Product
XR Capture Drive 512 GB 1 x K2.48840.0 Capture Drive Dock (USB-3, no VFS) 1 x K2.72076.0 High Speed License Key 1 x...
VMB-1 1 x K2.72012.0 Viewfinder Cable Short (0.35m/1.2ft) KC 150-S 1 x K2.72018.0 SD Card3K2.72078.0SxS PRO Card 64 GB 1 x K2.72076.0 High Speed License Key 1 x...
Very low distortion, even at 19 mm Exceptional corner-to-corner image performance Virtually no image breathing Uniform field illumination Extreme close focus up to the front lens element Fixed...
Browse our Certified Pre-Owned Cameras. All CPO and demo products are checked, certified, and covered by a one-year warranty.
3,600.00 EUR (excl. VAT and applicable taxes) Items included: 1x K2.0013589 LMB 4x5 Basic Modul 1x K2.0014006 LMB 4x5 Extra Non Rotable Stage 1x K2.0013460...
(0.35m/1.2ft) KC 150-S 1 x K2.72018.0 SD Card 1 x K2.72002.0 Wedge Adapter (WA-1) 1 x K2.72010.0 Battery Adapter Back für V-lock...
Viewfinder Mounting Bracket VMB-2 1 x K2.72018.0 SD Card 1 x K2.72003.0 Battery Adapter Back for Gold Mount (BAB-G) 1 x K2.72002.0...
K2.72018.0 SD Card 1 x K2.72002.0 Wedge Adapter (WA-1) 1 x K2.72010.0 Battery Adapter Back für V-lock (BAB-V) 3 x K2.72078.0 SxS PRO Card 64GB...
K2.72010.0 Battery Adapter Back for V-lock (BAB-V) 1 x K2.72017.0 Leveling Block LB-1 1 x K2.72004.0 BP-12 Bridge Plate 4 x K2.48837.0 XR Capture Drive...
BAB-V 1 x K2.72005.0 Shoulder Pad SP-3 1 x K2.72000.0 Viewfinder Extension Bracket VEB-1 2 x K2.72013.0 Viewfinder Cable Medium KC 151-S 1 x K2.72018.0 SD...
Video
German Encounter DP: Nikolaus Summerer Director: Jan Rasmus Voss Captured with ALEXA 35, C733 Nostalgic ARRI Texture, Vantage Hawk X Anamorphic lenses
WA-1 1 x K2.72023.0 Low Mode Support LMS-3 1 x K2.72010.0 Battery Adapter Back V-lock BAB-V 1 x K2.72083.0 Shoulder Pad SP-4 1 x K2.72012.0 Viewfinder Cable...
K2.72067.0 Anamorphic De-squeeze License Key 1x K2.72094.0 DNxHD License Key
Explore the ALEXA SXT FAQ to understand 4:3, 6:5 anamorphic, and other resolutions on ALEXA SXT. Learn now!
News & Stories
On “The Night of the 12th,” cinematographer Patrick Ghiringhelli relied on the ALEXA Mini LF and ARRI Master Anamorphic lenses.
A total of 19 different ARRIRAW and Apple ProRes recording formats are available for the ALEXA 35, incorporating efficient in-camera downsampling and anamorphic de-squeezing.
FAQ
Zoom 9.5 – 18 ≥ 10 mm ARRI Alura LWZ 15.5 – 45 with Alura Extender 1.4x ARRI Alura LWZ 30 – 80 mm ARRI Alura Studio zoom 18 – 80 from 40 mm on without extender ARRI Alura Studio zoom 18 – 80 with...
Product - K2.0014396
Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.
-tail plate 300 mm/12 inch 1 x K2.0003429 Capture Drive Dock (USB-3) CDX-7510 1x K2.72076.0 High Speed License Key 1x K2.72067.0 ...
British Encounter DP: James Friend ASC, BSC Director: Mike Valentine BSC Captured with ALEXA 35, K445 Default and L345 Shadow ARRI Textures, ARRI Signature Prime and Master Anamorphic lenses
Software Update Package 4.0 for ALEXA LF contains: New anamorphic de-squeeze factors 1.65x for Panavision Ultra Vista Anamorphic lenses 1.80x for Cooke Anamorphic/i Full...
Using the LPL lens mount and the PL-to-LPL Adapter, it is possible to shoot with a Super 35 lens and crop the image in post. This works great for anamorphic and spherical lenses. For...
K2.41966.0 Power Cable Straight (2.0m/6.6ft) KC-20 1 x K2.0003429 Capture Drive Dock (USB-3) 1 x K2.72076.0 High Speed License Key 1 x K2.72067.0 ...
Cinematographer Valerio Azzali shot “Rose Island,” the first Italian feature film produced in large format, with ARRI’s ALEXA LF, ALEXA Mini LF, and ARRI ZEISS Master Anamorphic lenses.
Product - KK.0041934
I was really happy with how the Master Anamorphic performed at T1.9 because there was no distortion and no loss of the color structure. Cinematographer Michel Abramowicz, AFC (known for...
K2.41966.0 Power Cable Straight (2.0m/6.6ft) KC-20 1 x K2.72021.0 Cable ALEXA K2.72021.0 ETH/RJ45 (3.0m/9.8ft) KC 153-S 3 x ...
Main features… Built-in Tilt Module Stackable filter stages Anamorphic conversion set available Ready for ALEXA and 12 mm Master Prime Ready for ALEXA and Angenieux Optimo 24-290 mm Special...
K2.48838.0 SxS Adapter for ALEXA XT/XR Camera 1 x K2.74000.0 Viewfinder Extension Bracket VEB-3 1 x K2.0023540 Sony SBAC-US10 SxS Memory Card...
(2.0m/6.6ft) KC-20 1 x K2.72031.0 ALEXA 12V Accesory Cable KC 154-SP-S 1 x K2.72021.0 Cable ALEXA K2.72021.0 ETH/RJ45 (3.0m/9.8ft) KC 153-S 5 x...
Product - KK.0041929
The LF 16:9 sensor mode covers the smallest area (31.68 mm x 17.82 mm) that still meets 4K deliverable standards with its 3840 x 2160 photo sites (4K UHD). Full frame lenses cover this, of...
You can fit the top/bottom flag to the top or bottom of the matte box with the 4:3 and 2:1 sunshades, providing you fit the optional bottom flag holders. Please note, for the 2:1 sunshade...
Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an...
While there is a large overlap between ALEXA LF and ALEXA SXT W cameras, there are still some things the ALEXA SXT W does that are not available from the ALEXA LF. In-camera anamorphic...
Yes, as you can see on the Netflix Partner Help Center . Please note that this includes approval for the anamorphic recording options detailed in the ALEXA LF & Anamorphic...
Director Xin Yukun’s critically acclaimed film, "Wrath of Silence," is a tough crime thriller set in a Chinese coal mining district. The film’s Director of Photography, He Shan, spoke to...
ARRI’s Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the Master Anamorphics by extending the range to cover extreme wide-angle focal lengths...
ALEXA SXT cameras can record ARRIRAW just like the XT cameras could, but now with higher frame rates: 16:9 ARRIRAW up to 120 fps, 6:5 ARRIRAW up to 96 fps, 4:3 ARRIRAW up to 96 fps and Open Gate...
And here is a slightly longer list with more details: New recording formats 16:9 ProRes 4K UHD (3840 x 2160) The easiest and fastest path to the best 4K UHD image, with the immediacy and speed of...
Join workflow expert Simon Duschl for a deep dive into ARRI's Frame Line & Lens Illumination Tool. You will get an overview of the tool and learn more about the relationship between frame...
Any lens projects an image with a circular (spherical lenses) or oval (anamorphic lens) shape onto the sensor. Inside this shape is the image area, which is the area within which the lens’...
You can use a third-party image expander that will optically magnify the image to cover the full sensor in LF Open Gate sensor mode. This works with some spherical as well as with some...
The Master Anamorphics just scream cinema: they’re more controllable than other anamorphics, but give gorgeous flares if you want them and the bokeh is so impressionistic.Cinematographer Reed...
Immerse into the cinematic world of John Wick II, powered by ARRI's Master Anamorphics. Exceptional images milestone in filmmaking. Discover more now!
The Master Anamorphics blew me away with their magical blend of Master Prime resolution and contrast with never-before seen smoothness.Cinematographer Stijn Van der Veken ASC , SBC (known for...
Public lighting in cities can make skin tones look poor, but the Master Anamorphics are great tools to ensure you get perfect colors shooting in available light, even at low...
I have found the AUWZ to be a perfect complementary tool to the Master Anamorphics. With it I can shoot extreme wide angles whilst maintaining consistent backgrounds and undistorted...