ALEXA SXT Plus

ALEXA SXT Plus

The All-Rounder

The ALEXA SXT Plus is the most versatile and flexible of the ALEXA SXT cameras, a true all-rounder. With an integrated wireless radio for camera and lens remote control, tilt/roll sensors, electronic horizon and additional connectors for camera and lens control, signal output and accessory power, the ALEXA SXT Plus offers the best value and widest range of uses. 

ALEXA SXT Family Features

BEST OVERALL IMAGE QUALITY
  • Multiple recording and monitoring options
    • record/playback ARRIRAW or ProRes
    • multiple recording media
    • great choice of 14 recording formats
    • ARRI Look Management 
    • super flexible on-set monitoring
    • embedded rich metadata in ARRIRAW, ProRes and HD-SDI out
  • In-camera ARRIRAW
    • uncompressed, unencrypted raw sensor data
    • maximum image quality from ALEXA
    • greatest flexibility in post
    • best option for future-proof archiving
    • published in SMPTE RDD 30 and 31
  • In-camera Apple ProRes
    • small files through compressed color image data
    • native Final Cut Pro X support
    • ProRes HD, 2K, 3.2K and 4K
    • ProRes 422, 422 HQ, 4444 and 4444 XQ
    • in-camera de-squeezed anamorphic formats
    • redundant, safe recording to XR and SXR Capture Drives
    • pre-recording
  • Multiple recording media
    • XR and SXR Capture Drives
    • SxS PRO and SxS PRO+ cards
    • CFast 2.0 cards
  • 14 recording formats
    • Carefully fine-tuned recording options for any production
    • All sensor modes in ARRIRAW and ProRes
    • Multiple resolutions: HD, 2K, 3.2K, 3.4K, 4K UHD and 4K Cine
    • In-camera de-squeezed ProRes for most economical anamorphic shooting
  • ARRI Look Management
    • Comprehensive look management from preproduction to post
      • maintains, protects and shares the cinematographer's intended look on-set, in dailies and in editing
      • wide range of unique looks possible 
      • same look file and tools for ALEXA SXT, ALEXA Mini (SUP 4.0) and AMIRA (SUP 4.0)
      • new ARRI Look File contains name of target color space, CDL values and 3D LUT
    • ARRI Look File is always stored in metadata for
      • live grading on set
      • automated dailies creation
      • editing with looks 
  • Super flexible on-set monitoring
    • High Dynamic Range (HDR) monitoring
    • four independent monitoring outputs
    • Rec 709 or Rec 2020 monitoring output
    • frame grabs in various formats and resolutions
    • streaming metadata in HD-SDI for immediate use
  • Stand-alone applications
    • ARRIRAW Converter (ARC)
    • ARRI Color Tool (ACT)
    • ARRI Meta Extract (AME)
  • Stand-alone online tools
    • ALEXA Camera Simulator
    • ARRI Lens Illumination Guide
    • ALEXA Frameline Composer
    • LUT Generator
  • Shared code with third parties
EFFICIENT AND VERSATILE WORKFLOWS
  • Multiple recording and monitoring options
    • record/playback ARRIRAW or ProRes
    • multiple recording media
    • great choice of 14 recording formats
    • ARRI Look Management 
    • super flexible on-set monitoring
    • embedded rich metadata in ARRIRAW, ProRes and HD-SDI out
  • In-camera ARRIRAW
    • uncompressed, unencrypted raw sensor data
    • maximum image quality from ALEXA
    • greatest flexibility in post
    • best option for future-proof archiving
    • published in SMPTE RDD 30 and 31
  • In-camera Apple ProRes
    • small files through compressed color image data
    • native Final Cut Pro X support
    • ProRes HD, 2K, 3.2K and 4K
    • ProRes 422, 422 HQ, 4444 and 4444 XQ
    • in-camera de-squeezed anamorphic formats
    • redundant, safe recording to XR and SXR Capture Drives
    • pre-recording
  • Multiple recording media
    • XR and SXR Capture Drives
    • SxS PRO and SxS PRO+ cards
    • CFast 2.0 cards
  • 14 recording formats
    • Carefully fine-tuned recording options for any production
    • All sensor modes in ARRIRAW and ProRes
    • Multiple resolutions: HD, 2K, 3.2K, 3.4K, 4K UHD and 4K Cine
    • In-camera de-squeezed ProRes for most economical anamorphic shooting
  • ARRI Look Management
    • Comprehensive look management from preproduction to post
      • maintains, protects and shares the cinematographer's intended look on-set, in dailies and in editing
      • wide range of unique looks possible 
      • same look file and tools for ALEXA SXT, ALEXA Mini (SUP 4.0) and AMIRA (SUP 4.0)
      • new ARRI Look File contains name of target color space, CDL values and 3D LUT
    • ARRI Look File is always stored in metadata for
      • live grading on set
      • automated dailies creation
      • editing with looks 
  • Super flexible on-set monitoring
    • High Dynamic Range (HDR) monitoring
    • four independent monitoring outputs
    • Rec 709 or Rec 2020 monitoring output
    • frame grabs in various formats and resolutions
    • streaming metadata in HD-SDI for immediate use
  • Stand-alone applications
    • ARRIRAW Converter (ARC)
    • ARRI Color Tool (ACT)
    • ARRI Meta Extract (AME)
  • Stand-alone online tools
    • ALEXA Camera Simulator
    • ARRI Lens Illumination Guide
    • ALEXA Frameline Composer
    • LUT Generator
  • Shared code with third parties
SIMPLE AND SAFE OPERATION
  • ARRI Product Quality
    • Rugged and reliable
    • sealed electronics compartment
    • unique cooling system
    • stable lens mount/sensor holder
    • continuous file closing protects footage
    • ARRIRAW checksum for safe and fast downloading
    • self-healing metadata
    • three auto-switching power inputs
  • Intuitive, easy to use controls
    • same interface on all ALEXA models
    • on-camera and EVF-1 controls 
    • remote control through WCU-4, RCU-4 and Web Remote
  • High quality internal Full Spectrum Neutral Density (FSND) filters
    • neutral color balance at all densities from ND 0.3 to ND 2.4
  • High quality electronic viewfinder
  • Powerful assistive displays, including 
    • surround view
    • anamorphic de-squeeze
    • false color exposure check
    • smooth mode for better motion portrayal
    • peaking focus check
    • electronic horizon
    • compare stored image with live image
    • RETURN IN video
  • Well balanced, ergonomic body design
  • Global ARRI service network
OPEN, FUTURE-PROOF ARCHITECTURE
  • Compatibility with industry standards
    • Super 35 PL mount and Panavision mount lenses
    • Apple ProRes, HD-SDI
    • SxS PRO, SxS PRO+ and CFast 2.0 cards
    • Gold mount or V-lock on-board batteries
    • 12 or 24 V power inputs and outputs
    • support for ARRI ECS and cmotion cvolution wireless lens control systems
  • Shared code through ARRI Partner Program
    • ARRIRAW Software Developers Kit (SDK)
    • ARRI Look Management library
    • Camera Access Protocol (CAP)
    • ARRI Metadata Bridge (AMB) library
    • White papers and information about ARRI color science
  • Flexible upgrade options
    • upgradable in-camera recording module
    • upgradable electronics interface module (Plus side panel)
    • Exchangeable Lens Mount (ELM)
    • free Software Update Packets (SUPs)
  • Long and reliable product cycles