ARRI News

Once again, ARRI played a major part behind the scenes of the 76th Festival de Cannes. The company supplied most screening films with equipment, hosted glamorous events, illuminated the red carpet, and strengthened its relationships with filmmakers.

Cinematographer David Lanzenberg creatively harnessed the ALEXA Mini LF, ARRI Signature Primes, and Orbiter lights to create captivating visuals in Netflix's hit series “Wednesday.”

Thai DP T-Thawat Taifayongvichit utilizes ALEXA Mini LF’s high dynamic range and color science to bring out the textures of food and class division for his latest Netflix feature film.

グリップチーフ（key grip）である Gary Hymnsは、Sam Mendesの新しい映画『エンパイア・オブ・ライト』で、Sir Roger Deakins CBE, ASC, BSCとカメラおよびグリップクルーがどのようにMAXIMAを使用したか、ARRIに話してくれました。

Tailor-made solution for cinematic quality production comprises design, engineering, and project oversight for cutting-edge turnkey studio facilities, including virtual production and cyclorama stages.

ARRI Americas introduces its newest and ongoing community engagement and education series, ARRI CLOSE-UP. Watch the video highlights from the kickoff event with the series’ first guest, Academy Award-nominated cinematographer Mandy Walker.

With its new office in Rome, ARRI continues to promote and support the Italian film industry. At the opening ceremony, more than 100 guests celebrated this important milestone.

Con la sua nuova sede di Roma, ARRI continua a promuovere e sostenere l'industria cinematografica e audiovisiva nella regione. Alla cerimonia di apertura, più di cento ospiti dell'industria cinematografica italiana hanno festeggiato questo importante traguardo.

Experienced lighting technician Sophie Lelou talks about her remarkable career in a mostly male profession. 

Cheffe électricienne chevronnée Sophie Lelou nous parle de son parcours remarquable dans un métier pour l’essentiel masculin. 

Lighting designer Annette ter Meulen uses SkyPanels creatively and effectively at the Deutsches Schauspielhaus in Hamburg.

DP Ralph Kaechele BVK uses the ALEXA Mini LF’s nuanced color rendition and large-format aesthetic to craft a big-screen look for TV movie “The Hunted – In the Camorra’s Net.”