And the Oscar goes to...

Developers of the industry-shaping ARRILASER are honored with an Oscar StatuetteŽ at the Academy Scientific and Technical Awards.

17 FEB 12

Academy Award for Master Prime engineers

Two Carl Zeiss engineers are awarded an Academy PlaqueŽ at the Sci-Tech Awards in Los Angeles for the mechanical and optical design of the Master Prime lenses.

14 FEB 12

Lubezki earns ASC honor for TREE OF LIFE

Emmanuel Lubezki, ASC, AMC won the feature film award for TREE OF LIFE, shot on ARRICAM LT, ARRIFLEX 235 with Ultra and Master Primes.

10 FEB 12

ALEXA homecoming

For a promotional film about the German soccer club FC Bayern, ALEXA returned to the site of one of its earliest test shoots: the Allianz Arena in Munich.

02 FEB 12

ARRI lighting on WARHORSE

Gaffer Eddie Knight discusses mud, Spielberg and how to light a horse.

23 JAN 12

Shooting HELLO I MUST BE GOING

Director Todd Louiso and cinematographer Julie Kirkwood chose the ARRI ALEXA as the perfect tool to shoot their new indie feature.

05 SEP 11

A window to history

ARRISCAN archive tools give new life to MANIA, a forgotten classic from the Polish National Film Archive.

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ALEXA most rented camera in TELEVISUAL survey

ALEXA shoots Norwegian TV promo

Oscar for ARRI and Fraunhofer Engineers

Roger Deakins ASC, BSC interview on IN TIME

CAMERON | PACE Group receives first ALEXA Ms

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When I color film it's the best feeling in the world; when I color ALEXA, it's just like I'm coloring film.

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Colorist Stefan Sonnenfeld

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Behind the scenes on EXTREMELY LOUD AND INCREDIBLY CLOSE

Go behind the scenes of this touching story about a nine-year-old inventor (Thomas Horne), who searches New York City for the lock that matches a mysterious key left behind by his father (Tom Hanks). Directed by Stephen Daldry with cinematographer Chris Menges, BSC, ASC, EXTREMELY LOUD AND INCREDIBLY CLOSE was shot with ALEXA cameras from ARRI CSC in ARRIRAW format using Codex recorders. Footage courtesy of Warner Bros.