Just for one shot we had to coordinate several takes from different locations and put them together in postproduction. For example, the over shoulder shots from the sports presenter’s perspective. We have the reporter in front of us, beyond him we see the glass panes of his booth and on the other side of the glass are 50 to 100 spectators. This was an actual shot taken in the Rosenau Stadium in Augsburg. Then I shot a plate in the Karl Moegele Stadium from the same angle, because there is a cinder track like in the Wembley Stadium. Down on the field are the soccer players. The third shot was of the opposite grandstand, which ARRI installed on the computer afterwards. Everything should also look as if it had been in August. It all worked thanks to the professional work of VFX supervisor David Laubsch.