English News

Cinematographer Tudor Vladimir Panduru RSC chose the ALEXA 35 and ARRI Master Anamorphic lenses to shape the visual language of “Fjord,” director Cristian Mungiu’s Palme d’Or-winning new feature.

Cinematographer Álex de Pablo, a regular collaborator of Rodrigo Sorogoyen and Goya winner for Best Cinematography on "The Beasts" ("As bestas"), combined six different ARRI analog and digital cameras to capture the shifting nature of memory in the director's new film, premiered in Cannes’ Official Competition and at TIFF.

Directed by Aditya Dhar, "Dhurandhar: The Revenge" is the second half of a two-part Hindi-language spy-action saga centered on the Lyari underworld. Cinematographer Vikash Nowlakha ISC,  speaks to ARRI about shooting the saga across more than 124 locations, using ALEXA 35 and ALEXA 35 Xtreme.

Marking a milestone in ARRI’s expansion into Content Creation, HONOR’s Robot Phone incorporates ARRI LogC3, ARRI Wide Gamut 3, and ARRI Looks. 

24 ALEXA 35 Live cameras at the 2026 Eurovision Song Contest in Vienna prove the game-changing image quality and easy integration of ARRI’s Multicam System.

From the Palme d’Or and Jury Prize recipients to winners in the Un Certain Regard and Directors’ Fortnight selections, ARRI cameras were the capture tools of choice. 

Strategic Alignment With the Riedel Group for Innovation and Growth