Product - F0.000MAAN
Product - K2.0006969
Experience the power and beauty of ARRI Anamorphic Ultra Wide Zoom Lenses, leading the field in cinematic lens technology. Discover more now!
Product - K2.0019258
Experience the cutting-edge ARRI LMB 6x6 Matte Box, offering enhanced efficiency for filmmakers. Discover more now!
Product - K2.0007992
Get to know ARRI's lightweight matte boxes LMB 4x5. A modular matte box that is suited for a wide range of applications in just one product & much more.
Product
120,000.00 EUR (excl. VAT and applicable taxes) Master Anamorphics Prime Set Feet Scale K2.0039811 CPO - ARRI MASTER ANAMORPHIC 35/T1.9 F K2.0039815 CPO - ARRI MASTER...
The ARRI Master Anamorphic Flare Sets are highly versatile and economical accessories for the ARRI Master Anamorphic lens series. Each of the nine Master Anamorphic focal...
Experience unsurpassed resolution and contrast with ARRI Master Anamorphic lenses designed for cinematic shots. Explore now!
39,000.00 EUR (excl. VAT and applicable taxes) Items included: 1 x K2.0031434 ARRI Anam. Ultra Wide Zoom 19-36
Video
Tokyo-based production and shooting support company Digital Garden recently produced a showreel to demonstrate the creative possibilities of its Master Anamorphic Flare Sets, which were the...
THE RIDE is a short film that was directed and shot on location in Los Angeles by cinematographer Karl Walter Lindenlaub, ASC, BVK, using an ALEXA and the MA35, MA50 and MA75 ARRI/ZEISS Master...
Press Release
The new ARRI Master Anamorphic Flare Sets are economical and versatile accessories for the ARRI/ZEISS Master Anamorphic lens series.
All technical data related to the Anamorphic Ultra Wide Zoom lenses by ARRI. Read the exact data.
ARRI has introduced 2 new Master Anamorphic focal lengths, a 28 mm and 180 mm.
The new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 lens is a unique lens that extends the range to cover extreme wide-angle focal lengths without sacrificing image quality.
FAQ
Yes, the use of anamorphic lenses on ALEXA LF is easy. There are three main use cases for anamorphic lenses on ALEXA LF: using full frame anamorphic lenses, using 35 format...
Yes. You can use both traditional anamorphic lenses with a 2x squeeze factor (like the ARRI Master Anamorphic lenses) as well as anamorphic lenses with a 1.3x squeeze factor...
This workflow guideline shows some examples of anamorphic sensor modes and recording resolutions for the ALEXA 35 camera in relation to post-production.
Director Roberto de Angelis and DP Michel Abramowicz, AFC, recently used a 50 mm ARRI/ZEISS Master Anamorphic lens on a short film titled A TRIP TO REMEMBER. The short was shot over...
Anamorphic de-queeze of all incoming video with the push of a button. Here's our quick guide!
The Indian war film “Uri: The Surgical Strike” was shot by DP Mitesh Mirchandani with ARRI ALEXA SXT and Master Anamorphic lenses. The cinematographer speaks about his camera and lens...
Product - K0.0053859
The ALEXA 35 Base model is available in a choice of eight sets that all bring accessory savings, grouped within three categories: Base Entry Sets, Base Operator Sets, and Base Production Sets.
The 4:3 aspect ratio was originally left over from the film days, and now has been put to good use by VFX-heavy feature films. Anamorphic lenses don't actually need the full width of...
Product - K0.0051069
anamorphic recording formats plus in-camera anamorphic de-squeeze, and pre-recording. Each feature license can be purchased individually or all together in the Cine Plus License.
Yes. ALEXA LF can de-squeeze images from all current anamorphic squeeze ratios (1.25x, 1.30x, 1.50x, 1.65x, 1.80x and 2.00x) on the viewfinder and monitor outputs. These de-squeeze factors...
Product - K0.0051070
the following features: frame rates up to 120 fps, ARRIRAW recording, all Open Gate-width and anamorphic recording formats plus in-camera anamorphic de-squeeze, and pre-recording.
For full-frame anamorphic lenses, use the LF Open Gate sensor mode. As long as your sensor area is larger than 2880 x 2880 for a 2:1 aspect ratio deliverable, or 3148 x 2636 for a 2.39:1...
Product - K0.0053858
Product - K0.0053857
Product - K0.0051101
permanent licenses with the following features: frame rates up to 120 fps, ARRIRAW recording, all Open Gate-width and anamorphic recording formats plus in-camera anamorphic...
Product - K0.0053860
Product - K0.0053862
Product - K0.0053864
Product - K0.0053865
Product - K0.0053861
Product - K0.0053863
