ARRI’s well-established 35mm format lenses have become the standard against which others are measured. Our large-format Signature Prime lenses build on this record of excellence, with a fast T-stop of T1.8 which facilitates shallow depth of field and smooth focus fall-off.
Precisely designed and engineered, yet highly durable, all ARRI lenses (or: all these lenses) offer exceptional performance across a wide range of applications.
ARRI now offers the widest range of modern matched cine lenses for all professional production demands, including studio zooms, lightweight zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro and extenders.
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ALEXA LF Showreel >>
One Lens - Many Looks >>
Cinematographer Tom Faehrmann tests the new Master Anamorphic Flare Sets, which enhance on-set creativity by giving each of the seven focal lengths three additional looks without sacrificing the resolution, lack of distortion or corner-to-corner optical performance for which the Master Anamorphics are famous.
Screening Room >>
Cinematographer Steve Annis takes ARRI/ZEISS Master Anamorphic lenses to the Arctic Circle for the music video of PERFECT RUIN by Kwabs.