FAQ
The ARRIRAW T-Link (Transport Link) had been developed for ARRIFLEX D-20/D-21 (and was used in early ALEXA cameras/"ALEXA Classic") to utilize a standardized HD-SDI interface...
ALEXA 35 uses our new REVEAL Color Science. REVEAL introduces a new Log C curve (LogC4) for the new ARRI Wide Gamut 4 color space to make use of the advancements made in sensor technology...
not be happy with the SDR. When using the 3D LUTs from ARRI for HDR and SDR grading and performing all grading decisions in Log C space (the 3D LUT is used as the last grading step)...
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AMIRA supports workflows for live multi-camera productions in HDR according to BT.2100 Hybrid Log Gamma (HLG) or Perceptual Quantizer (PQ) Cost efficient multicast HDR and SDR workflow...
The following are the default looks of the camera: ARRI 709 - renders the video image according to the ITU.R-BT709 standard ALEXA Classic 709 - matches the color reproduction to the ARRI ALEXA ARRI...
Linear Color Gamut Modern keyers best work when supplied with linear encoded images. Working in a linear color space will most often give better results than working with Log C encoded plates.
Technical Information on the new ARRI Look File 4 and how to create an ALF4 or ALF4c file to use in ALEXA 35.
Technical information
DCI-P3 color space has been removed from the ALEXA camera menu for reasons of simplicity. A conversion LUT, LogC3 to DCI-P3, can be generated via our LUT Generator.
Clip Descriptive Metadata Set
Technical Information on the new ARRI Look File 4 and how to create an *.alf4 file to use in ALEXA 35.
Manual for ARRI Live Link Metadata
Workflow Guideline
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