Star Wars: The Last Jedi Behind The Scenes
Go behind the scenes of STAR WARS: THE LAST JEDI, directed by Rian Johnson and shot by Steve Yedlin ASC. Illuminated with ARRI SkyPanels.
IBC 2017: Introduction of the EB MAX 1.8
Head of Product Management Florian Bloch explains the advantages of ARRI’s EB MAX 1.8, the new flagship for the range of high-speed electronic ballasts. Find out more: www.arri.com/goto/highspeed_ballast
IBC 2017: S360-C – ARRI’s newest SkyPanel
Senior Product Manager Mike Wagner introduces the new S360-C, the largest and brightest SkyPanel ARRI ever produced.
IBC 2017: ARRI SkyPanels go wireless with new SkyLink
Senior Product Manager Mike Wagner introduces the perfect wireless solution for ARRI SkyPanels. Say goodbye to DMX cables with SkyLink.
NAB 2017: ARRI Booth Highlights
Missed NAB 2017? Get a glimpse at some of the action at ARRI's booth. Products featured include our new crew bags, Master Grips, Look Library, SkyPanel Firmware 3.0, Amira multi-cam and much more.
NAB 2017: Electronic Ballast MAX 1.8
Designed for all discharge lampheads between 575 and 1,800 W, the EB MAX 1.8 combines cutting-edge features with new remote control possibilities. ARRI's Florian Bloch explains the optimal performance and advanced controls at any frame rate from this unique ballast.
NAB 2017: SkyPanel Firmware 3.0
SkyPanel Firwmare 3.0 includes 12 lighting effects without the need for a lighting console or hours of programming. Effects include: candle, clouds passing, club lights, color chase, cop car, fire, fireworks, light strobe, lightning, paparazzi, pulsing, and television. Other exciting features include Source Matching and High Speed Mode.
Pure Creativity. Share the Passion. ARRI Lighting Showreel
The new ARRI Lighting Showreel demonstrates the limitless creative possibilities afforded by ARRI’s range of versatile LED fixtures.Interact with the light; paint with the light; make the light work for you.
ARRI Lighting Showreel – Behind the Scenes
A glimpse behind the scenes on ARRI Lighting’s new showreel, shot over two days with 350 m of rigging pipe, 4,820 DMX channels, two dancers and 300 ARRI LED lighting fixtures. Pure Creativity. Share the Passion.