FAQ
The ARRI Look Library is available free of charge. You can download the whole package in the corresponding ARRI Look File format or as 3D-LUTs: ARRI Look Library for all ALEXA Classic...
"Wide gamut" is a generic term for color gamuts that are larger than Rec. 709, i.e. P3 or Rec. 2020. ARRI Wide Gamut 3/4 is the name of the color encoding space used in combination with Log C.
The position of the LBUS connector on the ARRI EF Mount (LBUS) was chosen to allow compatibility not only with current, but also with future cameras.
Product - KK.0051202
The ARRI Large Lens Adapter LLA-1 fits PL or B4 box lenses. It is equipped with a unique clamping mechanism for rapid camera mounting, which also fits with PL/B4 adapters. The unit is light...
The Compact Drive is based on PCIe NVMe memory that is not supported by ALEXA LF, ALEXA SXT or the original ALEXA 65. Therefore, these drives cannot be used even though...
No. While the Compact Drive Adapter will fit physically into an ALEXA LF or ALEXA SXT, the cameras do not support the Compact Drives. The new Compact Drives use a new software...
MXF/ARRIRAW is ARRIRAW with a wrapper. All frames are wrapped within a MXF container. ALEXA Mini and AMIRA use this format to write ARRIRAW to CFast 2.0 media. For ALEXA...
Product - K2.0024114
Experience ARRI's B Mount Battery, a solution offering 24 Volt Power supply. Explore Anton Bauer battery plates for superior camera battery supply. Visit now!
Video
Learn how to expand your camera configuration options with the ARRI Camera Control Monitor CCM-1 - a 7” onboard monitor that provides full camera control and menu access for the ALEXA 35 and...
Product - K2.74001.0
Elevate your cinematic vision with ARRI ALEXA's innovative support systems. Advanced equipment for superior filmmaking. Explore now!
Cinematographer Javier Salmones AEC talks to ARRI about his latest big project “El Cid” - the story of Rodrigo Díaz de Vivar, a Castilian nobleman and war hero in medieval Spain. Javier explains...
News & Stories
Shot with the ALEXA Mini LF, Signature Prime lenses, and ARRI lights, Netflix’s feature film “Robbing Mussolini” is structured into four aesthetic worlds. ARRI talked to DP...
Product - K0.0024596
Find out more about the ARRI ALEXA Mini LF Support System. Discover everything about ARRI - The Oscar Winning Camera Manufacturer.
The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he...
Product - K2.0024131
Use an HDR monitor on set to judge your images in HDR. ARRI provides look files and 3D-LUTs that convert the Log C image into HDR using the SMPTE ST-2084 („PQ“) encoding. These look files can be...
Yes, the high payload capacity of the 360 EVO allows it to be used with larger cameras such as the ALEXA 65.
Combining ARRI cameras with ALEV3 sensor (ALEXA Series including LF and Mini LF as well as AEXA 65) and AMIRA with ALEXA 35 in post-production can be done in...
DP Aiden Ulrich chooses ARRI ALEXA Mini LF’s, Signature Primes, and WCU-4s to capture the Khaite SS2022 runway show at New York Fashion Week.
The ALEXA Mini LF allows recording in ARRIRAW and Apple ProRes Log C. It is not possible to record a baked-in look, as that would use too much processing power. However, the...
Product - KK.0024370
Product - K2.0019773
Experience robust support systems for ARRI ALEXA Mini cameras, ensuring stability and reliability in all shooting conditions. Explore now!
Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime...
Capturing reality in cinematic detail: Explore documentaries shot with ALEXA LF, Mini LF, or ARRI Rental's exclusive ALEXA 65. Explore now!
Product - K2.0023750
Integrated studio-quality sound
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The CODEX Codex Compact Drive is designed to support the demands of creative professionals working with the ALEXA Mini LF, ALEXA 35, ALEXA 35 Live or ALEXA 265.
Explore rich storytelling in large format. Dive into narratives shot with ARRI ALEXA LF, Mini LF, or with ARRI Rental’s exclusive ALEXA 65. Explore now!
Technical Information on the new ARRI Look File 4 and how to create an *.alf4 file to use in ALEXA 35.
BAFTA and EMMY award-winning cinematographer David Baillie partnered with Motion Impossible to demonstrate how productions and crew members could effectively social distance on set without...
ALF2 look files are designed to work with ALEXA Mini, ALEXA SXT, ALEXA 65, ALEXA LF, ALEXA Mini LF, as well as AMIRA (all using our...
The new ARRI Signature Zooms are put through an action sequence test shoot involving high contrast, low light, and flaring. “The contrast and sharpness of the Signature Zooms is incredible. They...
We noticed that crew like to tape critical information, like the lens' close focus distance or the names of actors and characters, to the side of our cameras. On the MVF-2 there is an empty...
Tune in for a special discussion on virtual production with Greg Robbins, Chris Fanning and Carol Mazzoni. Together, this dynamic team has worked on countless commercials and productions, including...
The ALEXA or AMIRA cameras store per-frame and per-shot metadata. This metadata is present in all recorded formats - onboard and in-camera formats ARRIRAW, MXF/ARRIRAW, ProRes...
Product - K2.0034320