The 3D LUT package in *.cube-format for color space conversion of LogC4/AWG4
The 3D-LUT package in *.cube-format for decoding "LogC4 Wireless Video Optimized (WVO)" to LogC4 used in the ALEXA 35, 35 Xtreme, and 265 for SDI connected...
Explaining the LUT namings of our offical LogC3 and LogC4 3D LUT files.
FAQ
Yes, next to the default ACM (ARRI Color Managment) you can use your own DRTs in CCM (Custom Color Management). Here's a step-by-step guide on ALF4. In case you stick with ARRI Color...
color space transformation is currently determined by the respective setting in the camera, you can choose between: • REC 709 (SDR) • REC 2020 (SDR) • REC 2100 / PQ (HDR) • REC...
As most of the postproduction tools use their own notation for look up tables, ARRI offers conversion LUTs through the online LUT Generator (for LogC3 only! here's the LUT...
An Intermediate Encoding for ALEXA 35 and ALEXA 35 Xtreme SDI Outputs Technical Note
Workflow Guideline for using our Original Camera Footage (OCF) in Adobe Premiere Pro.
Workflow Guideline for mixing ARRI LogC3 and ARRI LogC4 in color grading.
The ARRI Look Library is available free of charge. You can download the whole package in the corresponding ARRI Look File format or as 3D-LUTs: ARRI Look Library for all ALEXA Classic...
Workflow Guideline for rendering dailies for editing in DaVinci Resolve.
Initial information on the ALEXA 35 workflow.
Press Release
. Delivering real-time 4K processing of RGB images from ARRI and third-party cameras, ARRI Film Lab supports LogC3 (AWG3) and LogC4 (AWG4) workflows. It can be used whether the acquisition...
