Showing Results for "Master Anamorphics"

Master Anamorphics

Anamorphic Cinema Lens: Compact size, minimal weight, from 28 mm to 180 mm by ARRI - advanced & high-quality anamorphic cine lenses

Master Anamorphics on "John Wick II"

Immerse into the cinematic world of John Wick II, powered by ARRI's Master Anamorphics. Exceptional images milestone in filmmaking. Discover more now!

Trailer for JOHN WICK II, shot with Master Anamorphics

Video

Master Anamorphic Lenses

Product - F0.000MAAN

Master Anamorphic Flare Sets showreel

Video

Tokyo-based production and shooting support company Digital Garden recently produced a showreel to demonstrate the creative possibilities of its Master Anamorphic Flare Sets, which...

LMB 4x5 Clamp Adapter 114mm

Product - K2.0014396

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

THE RIDE: Master Anamorphic showreel

Video

THE RIDE is a short film that was directed and shot on location in Los Angeles by cinematographer Karl Walter Lindenlaub, ASC, BVK, using an ALEXA and the MA35, MA50 and MA75 ARRI/ZEISS...

Master Anamorphic Flare Sets

Master Anamorphic Toolkit, the front and rear glass elements can be exchanged with the regular Master Anamorphic elements in a matter of minutes, since each flare...

LMB 4x5 Clamp Adapter Set Basic

Product - KK.0041934

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

DP Brett Pawlak on "The Glass Castle"

The cinematographer of "The Glass Castle" discusses shooting the drama with Master Anamorphics.

ARRI Master Anamorphic - Technical Data

Experience unsurpassed resolution and contrast with ARRI Master Anamorphic lenses designed for cinematic shots. Explore now!

New Master Anamorphic Flare Sets Announced

Press Release

The new ARRI Master Anamorphic Flare Sets are economical and versatile accessories for the ARRI/ZEISS Master Anamorphic lens series.

Reed Morano ASC on "Meadowland"

Reed Morano discusses directing, DPing and operating handheld ALEXA with Master Anamorphics on the indie feature.

LMB 4x5 Clamp Adapter Basic LWS 15mm Set

Product - KK.0041929

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

ARRI/ZEISS Unveil Two New Master Anamorphic Lenses

Press Release

ARRI has introduced 2 new Master Anamorphic focal lengths, a 28 mm and 180 mm.

A TRIP TO REMEMBER: ARRI ZEISS Master Anamorphic 50mm

Video

Director Roberto de Angelis and DP Michel Abramowicz, AFC, recently used a 50 mm ARRI/ZEISS Master Anamorphic lens on a short film titled A TRIP TO REMEMBER. The short was shot...

Quote

I have found the AUWZ to be a perfect complementary tool to the Master Anamorphics. With it I can shoot extreme wide angles whilst maintaining consistent backgrounds and undistorted...

On “Uri,” ALEXA SXT and Master Anamorphic “performed together amazingly”

The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens...

Tigerine

Video

Chinese Encounter  DP: Jessie Wang Director: Arden Tse Captured with ALEXA 35, K445 Default ARRI Texture, ARRI Master Anamorphic and Kowa Anamorphic lenses

Can I use anamorphic lenses with the ALEXA Mini?

FAQ

Yes. You can use both traditional anamorphic lenses with a 2x squeeze factor (like the ARRI Master Anamorphic lenses) as well as anamorphic lenses with a 1.3x squeeze...

DP Patrick Ghiringhelli captures “The Night of the 12th” with ALEXA Mini LF

News & Stories

On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.

The Siren

Video

British Encounter DP: James Friend ASC, BSC Director: Mike Valentine BSC Captured with ALEXA 35, K445 Default and L345 Shadow ARRI Textures, ARRI Signature Prime and Master Anamorphic...

Adil Afsar on the cinematography of “Madgaon Express” with ALEXA 35

News & Stories

DP Adil Afsar on the cinematography of Indian film “Madgaon Express”, captured with ALEXA 35 and ARRI Master Anamorphic lenses, along with SkyPanels. Read more!

ARRI large format on Netflix’s “Rose Island”

Cinematographer Valerio Azzali shot “Rose Island,” the first Italian feature film produced in large format, with ARRI’s ALEXA LF, ALEXA Mini LF, and ARRI ZEISS Master Anamorphic lenses.

Features

Very low distortion, even at 19 mm Exceptional corner-to-corner image performance Virtually no image breathing Uniform field illumination Extreme close focus up to the front lens element  Fixed...

How can I use 35 format anamorphic lenses with a 4K mandate on the ALEXA LF?

FAQ

ALEXA LF sensor. All Master Anamorphic lenses cover this area (see left image). When shooting with 35 format 2x anamorphic lenses for a 2.39:1 aspect ratio result, Netflix...

DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”

Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an...

Can I de-squeeze the anamorphic images on my viewfinder or MON OUT?

FAQ

Anamorphic lenses 1.80x is used for Cooke Anamorphic/i Full Frame Plus lenses 2.0x is the classic CinemaScope format, used by 90% of anamorphic lenses, including...

ARRI behind the scenes on "Wrath of Silence"

Director Xin Yukun’s critically acclaimed film, "Wrath of Silence," is a tough crime thriller set in a Chinese coal mining district. The film’s Director of Photography, He Shan, spoke to...

Is the ALEXA LF camera Netflix approved?

FAQ

area from the image in post-production. A Netflix approved ARRI white paper with details can be downloaded directly  here . Amongst other topics, the white paper covers two methods for shooting...