Product - K2.0019728
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FAQ
Yes, since the very first ALEXA back in 2010! Find out more on HDR in our separate HDR FAQ
Product - K2.0024134
Find out more about the ARRI ALEXA Mini LF Support System. Discover everything about ARRI - The Oscar Winning Camera Manufacturer.
Video
Join workflow expert Simon Duschl for a deep dive into ARRI's Frame Line & Lens Illumination Tool. You will get an overview of the tool and learn more about the relationship between frame...
channel (called SOP Node – Slope Offset Power) ALEXA SXT, LF, Mini LF, and 65 as well as ALEXA Mini and AMIRA use ARRI Look File 2 (ALF-2) which...
No, ARRICORE is available for free on all ALEXA 35 Xtreme models – from Base to Premium. ARRICORE will not be available for ALEXA 35 or older camera models.
DCI-P3 color space has been removed from the ALEXA camera menu for reasons of simplicity. A conversion LUT, LogC3 to DCI-P3, can be generated via our LUT Generator .
English (PDF, 25.5 MB)
Master seamless handheld control with ARRI's RIA-1 Config Guide. Dive into advanced electronic control system features. Explore now!
Yes, there is. Because we're using a classic bayer-pattern schema on the sensor, the ALEV3 and ALEV4 CMOS sensor has twice the number of green photosites than blue photosites; therefore the...
There are different parameters for sharpness, detail and the ARRI noise redcution and in what way it will affect the final image. A more detailed explanation regarding all settings you will find in...
The resolution of ARRIRAW is not fixed to a specific number! It depends on the camera and its selected sensor mode. ALEXA 65 and ALEXA 265 record the biggest ARRIRAW frames to date...
Take control of your filming experience! Understand the collaborative features and functionality of ARRI's ZMU-4 with our comprehensive guide. Discover more now!
Video tutorials on workflow related topics
Use the ARRI Color Tool (ACT) to create ARRI’s Look File 2 to use in ALEXA SXT, ALEXA Mini and AMIRA. Based on a Log C-clip or a *.dpx still frame you can create looks using...
Initial information on the ALEXA 35 workflow.
Yes, the camera down-samples in these formats to reduce the data rate: Apple ProRes 4.3K LF 16:9 - UHD 4320 x 2430 sensor photosites down-sampled to 3840 x 2160 recorded image pixels Apple...
This document shows how you can mix LogC3 and LogC4 On Set by using ACES
AMIRA
Here's an overview on ALF-1/ALF-2 support in 3rd party tools:
If ARRIRAW is not an option, ARRI recommends to use the highest quality codecs for VFX work: ProRes 4444 and ProRes 4444 XQ.
Linear Color Gamut Modern keyers best work when supplied with linear encoded images. Working in a linear color space will most often give better results than working with Log C encoded plates.
Train your camera menu skills!