Following the global phenomenon of “Squid Game” Season 1, the highly anticipated second season continues the series’ legacy of bold storytelling with a darker, more emotionally charged tone. With high narrative and visual stakes, the production leans into a heightened cinematic style that amplifies the tension, unease, and evolving dynamics at the heart of the story.
Working closely with director Hwang Dong-hyuk, cinematographer Kim Ji-yong shaped a distinct visual language that reflects protagonist Gi-hun's psychological unraveling and the shifting nature of the world around him.
DP Kim Ji-yong shaped a distinct visual language that reflects protagonist Gi-hun’s psychological unraveling
“Gi-hun is a very different character now, after his traumatic experience in Season 1,” Kim explains. “To reflect this internal shift, I increased the use of shadows throughout this season, incorporating a blend of colors within them to add depth. This approach highlights his internal struggles and the complexity of his emotional journey.” Kim’s experience with the ALEXA 35 on “The Sympathizer” convinced him of its capabilities. “I was truly impressed by the new sensor’s ability to capture an immense amount of data and its flexibility in postproduction,” he says. “For ‘Squid Game’ Season 2, it was my first choice as the primary camera. The ALEXA 35 allowed us to retain vibrant colors while maintaining details in the shadows.” This proved essential in conveying the emotional weight of the scenes, like the Russian Roulette game between Gi-hun and the Recruiter. “I am most proud of the close-up of the Recruiter during that sequence,” Kim shares. “The red neon light from outside the window reflects in his right eye, making it look bloodshot, which enhances the intensity of his performance.”
Director Hwang Dong-hyuk (right) guides Gong Yoo, the Recruiter (center) through an intense scene in “Squid Game” Season 2
Delving deeper into the production process, Kim discusses the unique challenges faced by the camera department due to the elaborate set designs and high expectations from fans. “Having worked with director Hwang on three feature films, we have developed a strong sense of trust on set. We reviewed and edited footage every evening, which allowed us to refine ideas and make necessary adjustments,” Kim shares. Through these reviews, Kim and Hwang identified gaps missed during preparation, like effectively utilizing overhead wide shots of the Mingle (Round and Round) game.
Another challenging set was the mass dormitory scene. Kim elaborates: “Despite being built in Korea’s largest studio complex, space constraints made traditional lighting setups impossible.” Kim collaborated closely with production designer Chae Kyoung-sun to find creative solutions. Finally, they decided to position lights above the studio grid, which was something he had never considered before.
Many key scenes in “Squid Game” Season 2 were filmed on the dormitory set
In the same mass dormitory scene, and throughout “Squid Game” Season 2, color played a pivotal role. “One of the most captivating moments of Season 2 is the voting scene among the game survivors,” Kim notes. “I wanted the lighting in the mass dormitory to differ from the previous season. We used contrasting colored lighting—red for ‘X’ and blue for ‘O,’ creating dynamic transitions with shades of red, purple, violet, and blue. This interplay of colors perfectly aligns with the tone of the scenes, emphasizing the tension and stakes involved.”
“This interplay of colors perfectly aligns with the tone of the scenes, emphasizing the tension and stakes involved.” - DP Kim Ji-yong
To achieve this, Kim adjusted the colors of the pre-selected SkyPanel S60 lights on the ceiling, shifting them to red and blue. This allowed the colors to blend in the center while preserving the distinct hues on either side, creating symbolism and depth within the scene. This concept was later refined and enhanced in post production with the expertise of colorist Park Jin-young.
Building on all these visual techniques, “Squid Game” Season 2 saw cinematographer Kim and director Hwang crafting an even more visually dynamic and emotionally charged experience. With the ALEXA 35’s unparalleled image quality and ARRI’s trusted lighting solutions, the series continues to set new standards in cinematography, captivating audiences with its striking visuals and compelling narrative.
“Squid Game” Season 2 is streaming on Netflix, with Season 3 premiering June 27.
Watch “Squid Game” Season 2 | Filming the Games
