65 mm reborn. The largest cinema sensor in the world, only from ARRI Rental.
Enlarge your vision.
The best just got better.
The family got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
Any camera. Any lens.
For most professional cameras on the market.
Creativity in motion.
The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
Turnkey solutions for TV studios worldwide
The most extensive range of innovative lighting products.
Solutions for motion picture archives.
ARRI Rental - We've got you covered.
The best support your vision can get.
Fully digital 3D surgical microscope.
Professional filmmaking for medical media productions.
A new era in surgical imaging.
Silent and black-and-white, THE ARTIST shot on 35 mm utilizing the ARRIFLEX 435 Extreme while HUGO was lensed in 3D stereoscopic with ARRI ALEXA cameras.
Gaffer Eddie Knight discusses mud, Spielberg and how to light a horse.
Many Golden Globe winners relied on ARRI cameras and lighting. Click for the list of winners.
ANONYMOUS was the first international feature film to be recorded digitally in its entirety with the ALEXA camera system.
ALEXA shoots DELICACY, a short film about the ultimate culinary rarity: unicorn meat.
Perusse works with many gaffers who rely on ARRI fixtures. In her vast experience she has found the ARRIMAX and M18s as standard workhorses in their lighting packages.
Now available for both iOS and Android devices. Download for free from the Apple App Store or Google Play.