Director Xin Yukun’s critically acclaimed film, "Wrath of Silence," is a tough crime thriller set in a Chinese coal mining district. The film’s Director of Photography, He Shan, spoke to...
ARRI’s Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the Master Anamorphics by extending the range to cover extreme wide-angle focal lengths...
FAQ
ALEXA SXT cameras can record ARRIRAW just like the XT cameras could, but now with higher frame rates: 16:9 ARRIRAW up to 120 fps, 6:5 ARRIRAW up to 96 fps, 4:3 ARRIRAW up to 96 fps and Open Gate...
And here is a slightly longer list with more details: New recording formats 16:9 ProRes 4K UHD (3840 x 2160) The easiest and fastest path to the best 4K UHD image, with the immediacy and speed of...
Video
Join workflow expert Simon Duschl for a deep dive into ARRI's Frame Line & Lens Illumination Tool. You will get an overview of the tool and learn more about the relationship between frame...
Any lens projects an image with a circular (spherical lenses) or oval (anamorphic lens) shape onto the sensor. Inside this shape is the image area, which is the area within which the lens’...
The Master Anamorphics just scream cinema: they’re more controllable than other anamorphics, but give gorgeous flares if you want them and the bokeh is so impressionistic. Cinematographer Reed...
You can use a third-party image expander that will optically magnify the image to cover the full sensor in LF Open Gate sensor mode. This works with some spherical as well as with some...
Immerse into the cinematic world of John Wick II, powered by ARRI's Master Anamorphics. Exceptional images milestone in filmmaking. Discover more now!
The Master Anamorphics blew me away with their magical blend of Master Prime resolution and contrast with never-before seen smoothness. Cinematographer Stijn Van der Veken ASC , SBC (known for...
Public lighting in cities can make skin tones look poor, but the Master Anamorphics are great tools to ensure you get perfect colors shooting in available light, even at low...
I have found the AUWZ to be a perfect complementary tool to the Master Anamorphics. With it I can shoot extreme wide angles whilst maintaining consistent backgrounds and undistorted...
White paper
English (PDF, 12 MB)
The flare sets provided very beautiful and natural effects without complicating the lighting setup. Cinematographer Takehiko Fukae
English (PDF, 16 MB)
Low distortion for uncompromised cinemascope Cinematic bokeh with high contrast and nice focus fall-off Beautiful skin tones and precise color rendition Characteristic oval out-of-focus highlights
The cinematographer of "The Glass Castle" discusses shooting the drama with Master Anamorphics.
Reed Morano discusses directing, DPing and operating handheld ALEXA with Master Anamorphics on the indie feature.
English (PDF, 7.5 MB)
English (PDF, 6.7 MB)
English (PDF, 4.6 MB)
Workflow Guideline for rendering dailies for editing in DaVinci Resolve.
stages can be stacked together as single or dual filter stage modules, maccommodating everything from wide-angle coverage to multi-filter situations while minimizing the number of...
