How did you use the cameras you had?

Our budget was very limited, so for most of the shoot I just had one camera, an ALEXA LF, which I love. There was a second unit for around eight days, and we had a Mini LF as a B-camera for about three or four days, mainly for helicopter, crane, and gimbal shots—that kind of thing. Two or three times we had an ALEXA SXT as a B-camera, because the footage cuts together fine with the larger format.

What dictated your choice of lenses?

Early on we wondered about shooting anamorphic, and I was looking at Hawk lenses, but for budget reasons we came back to spherical. The story is set in the 1990s, so I then thought of the Ultra Primes, which I really love and are from around that time. But we were shooting large format, which limited our options. I tested some other large-format lenses from a different manufacturer but found them unbearably heavy and the look was too glitzy. When I tried the Signature Primes, they just felt natural, and that was exactly what I was looking for.