Product - F0.000MAAN
Product - K2.0006969
Experience the power and beauty of ARRI Anamorphic Ultra Wide Zoom Lenses, leading the field in cinematic lens technology. Discover more now!
Product - K2.0019258
Experience the cutting-edge ARRI LMB 6x6 Matte Box, offering enhanced efficiency for filmmakers. Discover more now!
Product - K2.0007992
Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.
Product
Check all ARRI Lenses within the Certified Pre-Owned (CPO) program that are currently available at ARRI.com
The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI Master Anamorphic lens series. Each of the nine Master Anamorphic focal...
273,880.00 EUR (excl. VAT and applicable taxes) Items included: 1 x K2.0039809 CPO - ARRI Master Anamorphic 28/T1.9 F 1 x K2.0039811 CPO - ARRI Master...
Experience unsurpassed resolution and contrast with ARRI Master Anamorphic lenses designed for cinematic shots. Explore now!
Video
Tokyo-based production and shooting support company Digital Garden recently produced a showreel to demonstrate the creative possibilities of its Master Anamorphic Flare Sets, which were the...
THE RIDE is a short film that was directed and shot on location in Los Angeles by cinematographer Karl Walter Lindenlaub, ASC, BVK, using an ALEXA and the MA35, MA50 and MA75 ARRI/ZEISS Master...
39,000.00 EUR (excl. VAT and applicable taxes)Items included:1 x K2.0031434 ARRI Anam. Ultra Wide Zoom 19-36
Press Release
The new ARRI Master Anamorphic Flare Sets are economical and versatile accessories for the ARRI/ZEISS Master Anamorphic lens series.
All technical data related to the Anamorphic Ultra Wide Zoom lenses by ARRI. Read the exact data.
ARRI has introduced 2 new Master Anamorphic focal lengths, a 28 mm and 180 mm.
The new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 lens is a unique lens that extends the range to cover extreme wide-angle focal lengths without sacrificing image quality.
FAQ
Yes, the use of anamorphic lenses on ALEXA LF is easy. There are three main use cases for anamorphic lenses on ALEXA LF: using full frame anamorphic lenses, using 35 format...
Yes. You can use both traditional anamorphic lenses with a 2x squeeze factor (like the ARRI Master Anamorphic lenses) as well as anamorphic lenses with a 1.3x squeeze factor...
Director Roberto de Angelis and DP Michel Abramowicz, AFC, recently used a 50 mm ARRI/ZEISS Master Anamorphic lens on a short film titled A TRIP TO REMEMBER. The short was shot over...
The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens...
The 4:3 aspect ratio was originally left over from the film days, and now has been put to good use by VFX-heavy feature films. Anamorphic lenses don't actually need the full width of...
Yes. ALEXA LF can de-squeeze images from all current anamorphic squeeze ratios (1.25x, 1.30x, 1.50x, 1.65x, 1.80x and 2.00x) on the viewfinder and monitor outputs. These de-squeeze factors...
For full-frame anamorphic lenses, use the LF Open Gate sensor mode. As long as your sensor area is larger than 2880 x 2880 for a 2:1 aspect ratio deliverable, or 3148 x 2636 for a 2.39:1...
The use of existing 35 format anamorphic lenses for a native 4K mandate is also possible by using LF Open Gate and cropping the desired area from the image in post-production. A Netflix...
For shooting with 35 format anamorphic lenses while matching a Super 35 ALEXA, use the LF 16:9 sensor mode (3840 x 2160), which has exactly the same height as the 6:5 anamorphic...
Both are compatible with the 4:3 sunshade, which is included with both SMB-2 modules. The SPH (spherical) mattes are for spherical lenses, while the SPH/ANAM (anamorphic) mattes are...
Anamorphic Cinema Lens: Compact size, minimal weight, from 28 mm to 180 mm by ARRI - advanced & high-quality anamorphic cine lenses
Product - K2.0033772
Chinese Encounter DP: Jessie Wang Director: Arden Tse Captured with ALEXA 35, K445 Default ARRI Texture, ARRI Master Anamorphic and Kowa Anamorphic lenses
Product - KK.0038066
Back for Gold Mount (BAB-G)" 1x K2.72018.0 SD Card 3x K2.72078.0 SxS PRO Card 64 GB 1x K2.72076.0 High Speed License Key 1x K2.72067.0 ...
K2.72018.0 SD Card 3 x K2.72078.0 Sony SxS Pro Card 64GB 1 x K2.72076.0 High Speed License Key 1 x K2.72067.0 Anamorphic...
Master Anamorphic lenses represent a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. The Master...
Built-in Tilt Module Stackable filter stages Anamorphic conversion set available
ALEXA Mini LF SUP 7.1 includes a new recording format for anamorphic productions. The new recording format 2.8K LF 1:1 – 2.8K is available in ARRIRAW and Apple ProRes and is tailor-made for...