Showing Results for "anamorphic"

How can I use 35 format anamorphic lenses with a 4K mandate on the ALEXA LF?

FAQ

The use of existing 35 format anamorphic lenses for a native 4K mandate is also possible by using LF Open Gate and cropping the desired area from the image in post-production. A Netflix...

Master Anamorphics

Anamorphic Cinema Lens: Compact size, minimal weight, from 28 mm to 180 mm by ARRI - advanced & high-quality anamorphic cine lenses

Tigerine

Video

Chinese Encounter  DP: Jessie Wang Director: Arden Tse Captured with ALEXA 35, K445 Default ARRI Texture, ARRI Master Anamorphic and Kowa Anamorphic lenses

ALEXA 35 Base Production Set (LPL, MVF, 15mm)

Product - K0.0053867

The ALEXA 35 Base model is available in a choice of eight sets that all bring accessory savings, grouped within three categories: Base Entry Sets, Base Operator Sets, and Base Production Sets.

ALEXA 35 Base Production Set (LPL, MVF, 19mm)

Product - K0.0053866

The ALEXA 35 Base model is available in a choice of eight sets that all bring accessory savings, grouped within three categories: Base Entry Sets, Base Operator Sets, and Base Production Sets.

Flexible Sunshade Side Flag Holders Set

Product - KK.0038066

The Flexible Sunshade is an alternative to the existing sunshade for the LMB 4x5 out of plastic. The rubber part can be detached in seconds without using any tools. The dimensions of the Flexible...

Premium license - permanent

Product - 10.0053851

The ALEXA 35 Base model is available in a choice of eight sets that all bring accessory savings, grouped within three categories: Base Entry Sets, Base Operator Sets, and Base Production Sets.

ALEXA Mini LF SUP 7.1

ALEXA Mini LF SUP 7.1 includes a new recording format for anamorphic productions. The new recording format 2.8K LF 1:1 – 2.8K is available in ARRIRAW and Apple ProRes and is tailor-made for...

Features

Very low distortion, even at 19 mm Exceptional corner-to-corner image performance Virtually no image breathing Uniform field illumination Extreme close focus up to the front lens element  Fixed...

LMB 4x5 Clamp Adapter 114mm

Product - K2.0014396

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

LMB 4x5 Clamp Adapter Set Basic

Product - KK.0041934

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

ALEXA SXT FAQ

Explore the ALEXA SXT FAQ to understand 4:3, 6:5 anamorphic, and other resolutions on ALEXA SXT. Learn now!

Nice

Video

German Encounter DP: Nikolaus Summerer Director: Jan Rasmus Voss Captured with ALEXA 35, C733 Nostalgic ARRI Texture, Vantage Hawk X Anamorphic lenses

DP Patrick Ghiringhelli captures “The Night of the 12th” with ALEXA Mini LF

News & Stories

On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.

LMB 4x5 Clamp Adapter Basic LWS 15mm Set

Product - KK.0041929

Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.

Recording Formats

Video

A total of 19 different ARRIRAW and Apple ProRes recording formats are available for the ALEXA 35, incorporating efficient in-camera downsampling and anamorphic de-squeezing. 

Is the ALEXA LF camera Netflix approved?

FAQ

Zoom 9.5 – 18 ≥ 10 mm ARRI Alura LWZ 15.5 – 45 with Alura Extender 1.4x ARRI Alura LWZ 30 – 80 mm ARRI Alura Studio zoom 18 – 80 from 40 mm on without extender ARRI Alura Studio zoom 18 – 80 with...

Adil Afsar on the cinematography of “Madgaon Express” with ALEXA 35

News & Stories

DP Adil Afsar on the cinematography of Indian film “Madgaon Express”, captured with ALEXA 35 and ARRI Master Anamorphic lenses, along with SkyPanels. Read more!

The Siren

Video

British Encounter DP: James Friend ASC, BSC Director: Mike Valentine BSC Captured with ALEXA 35, K445 Default and L345 Shadow ARRI Textures, ARRI Signature Prime and Master Anamorphic lenses

ARRI large format on Netflix’s “Rose Island”

Cinematographer Valerio Azzali shot “Rose Island,” the first Italian feature film produced in large format, with ARRI’s ALEXA LF, ALEXA Mini LF, and ARRI ZEISS Master Anamorphic lenses.

How can I crop the Super 35 area in post to shoot with Super 35 Lenses on the ALEXA LF?

FAQ

Using the LPL lens mount and the PL-to-LPL Adapter, it is possible to shoot with a Super 35 lens and crop the image in post. This works great for anamorphic and spherical lenses. For...

ALEXA LF SUP 4.0

Software Update Package 4.0 for ALEXA LF contains: New anamorphic de-squeeze factors 1.65x for Panavision Ultra Vista Anamorphic lenses 1.80x for Cooke Anamorphic/i Full...

What is the ALEXA LF sensor mode LF 16:9?

FAQ

The LF 16:9 sensor mode covers the smallest area (31.68 mm x 17.82 mm) that still meets 4K deliverable standards with its 3840 x 2160 photo sites (4K UHD). Full frame lenses cover this, of...

DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”

Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an...

What does the ALEXA SXT W do that the ALEXA LF does not do?

While there is a large overlap between ALEXA LF and ALEXA SXT W cameras, there are still some things the ALEXA SXT W does that are not available from the ALEXA LF. In-camera anamorphic...

Is the ALEXA Mini LF Netflix approved?

FAQ

Yes, as you can see on the Netflix Partner Help Center . Please note that this includes approval for the anamorphic recording options detailed in the ALEXA LF & Anamorphic...

ARRI behind the scenes on "Wrath of Silence"

Director Xin Yukun’s critically acclaimed film, "Wrath of Silence," is a tough crime thriller set in a Chinese coal mining district. The film’s Director of Photography, He Shan, spoke to...

What recording formats are supported by ALEXA SXT cameras?

FAQ

ALEXA SXT cameras can record ARRIRAW just like the XT cameras could, but now with higher frame rates: 16:9 ARRIRAW up to 120 fps, 6:5 ARRIRAW up to 96 fps, 4:3 ARRIRAW up to 96 fps and Open Gate...

Can you give a more detailed list?

FAQ

And here is a slightly longer list with more details: New recording formats 16:9 ProRes 4K UHD (3840 x 2160) The easiest and fastest path to the best 4K UHD  image, with the immediacy and speed of...

ARRI TECH TALK Live: Frame Line & Lens Illumination Tool

Video

Join workflow expert Simon Duschl for a deep dive into ARRI's Frame Line & Lens Illumination Tool. You will get an overview of the tool and learn more about the relationship between frame...

What is the difference between image area and illumination area of a lens?

FAQ

Any lens projects an image with a circular (spherical lenses) or oval (anamorphic lens) shape onto the sensor. Inside this shape is the image area, which is the area within which the lens’...

Master Anamorphics on "John Wick II"

Immerse into the cinematic world of John Wick II, powered by ARRI's Master Anamorphics. Exceptional images milestone in filmmaking. Discover more now!

How can I use an image expander to shoot with Super 35 lenses on the ALEXA LF?

FAQ

You can use a third-party image expander that will optically magnify the image to cover the full sensor in LF Open Gate sensor mode. This works with some spherical as well as with some...

Trailer for JOHN WICK II, shot with Master Anamorphics

Video

Quote

I have found the AUWZ to be a perfect complementary tool to the Master Anamorphics. With it I can shoot extreme wide angles whilst maintaining consistent backgrounds and undistorted...