FAQ
There are different parameters for sharpness, detail and the ARRI noise redcution and in what way it will affect the final image. A more detailed explanation regarding all settings you will find in...
The resolution of ARRIRAW is not fixed to a specific number! It depends on the camera and its selected sensor mode. ALEXA 65 and ALEXA 265 record the biggest ARRIRAW frames to date...
Yes, there is. Because we're using a classic bayer-pattern schema on the sensor, the ALEV3 and ALEV4 CMOS sensor has twice the number of green photosites than blue photosites; therefore the...
Use the ARRI Color Tool (ACT) to create ARRI’s Look File 2 to use in ALEXA SXT, ALEXA Mini and AMIRA. Based on a Log C-clip or a *.dpx still frame you can create looks using...
Take control of your filming experience! Understand the collaborative features and functionality of ARRI's ZMU-4 with our comprehensive guide. Discover more now!
Video tutorials on workflow related topics
Yes, the camera down-samples in these formats to reduce the data rate: Apple ProRes 4.3K LF 16:9 - UHD 4320 x 2430 sensor photosites down-sampled to 3840 x 2160 recorded image pixels Apple...
Initial information on the ALEXA 35 workflow.
AMIRA
This document shows how you can mix LogC3 and LogC4 On Set by using ACES
Here's an overview on ALF-1/ALF-2 support in 3rd party tools:
If ARRIRAW is not an option, ARRI recommends to use the highest quality codecs for VFX work: ProRes 4444 and ProRes 4444 XQ.
Linear Color Gamut Modern keyers best work when supplied with linear encoded images. Working in a linear color space will most often give better results than working with Log C encoded plates.
Train your camera menu skills!
The values of the primaries in an image from the sensor of a digital camera relate to the amount of light seen through red, green and blue color filters. There are no colors a camera can’t see, so...
Please visit our Look Library website at or download the iOS App for an overview of all the looks included in the Look Library.
Watch the video here.
3D-LUTs are more powerful than 1D-LUTs as they can cross-convert colors between channels and independently control saturation, brightness and contrast. However, they are significantly larger than...
Yes, the ACES system includes transforms (ODTs, output display transforms) for HDR output based on the reference rendering transform. For more information on ACES, please see the ARRI ACES pages.
The ARRI Look Library is a collection of 87 looks in three intensities (three intensities available for Look Library for LogC3 only) for use in ARRI cameras with advanced look management (ALF2...
To capture music legend Billy Joel’s historic 100th consecutive performance of his residency at Madison Square Garden, show producers turned to ARRI’s ALEXA 35 and Mini LF...
Generally speaking, you need to export the look as a 3D-LUT and combine this into an ARRI Look File. For ALEXA 35, ALEXA 35 Xtreme or ALEXA 265 this needs to be a Log-to-Log...
The brightness of the screen should correspond to the foreground, which needs to be separated. A good objective is to have the foreground properly exposed for skin tones 1/3 of a stop above 18%...
Yes, through ARRI Service Munich, in Germany.
No, the upgrade can only be done through ARRI Service Munich, in Germany.
The Compact Drive Express is an Apple ProRes-only drive and does not allow ARRICORE or ARRIRAW recording.
No, because the new 360 EVO works on a completely different software architecture.
The long roll cable comes as a standard with the 360 EVO.
This is not an error! You have chosen to record in “Log C” – ARRI’s native color encoding. Opposed to a “video” image (in REC 709 color space) Log C maintains more details in the lowlight as well...
