ALEXA 35

开启新纪元

十几年来，ALEXA摄影机家族代表数字电影摄影的黄金标准。现在，全新4.6K S35格式影像传感器、REVEAL色彩科学新机ALEXA 35再创新标杆。

17档动态范围

动态范围较前代ALEXA摄影机多出2.5档并带有胶片式的高光过渡

灯光处理更容易，后期制作更灵活

HDR项目的最佳素材资源

对我来说，摄影机不仅仅是一台机械机器，它有一种思维方式。ALEXA 35以其惊人的帮助功能使我们感到安全。数据的完整性和17档的动态范围给我们带来了美妙的结果。在一些特定的HDR拍摄技术和3D照明设置的帮助下，我能够保留所有高光和所有阴影的细节。

穆科-特米克

电影摄影师

更高灵敏度和更多高光细节，我的打光和曝光更加不用顾虑。

Ari Wegner cinematographer, quote ALEXA 35

ACS摄影师阿瑞.韦格纳

摄影师

新影像传感器提供极其有弹性、惊人宽容度的画面，即使在最明亮的高光和最深沉的暗部中也保留了所有色彩和信息。

ASC/BSC摄影师詹姆斯.弗伦德

摄影师

优化的灵敏度：更低噪点，更高ISO

EI 160至EI 6400，在所有曝光水平下都能保持色彩准确性

增强感光度模式下，在弱光下可获得更清晰的影像

（由于场地限制）我们无法采用额外光源，几乎是全部借助了街灯与街边建筑中的光线（进行拍摄）值得注意的是，在ES模式下，噪点极低。我认为这一点做出了真正的优化。

Jessie Wang

摄影师

当看到ALEXA 35面对弱光条件的反应后，我调高到3200 EI，仅仅借助火光完成了拍摄。另一个用紫外光灯的场景，测光表什么都读不出来。然而两个场景的肤色和质感都还原得非常好。

ISC摄影师内哈.帕蒂.马蒂亚尼

摄影师

孩子们脸庞的细节描写是我以前从未见过的，就算阴影部分也保持着美丽的肤色和质感。

鲁迪.施瓦布

导演

栩栩如生的色彩

自然细腻美妙的肤色渲染v

更加微妙柔和的色调变化，塑造着让人身临其境引发情感共鸣的影像

最新的REVEAL色彩科学进一步简化了工作流程

与电影人的交流以及对影像制作工作流程的深入审视帮助ARRI大幅改善ALEXA 35画面品质并促生一套更快更简洁的工作流程。“REVEAL色彩科学”是ALEXA 35机内一系列全新影像处理环节的统称，同时，主流第三方后期平台也能够利用它处理ARRIRAW素材。

了解更多

ARRI 去拜耳算法 ADA-7
全新优化后的影像输出渠道的第一步
将ARRIRAW文件转化为摄影机原生RGB影像数据
最大程度利用全新传感器的技术能力
为蓝绿幕提供更纯净的色彩边缘
更简单清晰的合成加速了后期的VFX工作
ARRI 色彩引擎 ACE4
将摄影机原生的RGB图像数据转换到AWG4色彩空间中
使摄影机 "看到 "的东西更接近人类的视觉感受
更微妙和准确的色彩再现
对所有的肤色进行令人愉快和自然的渲染
在所有的曝光中都有更好的色彩跟踪和区分
针对饱和色彩作出了很大的改善（刹车灯、霓虹灯）
在SDR 与 HDR中保持相同的色调
ARRI 广色域 AWG4
新的机内色彩空间令调色更快更轻松
空间最优化：大小刚刚好
比Rec2020更大但最大限度减少了肉眼无法感知的虚拟色彩
更准确的色彩空间变换
完全兼容ACES（学院色彩编码系统）
LogC4 曲线
编码明暗变化
捕捉新影像传感器更高的曝光宽容度
LogC4 风格查找表
将LogC4/AWG4图像转换到其它显示色彩空间
ARRI原厂LUT充分发挥新影像传感器和LogC4/AWG4优势
所有LogC4素材都应使用LogC4 LUT
改善色彩逼真度
向下兼容
ALEXA 35能够与其它ALEXA或AMIRA混用混剪
通过使用REVEAL 色彩科学处理任何数字ARRI摄影机（除ARRIFLEX D-20 / D-21外），可以实现与ALEXA 35的完美色彩匹配。

ALEXA 35呈现出的画面令人难以置信。高光区域的额外曝光度和新的色彩科学是新传感器中最突出的部分。图像深度非常丰富，我很难相信在调色过程中它还能如此强大。ALEXA 35改变了超35制作的未来，成为了新的标准。

艾文-奥利弗

摄影指导

新影像传感器的宽容度惊人。我喜欢它表现色彩的方式，就像教堂的彩绘窗一样生动。ALEXA 35改变了游戏规则。

ASC/BSC摄影师西莫.麦加维

摄影师

尽管这几年我一直是ARRI摄影机用户，但新影像传感器捕捉色彩的方式还是震惊了我。在融化一切的非洲阳光下，它的高光过渡好美，而且暗部还看得到细节。

巴纳巴斯.伊莫迪

摄影师

比以往更强大的影像把控力

ARRI Textures 功能让你决定ALEXA 35如何 "看 "世界

为不同的拍摄环境和视觉风格提供不断优化的质感菜单

选择您的数字底片

ARRI影像质感（ARRI Textures）允许您更改画面颗粒的数量与特征，以及不同细节的反差程度，从观感角度就是锐利度的自适应变化。前几代ALEXA摄影机一直默认预设一种影像质感，ALEXA 35允许您从影像质感列表中选择，仿佛选择不同类型数字底片。影像质感变化有时非常细微，最好采用大屏幕、高品质HDR监视器监看。为了便于您观察ARRI影像质感的细节，以下样本是放大至500%的画面。

默认

Nostalgic G733

选择您的数字底片

默认

Nostalgic G733

我选用其中一种成像质感，画面多了一些颗粒。很多摄影师其实对底片的颗粒感都有一分情结，它就是有一种韵味，而颗粒和高ASA的噪点不是一回事。

尼古拉斯.萨莫瑞

摄影师

身为导演，现在似乎没有什么我想象中的场景，是必须先做取舍才能实现的了。

BSC摄影师迈克.瓦伦泰

导演/摄影师

4.6K S35影像传感器

丰富镜头选择

ALEXA 35可以与大量的现代或复古、变形或球形、超35或大画幅镜头一起使用，如果想用ARRI摄影机拍摄，同时满足原生4K的要求，可以有更多的镜头选择。例如，ARRI Signature镜头系列的焦距范围特别宽，使其同样适用于超35镜头和大画幅镜头，提供美丽丰富和有质感的图像，充分利用了新的ALEXA 35传感器。

20种录制格式

总共有20种ARRIRAW和Apple ProRes记录格式，结合了高效的机内降噪和变形去噪，让您可以根据个人需求，优化数据率、分辨率和其他参数。无论您选择什么样的长宽比，无论您有什么样的交付要求，都有一种ALEXA 35记录格式非常适合你的制作。了解更多

Behind the scenes of a shoot in the argentine nature with the 4K alexa 35 camera.

为灵活性而设计

5种可更换的镜头卡口，内建双声道麦克风和FSND滤镜系统，ALEXA 35能够完美应对不断变化的工作需求。摄影大助肯定会爱上ALEXA 35机身自带的LBUS端口、连接测距设备的串行端口以及支持热插拔的取景器端口。

MVF-2 取景器和 CCM-1 监视器

通过熟悉的、支持 HDR 的 MVF-2 取景器和新的日光可见的触摸屏 7 英寸 CCM-1 监视器，提供全面的摄影机控制、菜单访问和高质量的监视。在此了解更多关于 CCM-1 的信息。

ALEXA 35 Body + LPL Mount - left - pwr on

新增副屏

不借助取景器，直接从机身左侧副屏读取系统状态或回放拍摄片段，调整工作参数。TRINITY、斯坦尼康、EasyRig、无人机和摇臂团队的福音。

专用电子模块

分电器模块PDM-1（中）额外提供7路附件供电输出，而音频扩展模块AEM-1（左）除额外的供电输出外，还为机载录音提供2路极高品质的麦克风前置放大器。

使用1TB和2TB Codex Compact Drive录制

ALEXA 35可继续使用现有的1TB Codex Compact Drive存储卡，而新的2TB Codex Compact Drive支持前所未有的高帧率无压缩ARRIRAW录制。了解更多

丰富的连接能力

ALEXA 35为您的所有附件提供丰富的输入/输出连接界面，其中包括两路完全独立的12G SDI输出、1个实时传输元数据流的以太网端口、12V和24V稳压供电输出端口。

B型接口，新的24V标准

优化的机械结构，出色完整的元数据信息，足以驱动您所有附件的大功率输出能力。

支持任何使用场景

ARRI已经为ALEXA 35打造一整套新附件，扩展摄影机功能，加速现场效率与灵活性。除专用电子模块以外，全套新机械附件变换轻松高效，从小型轻量化系统到重型套装，灵活应对任何拍摄环境。

ALEXA 35附件一览

选择正确的套装

为了您的长期投资回报

每一台ALEXA 35出货前必须经过严苛的极端温度与振动测试，确保它们在现场永远提供可靠服务。在开发过程中，ALEXA 35被摇晃、冰封、烘烤，遭受钝器攻击，所有端口利用机械手臂反复插拔，执行压力测试。最终，ALEXA 35被打造成耐温、防尘、防溅、生命力持久的产品，投资回报的安全保障。

登场

ALEXA 35 First Encounters (multilingual - choose your subtitles EN, FR, ES, PT, KO, JA)

Filmmakers from all over the world share the excitement of their first experiences with the new ARRI ALEXA 35. Most of them were involved in our “Encounters” series of short films, exploring the camera’s unique features through creative visual storytelling. Behind-the-scenes interviews and clips illustrate what they learned about the ALEXA 35’s dynamic range, sensitivity, colors, and ARRI...

ALEXA 35 Guided Tour (with subtitles EN, ZH, FR, ES, PT, IT, KO, JA)

A short and inspiring introduction to ARRI’s new ALEXA 35 camera. Get an overview of how the new native 4.6K Super 35 sensor, in combination with REVEAL Color Science, gives you more dynamic range, more sensitivity, more accurate colors, and more creative control.
See how international filmmakers have already made use of these incredible advances in shots from our “Encounters” series of...

ALEXA 35 Keynote Presentation (with subtitles EN, FR, ES, PT, KO)

ARRI presents ALEXA 35 to the world. This keynote presentation, broadcast on the day of the camera’s launch, gives an overview of the extraordinary advances it brings to the industry.
Christoph Stahl, grandson of ARRI co-founder Robert Richter, positions ALEXA 35 within ARRI’s proud and rich history; Managing Director Stephan Schenk reflects on 12 years of the ALEXA journey; Senior Product...

主题测试短片 - “邂逅”系列

来自世界各地的11位电影制作人用一部ALEXA 35，并被要求讲述一个关于邂逅的具有视觉冲击力的故事--当生命交汇、经验分享和发现新方向的时刻。在不同的地点、镜头选择和拍摄风格之间，电影制作人挑战了ALEXA 35摄影机动态范围的极限，并探索了ARRI Textures，在色彩、低光、高光和极端条件的新可能性上释放了他们的创造力。

ALEXA 35 Encounters – “Tigerine”

“The way the camera captured all the different variations of the color red, in quite extreme environments, was remarkable.”
- DP Jessie Wang, China
Shot with ALEXA 35, the K445 Default ARRI Texture, ARRI Master Anamorphic and Kowa Anamorphic lenses.
“Tigerine” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from...

ALEXA 35 Encounters – “The Painting”

"The new camera works so well for black skin tones, and the way it sees colors is amazing."
- DP Barnabas Emordi, Nigeria
Shot with ALEXA 35, the K445 Default ARRI Texture and ARRI Signature Prime lenses.
“The Painting” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world were given the same brief:...

ALEXA 35 Encounters – “Nice”

“The combination of anamorphic lenses, the ARRI Texture we chose, and the use of available light was very nice.”
- DP Nikolaus Summerer, Germany
Shot with ALEXA 35, the ¬C733 Nostalgic ARRI Texture and Vantage Hawk X Anamorphic lenses.
“Nice” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world...

ALEXA 35 Encounters – “The Siren”

"The new sensor retained all the color and information even in the most brilliant of highlights and deepest of shadows."
- DP James Friend ASC, BSC, United Kingdom
Shot with ALEXA 35, the K445 Default and L345 Shadow ARRI Textures, ARRI Signature Prime and ARRI Master Anamorphic lenses.
“The Siren” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of...

ALEXA 35 Encounters – “Found It”

"ALEXA 35 sets the highest standards in resolution, dynamic range, and color. It’s a totally new type of camera."
- Director & DIT Mr. Yoshikatsu Date, Japan
Shot with ALEXA 35, the K445 Default ARRI Texture and ARRI Rental Prime DNA lenses.
“Found It” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around...

ALEXA 35 Encounters – “Treasure Hunter”

“The richness of the images captured by this new camera immediately seized my eyes and my heart.”
- DP Jin-Kyung Ha, Korea
Shot with ALEXA 35, the K445 Default ARRI Texture, ARRI Signature Prime and ARRI Master Prime lenses.
“Treasure Hunter” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world...

ALEXA 35 Encounters – “An Ancestral Path”

"The sensor of the ALEXA 35 is something else, both strong and gentle in the perception of color and texture."
- DP Bárbara Alvarez, Uruguay
Shot with ALEXA 35, the K445 Default ARRI Texture, ARRI Signature Prime and ARRI Signature Zoom lenses.
“An Ancestral Path” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers...

ALEXA 35 Encounters – “The Swing”

"I could not get the camera to clip; the dynamic range is so wide and impressive. This is a completely new generation."
- Erik Messerschmidt ASC, USA
Shot with ALEXA 35, the K445 Default ARRI Texture and ARRI Signature Prime lenses.
“The Swing” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world...

ALEXA 35 Encounters – “Sweetheart”

“With increased light sensitivity and more detail in the highlights, I can be even more bold with my lighting and exposure choices.”
- Ari Wegner ACS, Australia
Shot with ALEXA 35, the C733 Nostalgic and L345 Shadow ARRI Textures, Zeiss Super Speed Mk3 and Angenieux 25-250 HR lenses.
“Sweetheart” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of...

ALEXA 35 Encounters – “Avoid Boredom”

"In the ALEXA 35 I have met a new friend, and she is already a valued part of my team."
- DP Christophe Graillot, France
Shot with ALEXA 35, the P425 Cosmetic ARRI Texture and Leitz Summicron-C lenses.
“Avoid Boredom” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world were given the same brief...

ALEXA 35 Encounters – “Through the Colors”

"The ALEXA 35 has a vivid, true-to-life color rendition and handles highlights beautifully."
- DP Neha Parti Matiyani ISC, India
Shot with ALEXA 35, the K445 Default ARRI Texture and ARRI Signature Prime lenses.
“Through the Colors” is one of the short films in the “Encounters” series commissioned by ARRI for the launch of the ALEXA 35. Eleven filmmakers from around the world were given...

发现更多关于ALEXA 35 摄影机的技术细节

ARRI Tech Talk: ALEXA 35 - Fast and Easy Operation (Subtitles in EN, ES, IT, PT, JP)

ALEXA 35 is the smallest fully featured production camera ever made by ARRI, packing the features and processing power of a larger ALEXA into a Mini-sized body that is fast and easy to use on any type of production.
Senior Product Manager Marc Shipman-Mueller provides an overview of the numerous usability improvements introduced with the ALEXA 35, including sophisticated cooling, flexible...

ARRI Tech Talk: ALEXA 35 - Image Quality (Subtitles in EN, ES, IT, PT, JP)

ARRI has always been committed to providing filmmakers with the best overall image quality, rather than fixating on a single parameter such as resolution. ALEXA 35 follows the same approach and raises the bar.
Senior Product Manager Marc Shipman-Mueller explains how the ALEXA 35’s 4.6K Super 35 sensor, increased dynamic range, improved sensitivity, and REVEAL Color Science all work together...

ARRI Tech Talk: ALEXA 35 - Creative Options (Subtitles in EN, ES, IT, PT, JP)

There are two main ways in which ALEXA 35 expands on-set creative control: the evolving menu of ARRI Textures for different looks, and the wider choice of Super 35 and large-format lenses.
Senior Product Manager Marc Shipman-Mueller talks through the diverse range of spherical and anamorphic lens options available to filmmakers who need to shoot native 4K with ALEXA 35. He also gives an...

ARRI Tech Talk: ALEXA 35 - Recording Formats (Subtitles in EN, ES, IT, PT, JP)

A total of 19 different ARRIRAW and Apple ProRes recording formats are available for the ALEXA 35, incorporating efficient in-camera downsampling and anamorphic de-squeezing.
Senior Product Manager Marc Shipman-Mueller goes through the various formats, which allow productions to optimize data rate, resolution, and other parameters based on their individual lens choices, workflows, and...

ARRI Tech Talk: ALEXA 35 - Electronic Accessories (Subtitles in EN, ES, IT, PT, JP)

An overview of the two new electronic accessory modules available for ALEXA 35, as well as the B-Mount 24 V battery system. Both the B-Mount and the electronic accessory modules integrate closely with the rear of the camera body.
Product Marketing Manager Sean Dooley describes how the Power Distribution Module PDM-1 offers seven extra power accessory outputs, while the Audio Extension...

ARRI Tech Talk: ALEXA 35 - Mechanical Support (Subtitles in EN, ES, IT, PT, JP)

To accompany the ALEXA 35, ARRI has developed a complete new set of mechanical support items that provides flexible options for any shooting situation.
Product Marketing Manager Sean Dooley talks through the various system elements, demonstrating how they allow the ALEXA 35 to scale quickly and easily from a small and lightweight setup to a full-blown production configuration. He also...

ARRI Tech Talk: How to build your ALEXA 35 Production Set

The ALEXA 35 Production Set includes a number of new and unique mechanical support parts, designed for traditional camera department rigging workflows. In this video, Product Marketing Manager Sean Dooley will take you through the process of building the Production Set, and give you a little bit of info on each of the components and what you can use them for.

Make sure you take a look at...

ARRI Tech Talk: How to build your ALEXA 35 Lightweight Set

The ALEXA 35 Lightweight Set includes a number of new and unique mechanical support parts designed for single operators, small crews and lightweight rigging scenarios. In this video, Product Marketing Manager Sean Dooley will take you through the process of building the Lightweight Set, and give you a little bit of info on each of the components and what you can use them for.

Please note...

ARRI Tech Talk: ALEXA 35 Workflows — High Density Encoding (HDE)

Update: ARRIRAW files from the ALEXA 35 can now be processed into HDE files in both the ARRI HDE Transcoder application, as well as traditional workflows utilising third-party data-management software in conjunction with CODEX Device Manager. More information on CODEX Device Manager is available here: https://codex.online/products/device-manager
--
Join Oliver Temmler, Product Manager for...

ARRI Tech Talk: ALEXA 35 Workflows – Grading and Look Management

Senior Colorist at ARRI, Florian “Utsi” Martin, shows how easy it is to set up ALEXA 35 images for grading using the ARRI Reference Tool, Davinci Resolve, and Filmlight Baselight, demonstrating the new look workflow for on-set look management and postproduction.

For further information on ALEXA 35 workflows visit our website: www.arri.com/alexa35-workflows
0:00 Intro
03:33 Differences...

ARRI Tech Talk: ALEXA 35 Workflows – ARRI Reference Tool

Christian Grafwallner, ARRI Workflow Tools Product Manager, introduces the ARRI Reference Tool. This program combines the functionality of the ARRIRAW Converter, ARRI Color Tool, and ARRI Meta Extract, supports all ALEXA 35 recording formats, and allows for the creation of ALF4 look files. It supports conversion to SDR and HDR color spaces with looks applied, and is able to export to Apple...

ARRI Tech Talk: ALEXA 35 Workflows - LogC4 Tonal Curve, False Color, Exposure

Harald Brendel, Head of Center of Competence Image Science, provides a deep dive into the new LogC4 Tonal Curve in the ALEXA 35, which has the capability to encode the increased dynamic range of the new sensor. He also talks about false color and exposure and compares LogC4 with LogC3.

Learn more about ALEXA 35 workflows on our website: www.arri.com/alexa35-workflows
0:00 Intro
0:25...

ARRI Tech Talk: ALEXA 35 Workflows – ACE4, AWG4 and ALF4

In this Tech Talk, ARRI Senior Color Scientist Sean Cooper explains in detail about new image processing steps, like ARRI Color Engine ACE4, ARRI Wide Gamut AWG4, and ARRI Look File ALF4, all used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing.

Complete information on ALEXA 35 workflows is also available on our website...