ARRI's artemis Cine Broadcast and EFP HD are highly modular and upgradable mechanical stabilizers. Available with a wide range of different ARRI CSS components and accessories, they cover the entire spectrum of today's film and television requirements.
The artemis Cine Broadcast is the perfect cross-over solution for high-end digital cinematography and broadcast productions. The modular and future-proof design of Cine Broadcast combines all the features needed to operate successfully in both worlds.
The artemis EFP HD is made to support not only todays HD broadcast cameras in live TV and sport but also in digital cinematography with the most professional quality possible. High capacity wiring, hot swap technology, HD SDI video, and tally support guarantee a perfect workflow in a future-proof and modular design.
ARRI gear has a reputation for quality and craftsmanship, their stabilizers are fast to setup and reliable. Trusting my tools means I can concentrate on contributing creatively to a project and not having to constantly worry about troubleshooting as a technician.
Camera & Steadicam Operator: Glenn Clayton (Known for: I AM MOTHER (B-Camera & Steadicam Operator) , High Ground (ARRI Trinity Operator), Paper Champions (Steadicam Operator) and many more)