The post-production then took place at ARRI Media in Munich. “Now, in the second phase of the grading, we are polishing up on the final look, and we have entirely new options at our disposal because we of course already have every camera angle cut in the right order,” Jakub Bejnarowicz explains. And he had the “huge privilege of spending an entire month together with Traudl Nicholson (Lead Colorist) – a color-grading icon – at ARRI in Tuerkenstrasse,” he continues.