Phedon Papamichael ASC and the ALEXA LF bring action to life in “Ford v Ferrari”

Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF.


Roger Deakins on his journey to ARRI’s large format

The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes’ new film, “1917.”

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ARRI Broadcast Solutions

ARRI’s expertise in HD and 4K/HDR camera systems, lighting, postproduction, and rental guarantees a deep understanding of the broadcast and media production environment from beginning to end...

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New ARRI CSS Showreel

See TRINITY, MAXIMA, and SRH-3 hard at work behind the scenes in our brand new ARRI Camera Stabilizer Systems Showreel.

Whether with commercial work or on feature films, ARRI’s camera system stabilizers provide rock-steady images with ultimate flexibility, regardless of terrain.


AMIRA Multicam at festival de cannes.

At festival de cannes, Director’s Fortnight hosted the opening masterclass with @johncarpenterofficial and French directors Katell Quillévéré and Yann Gonzalez. The discussion was captured with two #ARRI #AMIRA cameras in Multicam mode and ARRI/Fujinon ALURA Zoom lenses controlled with ARRI Master Grips and streamed at @quinzaine_des_realisateurs Facebook page and then available for replay on Facebook and @mycanal by @canalplus.


ARRI rocks the Coachella Music and Arts Festival with a cinematic multicam

ARRI rocks the Coachella Music and Arts Festival with a cinematic multicam configuration consisting of five AMIRA's and two ALEXA Mini's. Our cameras covered Coachella's "Outdoor Stage" which was streamed live on YouTube. Gear provided by Eastside Camera Services.


Nine ARRI cameras for an one woman show at Montpellier Arena.

When French comedian Florence Foresti presented her one woman show at Montpellier Arena for an audience of 8,000 people, nine ARRI AMIRA and ALEXA Mini were used by Roger Films to capture the spectacle. Cameras, serviced by Visual Impact France, were equipped with Ereca Camracer optical fiber interface and Fujinon Zoom Lenses (25-300, 19-90, 14-35, and 85-300). Here are some great behind the scenes pictures.


“The decision to use ARRI Multicam was great"

Procam Projects selected ARRI Multicam System with four ARRI AMIRAs and two ARRI ALEXA Mini cameras to achieve the desired 35mm filmic look by capturing Mumford & Sons 'Delta' Music Promo. The pleasing skin-tone reproduction of the ARRI cameras perfectly complemented footage of cherished moments between family and friends and the interactions between bandmembers.


World premiere for a live production!

For the first time during a live production, the look of the camera image could be changed at the push of a button without time delays. Loading different looks in a live modus is only possible with ARRI cameras and even grading takes place directly in the camera. Director Thomas Janze confirms: “This world premiere with the ARRI live looks in a multicamera network worked flawlessly. The only ‘problem’ we experienced was that we had to make a choice from a variety of great options. ARRI has a library of 288 prepared LUTs and they all look fantastic.


DP Tey Clamor on ALEXA LF and Mini LF: “The image quality is superb”

The Philippine feature film “Isa Pa, with Feelings” was captured by DP Tey Clamor with ARRI’s ALEXA LF, ALEXA Mini LF, and TRINITY. In this interview, she shares her experience of working with ARRI’s large-format camera system for the very first time.

ARRI on the road

01 Jan 2020
01 Jan 2020

Sim Open House

16 Jan 2020
17 Jan 2020

Micro Salon AFC France

18 Jan 2020
18 Jan 2020

SOC Awards