In this personal interview, Valentina Caniglia shares her unique journey as a director of photography.
DP Adib Sobhani joins director Saeed Roustayi for “Woman and Child,” an Iranian feature selected for the Main Competition at the 2025 Cannes Film Festival.
Cinematographers Emerson Duggan, Ben Cotgrove, and Nikita Khatsarevich share how the ARRI ALEXA 35 helped them craft three stylish, cinematic commercials
Cinematographer Bet Rourich AEC, shares how she used the ARRI ALEXA 35 and SkyPanel X to shape the distinctive look of “Los Domingos,” winner of the prestigious Concha de Oro (or Golden Shell) at the San Sebastián Film Festival in Spain.
Cinematographer Evgenia Alexandrova AFC describes her work on Kleber Mendonça Filho’s film, which won Best Director at the 2025 Cannes Film Festival.
Celebrating the legacy of a visionary who shaped camera technology and supported generations of filmmakers.
Designed, planned, and built by ARRI and Sela, the Al-Hisn Big Time Studios near Riyadh significantly expands the production landscape in the region.
Tackling the issue of homelessness in London, actor Harris Dickinson’s critically lauded directorial debut used ARRI ALEXA 35 cameras and Master Prime lenses.
Cinematographer Karl Walter Lindenlaub ASC, BVK speaks to ARRI about his work on director Fatih Akin’s historical drama, captured with the ARRI ALEXA 35, Ensō Primes, and Signature Zooms.
Cinematographer Pierluigi Gigi Malavasi AIC brings a rich visual language to director Yaniv Raz’s latest film, blending romance, time travel, and magical realism in a visually striking narrative that recently premiered at the Toronto International Film Festival.
In an interview, ARRI’s Chris Richter shares insights about the company’s expectations for the future of ARRI Lighting
