Cinematographer Evgenia Alexandrova AFC describes her work on Kleber Mendonça Filho’s film, which won Best Director at the 2025 Cannes Film Festival.
Celebrating the legacy of a visionary who shaped camera technology and supported generations of filmmakers.
Designed, planned, and built by ARRI and Sela, the Al-Hisn Big Time Studios near Riyadh significantly expands the production landscape in the region.
Tackling the issue of homelessness in London, actor Harris Dickinson’s critically lauded directorial debut used ARRI ALEXA 35 cameras and Master Prime lenses.
Cinematographer Karl Walter Lindenlaub ASC, BVK speaks to ARRI about his work on director Fatih Akin’s historical drama, captured with the ARRI ALEXA 35, Ensō Primes, and Signature Zooms.
Cinematographer Pierluigi Gigi Malavasi AIC brings a rich visual language to director Yaniv Raz’s latest film, blending romance, time travel, and magical realism in a visually striking narrative that recently premiered at the Toronto International Film Festival.
In an interview, ARRI’s Chris Richter shares insights about the company’s expectations for the future of ARRI Lighting
ARRI collaborates with Adlib to elevate the visuals of a spectacular live music tour by seamlessly integrating the ALEXA 35 Live – Multicam System.
Cinematographer Saurabh Goswami ISC speaks to ARRI about shooting 2025’s highest-grossing Indian movie so far with the ALEXA 35 camera system.
Cinematographer Stephan Pehrsson BSC discusses his work on “USS Callister: Into Infinity,” the sequel to a multi-Emmy Award-winning episode of Netflix’s “Black Mirror.”
Through bold, expressive visuals, DP Kim Ji-yong discusses the heightened tension and emotional impact of “Squid Game” Season 2
United Illusions opens its doors as one of the largest VP complexes in Europe and plans to “usher in a new era of filmmaking” with the help of ARRI cameras, lighting, expertise, and endorsement.
