“Compared to conventional sensors, the ALEXA 35’s improved dynamic range is great for virtual production and capturing changing exterior scenes. It alleviated concerns regarding exposure,” adds DP Kim. “The ARRI Textures were the most fascinating part. The change in texture alone was enough to remove the disparity between the lighting in the virtual space and the real world. The ARRI Signature Prime Lenses also perfectly matched the ALEXA 35.”

With South Korea’s ongoing advancements in virtual production, YN C&S is already in discussion with production companies about several projects adapted from digital comics. Min elaborates on their plans: “Virtual production is a technology that is optimized to bring fictional worlds to life, so we are actively discussing how to use it in a clever way that can break the scale and limits of creativity. The more professionals utilize it well, the greater the diversity of content we can create and enjoy.”

“In Korea, virtual production studios are being built, not only by NIPA but also by leading companies and local governments. Simultaneously, Korean content continues to rise and gain global recognition. With the expansion of VFX-based genres, I believe virtual production will be more valuable,” Lee predicts.