You evaluated several options, but in the end, why did you choose ALEXA LF?

It was very interesting. I tried several cameras, but in the end, the one that seemed best to us was the ALEXA LF because it had all the features necessary to achieve the photographic look we wanted. It manages the exposure latitude, the highlights, and the sun in the way that best corresponds to the image we wanted to create in a film that, for the vast majority, is shot in exterior day. Then there was another fundamental aspect that I had to keep under control: the blue screens. The blues were chosen with the digital effects supervisor Stefano Leoni, and because of the reflections on the sea, they were often underexposed compared to the image. They were also enormous and could not be lit properly. Yet when we checked the logarithmic of the camera, they were perfect. All the information that Stefano needed to create the special effects to perfection was all there.