Handheld 3-axis camera stabilizer system Up to 30 kg / 66 lb payload High torque brushless motors Takes cameras like: ALEXA LF, ALEXA Mini, AMIRA, ARRI LT, 235...
FAQ
As with all ARRI digital cameras, we have very low latencies, which is important for serious professional work. The image coming out of the SDI outputs and the image in the MVF-2 viewfinder have...
Dive into ARRI's Impression Filters FAQ, where we unravel common queries around our advanced cine lenses. Explore now!
Yes, you can. Please click on the “Submit” button and fill out the form. There is a team which curates this page, and each entry will be taken into consideration. The more submissions, the...
The UDF file system used by all ALEXA cameras (except for ALEXA Mini) for ProRes recording has a QuickTime/ProRes file size limit of 229 GB. This limits the length of each...
FSND stands for "Full Spectrum Neutral Density". These are filters that are significantly better than traditional ND filters, since they affect an attenuation over the entire visible and...
We showcase here the work of cinematographers who shot with ARRI Signature lenses and are happy to exhibit their work. This might be big movies (examples on this page include Academy, BAFTA, and...
Experience seamless zooming with ARRI's cmotion Steady Zoom pan bar zoom. Innovatively designed for perfection. Discover more now!
Apple already has an MXF plug-in available for MacOS X 10.14.3 or later that you can download as part of Apple's "Pro Video Formats 2.1". This allows the MacOS QuickTime Player, FCPX, Motion...
Discover ARRI's REVEAL Color Science, a leading image processing technology designed to enhance image quality and optimize workflows. Discover now!
ARRI always strives to deliver the best overall image quality. As part of that we’re continuously improving our color science. With the new ALEV4 sensor we've taken our color science through...
To get a good, correct color representation, you typically want to adjust the white balance of the camera to the lighting of your scene. As a result, the live output and recorded image of a...
Signature lenses cover both formats, and we’re keen to see footage of each on this page. We’d love as much diversity of content as possible – shallow depth of field as well as deep focus...
Technical Information on the new ARRI Look File 4 and how to create an ALF4 or ALF4c file to use in ALEXA 35, ALEXA 35 Xtreme, or ALEXA 265.
Comes with new LPL Lens Mount Large Positive Lock (LPL) lens mount is optimal for large-format lenses Wide diameter (62 mm) and short flange depth (44 mm) Based on robust, reliable and proven PL...
As most of the postproduction tools use their own notation for look up tables, ARRI offers conversion LUTs through the online LUT Generator (for LogC3 only! here's the LUT package for LogC4)...
We showcase here the work of cinematographers who shot with ARRI full-frame and 65 mm cameras, and are happy to exhibit their work. This might be big movies and dramas (examples on this page...
As explained in the answer "What is Log C?" the maximum value of the Log C function depends on the exposure index. In a video image, however, one wants to have the clipping point of the sensor...
Rec 2020 is a wider color space than Rec 709, which is the current industry standard for HD. Rec 2020 promises more brilliant images, though only new display technology is able to show these.
Technical Information
REVEAL Color Science . ALEXA 35 and all later cameras support LogC4 internally. And the legacy: LogC3. LogC3 is still used by the majority of our cameras internally, but if you are...
