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What’s new? Everything!

The new ultra-bright LED point source with a variety of optics.

Explore Orbiter

Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.

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Roger Deakins on his journey to ARRI’s large format

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”

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ARRI Broadcast Solutions

ARRI’s expertise in HD and 4K/HDR camera systems, lighting, postproduction, and rental guarantees a deep understanding of the broadcast and media production environment from beginning to end...

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2020-01-25

Don’t miss William F. White International Inc.'s annual February Freeze

Don’t miss William F. White International Inc.'s annual February Freeze, Feb. 4-5! You'll find us in Booth #42 where you can meet Orbiter – ARRI’s new LED fixture. Over in the camera department check out the ALEXA Mini LF, ARRI Signature Primes, SRH-3, ARRI PCA and more...

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2020-01-22

ALEXA Mini’s were chosen for ‘The Irishman’

"ALEXA Mini’s were chosen for ‘The Irishman’ as witness cameras for their light weight. We used them in something we called the ‘Three-Headed Monster.’ It’s a three-in-one-camera rig, that could work as one camera -- on a fluid head, a remote head, or even on a Steadicam." -- Director of Photography Rodrigo Prieto

"Using the ALEXA Mini- Picture
2020-01-17

ALEXA Mini on 'Carnival Row'

"Using the ALEXA Mini was absolutely the right camera for 'Carnival Row'. It is compact, robust and we used it on techno cranes, cable camera rigs, handheld, Steadicam, Ronin rigs etc. It proved its value with its compact size when being used in tight corners both in sets and in horse driven carriages." - Chris Seager. 

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2020-01-17

360 SkyPanels on Ford v. Ferrari

Gaffer Mike Bauman on Ford v. Ferrari (Le Mans 66): "This scene was shot at the end of day when we needed to make adjustments to the light intensity and color temperature as the sun went down. The 360 SkyPanels were perfect to match the color temperature for very warm with the setting sun to the blue of dusk after the sun went down. All of these adjustments had to happen very quickly and the SkyPanel worked great."

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2020-01-16

ARRI Signature Primes: Great White Shark Footage

Cancun-based filmmaker Rodrigo Violante used ARRI Signature Primes to capture this underwater footage of great white sharks. Signature Primes cover an image circle of up to 46mm and are compatible with any camera with an LPL adapter. Thanks to Rodrigo for sharing this incredible footage! 

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2020-01-13

The Oscar nominees are in!

Eight of nine Best Picture nominees relied on ARRI cameras to bring their vision to life! Congratulations to all of the nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite. And a shout out to "Joker" for leading the nominations with 11 mentions and for making Oscars history as it joins “Black Panther” as only the second comic book movie ever to earn a nomination for best picture. Joker Movie was shot on ALEXA 65 and serviced by ARRI Rental.

ARRI on the road

23 Jan 2020
02 Feb 2020

Sundance Film Festival

30 Jan 2020
01 Feb 2020

BSC Expo

30 Jan 2020
01 Feb 2020

BSC Expo