 4K/HDR camera systems, lighting, postproduction, and rental guarantees a deep understanding of the broadcast and media production environment from beginning to end...

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Last night, ARRI hosted- Picture

Nominations Party at the Camerimage Festival

Last night, ARRI hosted the annual Nominations Party at the Camerimage Festival. Nominees for the Golden Frog at this year’s festival were honored by festival director Marek Żydowicz and ARRI Executive Board member Markus Zeiler. 


Adam Kimmel ASC taps ARRI Signature Prime lenses for commercial work

Thanks to their ability to handle skin tones, cinematographer Adam Kimmel ASC chooses the ARRI Signature Primes in films for global brands including Audi, Jeep, and a new Netflix comedy show.


ARRI celebrates 10 years M18

ARRI celebrates 10 years M18 - use your chance to grab the limited edition of this workhorse of the industry. 


Skin tones with ARRI Signature Prime lenses

Last week at the ASC Master Class held in ARRI Burbank, Shelly Johnson ASC, the cinematographer behind "Hidalgo" and "Captain America", demonstrated how well the ARRI Signature Primes handle skin tones. 

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens choices and shares his experience during the difficult shooting conditions.


“Space Dogs” DP Yunus Roy Imer: “ARRI is sincere and reliable”

For “Space Dogs,” DP Yunus Roy Imer filmed in Moscow with stray dogs. In an interview the cinematographer talks about the difficulties of shooting the film, his equipment selection from ARRI Rental, and the color grading at ARRI Media—also in a video.

ARRI on the road

13 Nov 2019
15 Nov 2019

Inter BEE

22 Nov 2019
24 Nov 2019

LDI Show

01 Jan 2020
01 Jan 2020

Sim Open House