ARRI returned to Camerimage this year to showcase its large-format and Super 35 camera systems, equipped with the award-winning ALEXA sensor, at the top of their game.
Benjamin Groussain, Matthieu Lornat et Karim Boukerche nous livrent leurs expériences avec le TRINITY.
Working with international ballet dancers, a new concept car, and state-of-the-art LED walls, cinematographer Oliver Maier puts three of the new ARRI Signature Zooms through their paces.
ARRI lighting including Orbiter and SkyPanel behind-the-scenes of VA Corporation’s three recently unveiled mixed reality studios in South Korea.
Orbiter와 SkyPanel 등 ARRI 조명이 최근 VA Corporation이 한국에서 공개한 혼합현실 스튜디오 세 곳에 설치되었습니다.
Offering guests a mixture of virtual and live events in Toruń, Poland, EnergaCAMERIMAGE will certainly be a highlight of 2021. Below are the full details of the publicly accessible ARRI events and activities at the festival this year.
“White Building” cinematographer Douglas Seok found the ARRI ALEXA Mini to be a reliable partner as they shot under Cambodia’s hostile climate, harsh sunlight, and unfavorable shooting locations.
Brazilian DP Julio Costantini discusses the approach and technology utilized on his latest film “Confessions of an Invisible Girl.” The Netflix Original was shot on ARRI ALEXA Mini LF and ARRI Signature Primes in ARRIRAW and lit by ARRI SkyPanels.
O diretor de fotografia brasileiro Julio Costantini, discute a abordagem e a tecnologia utilizadas em seu último filme “Confissões de uma garota excluída”. O longa original da Netflix, foi filmado com a ALEXA Mini LF da ARRI e as lentes ARRI Signature Primes em ARRIRAW e iluminado pelos SkyPanels da ARRI.
The Television Academy awarded ARRI with an Engineering Emmy® for outstanding achievement in the engineering development of its SkyPanel LED soft lights.
La Academia de la Televisión premió a ARRI por logro destacado en ingeniería por el desarrollo de sus soft lights LED SkyPanel.
Director Edoardo De Angelis, cinematographer Agostino Vertucci, and camera operator Emilio Giliberti, who worked together on the Italian film “Non ti pago,” recount their experiences with the ARRI TRINITY camera stabilizer.
