Every day I’ve been working with my Steadicam, I’ve found directors asking for shots that the Steadicam can't get to, but where the TRINITY just maximizes being in the space. Directors always want to go a little higher or a little lower, or more to the left or to the right, and with the TRINITY you can just say, 'Yeah, no problem.' A lot of the DPs I've worked for have realized that there was no other way they could have gotten these shots; with TRINITY they really have a shot that is unique and one of a kind. There is nothing that pulls me away and says I cannot use the TRINITY for this. In fact, I’ve had nothing but the reverse—literally every day I run into situations where I think the TRINITY would have been a better solution for the job and as a Steadicam operator that is the most amazing feeling, knowing that right around the corner, everything is going to become a little bit easier and the quality of what we can do is going to become better.