The visual language of a film is created not only by its cinematographer but also by its visual effects artist. A symbiotic relationship between the two disciplines is vital to achieve a convincing fictional environment. ARRI cameras and ARRI recording format dominated this category at the Oscars® this year as well; every nominated film in the category Achievement in Visual Effects was shot on an ARRI camera. The Academy Award went to “First Man,” a biographical drama detailing Neil Armstrong’s harrowing path to become the first man on the moon. Directed by Damien Chazelle and shot by Linus Sandgren FSF, this film was captured in 35 mm on ARRICAM LT.