Obviously it’s nice to have the extra resolution and the increased depth-of-field fall-off, but it’s the large image perspective that is particularly interesting. The perspective is truer and seemingly the image has more dimensional depth, even in very wide shots. This aesthetic of the LF is great, especially alongside the usual familiar attributes and features that you get with ALEXA cameras.

Cinematographer Andrew Stroud (Known for: Ice (2nd Unit cinematographer), Spartacus (2nd Unit cinematographer), The Lord of the Rings (assistant camera) and many more)