Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.


Roger Deakins on his journey to ARRI’s large format

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”

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ARRI Broadcast Solutions

ARRI’s expertise in HD and 4K/HDR camera systems, lighting, postproduction, and rental guarantees a deep understanding of the broadcast and media production environment from beginning to end...

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New ARRI CSS Showreel

See TRINITY, MAXIMA, and SRH-3 hard at work behind the scenes in our brand new ARRI Camera Stabilizer Systems Showreel.

Whether with commercial work or on feature films, ARRI’s camera system stabilizers provide rock-steady images with ultimate flexibility, regardless of terrain.

Georgia State University built- Picture

SkyPanels at Georgia State University

Georgia State University built 4D Views Studio, a volumetric capture space to teach students how to create AR elements for broadcast and commercial projects. Professors of Practice, James Martin and Herb Kossover chose ARRI SkyPanels for their flexibility on a multi-use stage and ease of use.


Camerimage Golden Frog

Congratulations from ARRI to the @CamerimageFest Frog winners! The Golden Frog went to Lawrence Sher ASC for @jokermovie shot on ARRI Rental's ALEXA 65 and DNA lenses.

Last night, ARRI hosted- Picture

Nominations Party at the Camerimage Festival

Last night, ARRI hosted the annual Nominations Party at the Camerimage Festival. Nominees for the Golden Frog at this year’s festival were honored by festival director Marek Żydowicz and ARRI Executive Board member Markus Zeiler. 


Adam Kimmel ASC taps ARRI Signature Prime lenses for commercial work

Thanks to their ability to handle skin tones, cinematographer Adam Kimmel ASC chooses the ARRI Signature Primes in films for global brands including Audi, Jeep, and a new Netflix comedy show.


ARRI celebrates 10 years M18

ARRI celebrates 10 years M18 - use your chance to grab the limited edition of this workhorse of the industry. 


Skin tones with ARRI Signature Prime lenses

Last week at the ASC Master Class held in ARRI Burbank, Shelly Johnson ASC, the cinematographer behind "Hidalgo" and "Captain America", demonstrated how well the ARRI Signature Primes handle skin tones. 

ARRI on the road

22 Nov 2019
24 Nov 2019

LDI Show

01 Jan 2020
01 Jan 2020

Sim Open House

01 Jan 2020
01 Jan 2020

Sim Open House