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Showing Results for "log"

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234 search results found
wkflw_LogC4

Log C

Log C

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Log C

What is Log C?

FAQ

The Log C curve is a logarithmic encoding of the scene, meaning that the relation between exposure measured in stops and the signal is constant over a wide range. Each stop of exposure...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. What is Log C?

What is Hybrid Log Gamma (HLG)?

FAQ

The Hybrid Log Gamma curve is an HDR standard defined by NHK and BBC. It is specified in ITU Rec BT 2100. The HLG specification offers a degree of compatibility with legacy displays by more...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. What is Hybrid Log Gamma (HLG)?

ARRI LogC3 "ALEXA Log C curve in VFX"

White paper - not valid for ALEXA 35

pdf 272 KB
  1. Learn & Help
  2. Camera & Workflow
  3. Technical Downloads
  4. ARRI LogC3 "ALEXA Log C curve in VFX"

Do I loose any information going to Log C?

FAQ

No. Going from ARRIRAW to 12 bit Log C encoded files means no information loss. ProRes is capable to hold all the information that is inside an ARRIRAW frame in ARRI Wide Gamut color space.

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. Do I loose any information going to Log C?

Why is ARRIRAW data output as Log C for grading?

FAQ

Images with Log C encoding in the ALEXA/AMIRA-specific wide gamut color space provide the camera's full latitude in an unconfined color space. Log C grading is very similar...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. Why is ARRIRAW data output as Log C for grading?

HDR Multicam Log C based Workflow for PQ and HLG

pdf 924 KB
  1. Camera Systems
  2. ARRI Cameras
  3. ARRI Multicam System
  4. HDR Multicam Log C based Workflow for PQ and HLG

Why does ARRI store 16 bit linear images in a 12 bit log format?

FAQ

16 bit linear encoding is neither efficient nor necessary for recording images. Images can be converted from 16 bit linear to 12 bit log without any loss of information or quality, but with...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. Why does ARRI store 16 bit linear images in a...

ARRI Look Library LogC4

Collection of log-to-log 3D LUTs for ALEXA 35

zip 220 MB
  1. Learn & Help
  2. Camera & Workflow
  3. ALEXA 35 Workflows
  4. ARRI Look Library LogC4

ARRI Look Library LogC3

Collection of log-to-log 3D LUTs for ALEXA Classic, ALEXA Mini, AMIRA, ALEXA 65, ALEXA LF, and ALEXA Mini LF

zip 29.8 MB
  1. Learn & Help
  2. Camera & Workflow
  3. Technical Downloads
  4. ARRI Look Library LogC3

Can I use ARRI Look Library looks to create new looks?

FAQ

The looks can be adjusted using CDL parameters after duplicating them in the camera. This way it is possible to use ARRI Look Library looks as a basis to create new adjusted versions which are...

How do I get the ARRI Look Library?

FAQ

The ARRI Look Library is part of the camera software of ALEXA and AMIRA cameras: it is available in ALEXA 35, ALEXA Mini LF, ALEXA Mini, and AMIRA. The Look Library is available in...

My images seem to be lacking contrast/look washed out – what’s the issue?

FAQ

This is not an error! You have chosen to record in “Log C” – ARRI’s native color encoding. Opposed to a straight encoding to a “video” image (in REC 709 color space) Log C maintains...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. My images seem to be lacking contrast/look...

What is the bit depth of ARRI’s color processing and how are images stored?

FAQ

Images in the camera are processed in 16 bit linear and then encoded in 12 bit log on the recording medium. 

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. What is the bit depth of ARRI’s color...

Why do I need LUTs when grading ARRIRAW footage?

FAQ

When viewed directly, Log C footage looks flat with desaturated colors, LogC4 might seem underexposed. To get an image with a grayscale characteristic and color reproduction that is visually...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. Why do I need LUTs when grading ARRIRAW footage?

What HDR Standards exist for mastering?

FAQ

Currently, there are three distribution standards for HDR video to the home:  HDR10 Dolby Vision Hybrid Log Gamma  And one standard for distribution to the cinema: Dolby Vision Cinema

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. What HDR Standards exist for mastering?

Why is there no support for DCI-P3?

FAQ

DCI-P3 color space has been removed from the ALEXA camera menu for reasons of simplicity. A conversion LUT, Log C to DCI-P3, can be generated via our LUT Generator .

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. Why is there no support for DCI-P3?

What is Wide Gamut?

FAQ

Wide gamut is a generic term for color gamuts that are larger than Rec. 709, i.e. P3 or Rec. 2020. ALEXA Wide gamut is the name of the color encoding space used in combination with Log C.

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. What is Wide Gamut?

Do I need special software to edit/post produce a HDR movie?

FAQ

You do not need any special software. Any system that can work with Log C data and 3D LUTs can be used to generate an HDR master. You may need special software, however, to create specific...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. Do I need special software to edit/post produce...

How do you monitor HDR on set with ARRI cameras?

FAQ

Use an HDR monitor on set to judge your images in HDR. ARRI provides look files and 3D LUTs that convert the Log C image into HDR using the SMPTE ST-2084 („PQ“) encoding. These look files...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. How do you monitor HDR on set with ARRI cameras?

Does the WiFi radio in the ALEXA LF and SXT W offer access point and client mode?

FAQ

At this point in time the WiFi of the ALEXA LF and ALEXA SXT W offers only access point mode, which means that external devices can connect to the ALEXA WiFi network, but the ALEXA cameras with...

  1. Learn & Help
  2. Camera & Workflow
  3. Wireless Video System FAQ
  4. Does the WiFi radio in the ALEXA LF and SXT W...

What is the difference between ARRI Look File 1 (ALEXA Classic and ALEXA XT) and ARRI Look File 2 (AMIRA, ALEXA Mini, ALEXA LF and ALEXA SXT)?

FAQ

ARRI Look File 1 offers CDL-like controls as well as printer lights, saturation and a user-definable tone mapping curve. The ALF-1 does not apply LIFT/Gamma/Gain before but after the...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. What is the difference between ARRI Look File 1...

If my camera is not calibrated, how do I get the 4K UHD calibration?

FAQ

If your camera is not calibrated, there is a link in the ARRI AMIRA license shop to log a service request with an ARRI service center, for those whose camera was purchased direct from ARRI.

  1. Learn & Help
  2. Camera & Workflow
  3. AMIRA FAQ
  4. If my camera is not calibrated, how do I get...

Are there reference images available to verify that an ACES pipeline is producing correct results?

FAQ

Yes. ARRI provides a  downloadable zip file containing a sample ARRIRAW file and derivative images , including a Log C DPX frame, an ACES OpenEXR frame and display-ready frames. These can be...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. ACES
  5. ACES FAQ
  6. Are there reference images available to verify...

Is it possible to up-convert an SDR master to HDR?

FAQ

Yes, some color grading tools offer such features. The quality most likely will not be as good as working from Log C original files (or film scans). But since there is a lot of existing SDR...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. Is it possible to up-convert an SDR master to HDR?

What is ARRIRAW?

FAQ

ARRIRAW is the raw format of ARRI's digital cameras. Its file extension is *.ari or *.mxf. The sensor readout of our ALEV3 and ALEV4 sensor is a raw Bayer frame provided as uncompressed, 12...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. What is ARRIRAW?

What is the dynamic range of an ARRIRAW file and how does it compare to ProRes?

FAQ

The ALEV4 sensor offers 17 stops and the ALEV3 sensor 14+ stops of dynamic range with a base sensitivity of EI 800. This dynamic range is available in both ARRIRAW and Log C encoded ProRes...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. What is the dynamic range of an ARRIRAW file...

How do I record HDR with ARRI cameras?

FAQ

While HDR displays are just now becoming available, ARRI digital cameras have always captured a high dynamic range far exceeding the capabilities of displays. So ARRI digital cameras have been...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. How do I record HDR with ARRI cameras?

How do I handle ARRIRAW files for VFX work?

FAQ

All up-to-date VFX tools have native support for ARRIRAW processing. For applications without ARRIRAW support, the footage can be processed to e.g. 10 bit log *.dpx or 16 bit floating-point...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. How do I handle ARRIRAW files for VFX work?

What is the ARRI Color Tool?

FAQ

Use the ARRI Color Tool (ACT) to create ARRI’s Look File 2 to use in ALEXA SXT, ALEXA Mini and AMIRA. Based on a Log C-clip or a *.dpx still frame you can create looks using Color Decision...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. Color FAQ
  5. What is the ARRI Color Tool?

Can I record a baked-in look?

FAQ

The ALEXA Mini LF allows recording in ARRIRAW and Apple ProRes Log C. It is not possible to record a baked-in look, as that would use too much processing power. However, the whole ARRI Look...

  1. Learn & Help
  2. Camera & Workflow
  3. ALEXA Mini LF FAQ
  4. Can I record a baked-in look?

What HDR standards exist?

FAQ

There is one general HDR standard (Rec 2100) and a number of different distribution standards, of which three are the most popular (for a detailed description of all standards see our "HDR...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. What HDR standards exist?

How can we see HDR images at home?

FAQ

Two general requirements must be met to experience HDR at home:  a) your TV set must be HDR compatible. The first displays compatible with one of the three main HDR distribution standards (HDR10...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. How can we see HDR images at home?

What are the capabilities of the Mini LF SDI outputs?

FAQ

60 fps), p - 3G 444 HD (SMPTE ST425-3, up to 30 fps), p - 6G 422 UHD (SMPTE ST2081-10, up to 30 fps), p SDI 1 SDI 2 Configuration Fully configured or clean Clone of SDI 1 or clean Output...

  1. Learn & Help
  2. Camera & Workflow
  3. ALEXA Mini LF FAQ
  4. What are the capabilities of the Mini LF SDI...

How does an HDR sample workflow look like?

FAQ

A HDR workflow is not much different from current workflows. The ALEXA Wide Gamut/Log C (or ARRIRAW) footage is loaded into a color correction system. A 3D LUT is then used to convert...

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. How does an HDR sample workflow look like?

What is T-Link?

FAQ

The ARRIRAW T-Link (Transport Link) has been developed to utilize a standardized HD-SDI interface for sending raw data from the camera to an external recorder. The camera packs the ARRIRAW data...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. What is T-Link?

What is an EOTF?

FAQ

introduced: PQ and Hybrid Log Gamma (HLG).

  1. Learn & Help
  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. What is an EOTF?

What output standards do the ALEXA LF MON OUTs support?

FAQ

MON OUT 1 and MON OUT 2 can each output either a 422 1.5G single link HD-SDI (1920 x 1080) signal or a 422 6G single link UHD-SDI (3840 x 2160) signal. MON OUT 3 can output a 422 1.5G single link...

  1. Learn & Help
  2. Camera & Workflow
  3. ALEXA LF FAQ
  4. What output standards do the ALEXA LF MON OUTs...

What development options do I have when processing ARRIRAW?

FAQ

ARRI offers a software development kit (SDK) for ARRIRAW processing that software vendors can incorporate into their application. ARRI also supports vendors who wish to implement the ARRIRAW...

  1. Learn & Help
  2. Camera & Workflow
  3. Pre- & Postproduction
  4. ARRIRAW FAQ
  5. What development options do I have when...

AMIRA & ALEXA Mini - Color by numbers

White paper

pdf 1.7 MB
  1. Learn & Help
  2. Camera & Workflow
  3. Technical Downloads
  4. AMIRA & ALEXA Mini - Color by numbers

Should I grade HDR or SDR first?

FAQ

not be happy with the SDR.  When using the 3D LUTs from ARRI for HDR and SDR grading and performing all grading decisions in Log C space (the 3D LUT is used as the last grading step)...

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  2. Camera & Workflow
  3. Image Science
  4. HDR FAQ
  5. Should I grade HDR or SDR first?

Cinematic Multicam in HDR

AMIRA supports workflows for live multi-camera productions in HDR according to BT.2100  Hybrid Log Gamma (HLG) or Perceptual Quantizer (PQ)  Cost efficient multicast HDR and SDR workflow...

Which looks are delivered with the camera?

FAQ

The following are the default looks of the camera: ARRI 709 - renders the video image according to the ITU.R-BT709 standard ALEXA Classic 709 - matches the color reproduction to the ARRI ALEXA ARRI...

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  4. Which looks are delivered with the camera?

ALEXA REC Out Options (SUP 10.0 or later)

pdf 42 KB
  1. Camera Systems
  2. ARRI Cameras
  3. ALEXA SXT W
  4. ALEXA REC Out Options (SUP 10.0 or later)

ARRI Lighting Service Manager - V5.3.1 - Software Manual

pdf 3.4 MB English
  1. Lighting
  2. LED
  3. L-Series C
  4. L5-TT
  5. ARRI Lighting Service Manager - V5.3.1 -...

ARRI Sample Footage Technical Information

pdf 441 KB
  1. Camera Systems
  2. ARRI Cameras
  3. ALEXA SXT W
  4. ARRI Sample Footage Technical Information

ARRI Look File 2 - Using the ALF-2

pdf 18.6 MB
  1. Learn & Help
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  3. Technical Downloads
  4. ARRI Look File 2 - Using the ALF-2
wkflw_ALEXA35_LookFile_teaser

Look Files

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  3. Image Science
  4. Look Files

ALEXA SXT - ARRI Look Management - White Paper

pdf 25.1 MB

ALEXA SXT Look Management White Paper

pdf 25.1 MB
  1. Camera Systems
  2. ARRI Cameras
  3. ALEXA LF
  4. ALEXA SXT Look Management White Paper
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