English News

Cinematographers Lali Rubio and Alana Mejía González brought the visual essence of “The New Years” to life using the ARRI ALEXA 35 camera. Their work seamlessly portrays a decade-long journey, blending youthful perspectives with cinematic precision.

Renowned Spanish director Pedro Almodóvar won the Golden Lion at the 2024 Venice Film Festival for “The Room Next Door,” a film lensed by Edu Grau, ASC, AEC, with the ALEXA 35 camera.

Over 50 SkyPanels and Orbiters from ARRI light up Karate Combat 49 in Singapore, allowing for the seamless integration of live sports broadcast and virtual environment.

Director of photography Daria D’Antonio, CCS, AFC, chose the ALEXA 35 and Signature Prime and Zoom lenses for “Parthenope,” the new film by Academy Award-winning director Paolo Sorrentino that premiered at the 77th edition of the Cannes Film Festival.

A team of documentary filmmakers used ALEXA 35 and Signature Zooms to unveil the natural wonders of Chilean Patagonia, capturing breathtaking wildlife images with stunning detail.

The first ALEXA 35 Live - Multicam Systems have been delivered and already been active in a production. At the same time a test shoot on a soccer game has been conducted.

The Wiener Konzerthaus and the Mozarteum University Salzburg use ARRI Orbiter for their lighting. Both appreciate the high quality of the color and characteristics of the light along with the fixture’s perfect dimming curve and quiet operation.

The team behind X3D Studio and cinematographer James Hia discuss the creative possibilities and groundbreaking experience of filming in Southeast Asia’s largest ARRI-accredited virtual production stage.

Cinematographer Guido Frenzel used the ARRI Multicam System to give a live production feel to a new adaptation of the Holocaust trial play, “Die Ermittlung. Oratorium in elf Gesängen.”

Director Gideon Merz completely relied on ARRI SkyPanel X to illuminate his short film “Tempest” and create different looks with limited resources.

ARRI Solutions supported campaign’s LED volume shoot with consultancy on color calibration and playback workflow development.

DP Benedict Spence BSC and colorist Toby Tomkins speak to ARRI about visualizing New York City in the 1980s for the six-part Netflix series, captured with ALEXA 35.