For the budding cinematographer, the biggest challenge was to find a way to maintain smooth camera movements with ALEXA LF, and TRINITY was an easy solution to her problem. She enlisted the help of Indonesia’s first-ever TRINITY operator, Hanafi Malik. 

“Vera needed the TRINITY to help with shooting scenes that require the characters to move from room to room freely without any limitations. We also wanted to eliminate the horizon problem that usually occurs with the conventional Steadicam,” Hanafi said. “Having the freedom to crane up and down was definitely a game-changer for camera stabilization systems.”