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If you want to know how to disassemble the ALEXA Mini LF in real time, book our Advanced Service Training here...
News & Stories
On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.
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Find out more about the ARRI ALEXA Mini LF Support System. Discover everything about ARRI - The Oscar Winning Camera Manufacturer.
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A hub for the ARRI Hi‑5 ecosystem - Functions as a receiver, transmitter, or motor controller. Helps wireless control of ARRI or third-party cameras and lenses.
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Cinematographer Ross Riege teams with Oscar-winner Larry Sher ASC to bring the depth and beauty of ARRI’s large-format cinematography to NBC’s new sitcom “Rutherford Falls.”
FAQ
Export laws dictate that for sensors made up of more than a certain number of photo sites, we cannot record positional information like tilt and roll, lest the camera be classified as military...
Connect the LBUS connector of the ALEXA Mini LF to the LCUBE CUB-1 with an LBUS to LBUS cable, and the CUB-1 to the UDM-1 (Ultrasonic Distance Measure) with an SERIAL to UDM...
See table below.
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Advanced Lens and Camera Control - thanks to ARRI's WCU‑4. Including pre-marked focus rings for fast, accurate lens operation & more.
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ALEXA 35 Live Technical Data
The Ethernet Adapter for CCM-1 expands the camera control possibilities of the Camera Control Monitor CCM-1. Dual use alongside the MVF-2 on ALEXA Mini LF is now possible, as...
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Experience seamless zooming with ARRI's cmotion Steady Zoom pan bar zoom. Innovatively designed for perfection. Discover more now!
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Experience the SXU-1, ARRI's compact, wireless iris control device for single channel control. Discover more now!
Korean DP Nak Seon Go showcases realistic images and authentic colors in the ominous cinematography of “Kingdom: Ashin of the North” with the help of the ARRI ALEXA Mini LF’s high...
DP Josua Stäbler talks about working with ARRI’s large-format camera and attempting carbon neutrality on the YouTube climate change series, “Seat at the Table.”
Cinematographer David Cailley relied on ALEXA Mini LF to create the powerful visual universe of award-winning feature film “The Animal Kingdom.”
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Experience robust support systems for ARRI ALEXA Mini cameras, ensuring stability and reliability in all shooting conditions. Explore now!
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Universal Studios’ “The Invisible Man” is the first feature film made in Australia with ALEXA LF, ALEXA Mini LF, and ARRI Signature Prime lenses. Cinematographer...
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After almost a decade of the ALEXA user interface we are presenting an improved fresh look and better functionality with the ALEXA Mini LF. The camera's HOME screen...
Software Update Package 4.0 for ALEXA LF contains: New anamorphic de-squeeze factors 1.65x for Panavision Ultra Vista Anamorphic lenses 1.80x for Cooke Anamorphic/i Full Frame...
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Explore the TRINITY 2 and ARTEMIS 2 cables designed with top-notch technology, enhancing the ARRI camera systems. Discover more now!
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Elevate your cinematic vision with ARRI ALEXA's innovative support systems. Advanced equipment for superior filmmaking. Explore now!
The ARRI Camera Companion App allows for user-configurable remote control of ALEXA 35, ALEXA Mini LF, ALEXA Mini, and AMIRA cameras from iPhones, iPads...
Cinematographer João Pedro Plácido aip talks to ARRI about choosing a Signature look for director Jeanne Waltz’s “The Wind Whistling in the Cranes.”
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Not only valuable in feature films, the ALEXA LF, ALEXA Mini LF, and ARRI Signature Prime lenses are increasingly being used for commercials and music videos.
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All about ARRI's Focus Assist - Easy to use and lightweight for fast on-the-go setups, Ergonomic design fits comfortably in your hand & more.
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