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Through meticulous collaboration and with the aid of ALEXA 35, SkyPanels, and other ARRI lights, the team behind the Filipino film “Fruitcake” brings VFX-intensive scenes to life.

At the 77th Festival de Cannes, more than 80 percent of films in leading categories were captured with ARRI camera systems—with ALEXA 35 and ALEXA Mini on top of the charts.

DP Adil Afsar used ALEXA 35 and ARRI Master Anamorphic lenses, along with ARRI SkyPanels, to bring Indian comedy film “Madgaon Express” to life.

The toolkit of French cinematographer Vincent Richard, also known as “Marquis,” for his work with comedic films includes ALEXA Mini LF and ALEXA 35.

An ALEXA Mini LF camera and ARRI Signature Prime lenses proved useful to DP Nicolas Gaurin AFC for the comedy “Mr. Putifar’s Wacky Plan.”

A stalwart of French comedy, director of photography Stéphane Le Parc has adopted the ALEXA Mini LF for all his recent projects.