Since his work on “The Artist” won him multiple best cinematography accolades including a BAFTA, a César Award, and an Independent Spirit Award, Guillaume Schiffman AFC has been in the spotlight. For his three latest collaborations on “How to Be a Good Wife” by Martin Provost, “Waiting for Bojangles” by Régis Roinsard, and Jan Kounen's “My Cousin,” he decided to shift his tool set in favor of the new ARRI ALEXA LF large format camera and the ARRI Signature Prime lenses. In an interview with ARRI, Schiffman talks about working with ARRI equipment—cameras, lenses, and lighting—and how they helped him achieve the required look.