ARRI talks with filmmakers in Venice
For decades ARRI has fostered relationships with industry professionals from around the world. During the festival, ARRI also took the opportunity to talk with a number of filmmakers about their current projects.
Director Roberto Minervini and Cinematographer Diego Romero speak with ARRI at the 75th Biennale Cinema in Venice about shooting the premiered feature film "What You Gonna Do When the World’s on Fire" with the ARRI AMIRA camera. BTS photo: Tobias Henriksson. Production stills: Platform Production AB
WHAT YOU GONNA DO WHEN THE WORLD’S ON FIRE
In the main competition, WHAT YOU GONNA DO WHEN THE WORLD’S ON FIRE, was supported by ARRI’s International Support Program and serviced by ARRI Rental and postproduced by ARRI Media. This film was awarded the Segnalazione Cinema for UNICEF at the festival. Director Roberto Minervini, spoke to ARRI about his experiences on the film. “I struggled for years to find the right medium...we finally found this partnership with ARRI and its ISP program. Diego Romero (the DP) recommended that we test the AMIRA; he was sure it would serve the purpose of our film.” He continued, “the AMIRA gave us quality, portability, durability, and performance in low light conditions.”
Director of photography on WHAT YOU GONNA DO WHEN THE WORLD’S ON FIRE, Diego Romero, commented, “Using the ARRI AMIRA for this movie was one the best decision I ever took in my career as cinematographer. I knew that there were no film negatives in the market right now capable of delivering the results that I achieved with the AMIRA.” Romero continued, “Since we were shooting handheld, the AMIRA allowed us to shoot long takes. The lightness of the camera, its ergonomics (it adjusts incredibly well to the shoulder), the integrated NDs (allowing us to work very fast), and the quality of the sensor are unique elements that a filmmaker cannot find in any other camera nowadays.”
Cinematography student Giovanni Macedonio spoke with ARRI at the 75th Biennale Cinema in Venice about how he used the ARRI ALEXA camera to shoot his short film STORIA TRISTE DI UN PUGILE SCEMO (THE LOONY BOXER). This picture was entered into the I Love GAI section of the competition. Production stills: Centro Sperimentale di Cinematrografia Production
THE LOONY BOXER
DP Giovanni Macedonio, a student at the Centro Sperimentale di Cinematografia in Rome, spoke candidly about his short film STORIA TRISTE DI UN PUGILE SCEMO (THE LOONY BOXER), an entry in the I Love GAI section of the competition. “I think it’s essential students use the actual tools that are used in the industry in order to learn and experiment in real life situations.” He continued, this film was a school project with a very low budget, the whole film was shot with available light and practicals, I would not have been able to do this film this way with this type of lighting without the ALEXA.”
Cinematographer David McFarland spoke with ARRI at the 75th Biennale Cinema in Venice about filming on the West Bank in Palestine with the ALEXA Mini on the film MAFAK (SCREWDRIVER). Production stills: Cinetic Media.
The film MAFAK (SCREWDRIVER) was shot by DP David Mc Farland on the West Bank in Palestine with an ALEXA Mini and debuted in the Venice Days section of the festival. McFarland spoke with ARRI about his experiences. “This film was hard to make and financially we had to be smart about the decisions we made. We didn't have a backup camera and I was amazed that we never had any problems...it really helped me not to have to worry and allowed me to be a lot more creative."
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