Cut. Shape. Focus. Tune.
Cut. Shape. Focus. Tune.
Tuneable Daylight allows for fine-tuning of the daylight color temperature from 5,000 K to 6,500 K with increased brightness over the L5-C, and is particularly suited to applications requiring precise matching to daylight balanced light sources.
The L5 addition to the L-Series perfectly complements the L7, allowing for more mobile lighting and a wider range of power classes for television studios. Its compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups. Low heat allows safer and more comfortable shooting conditions. This versatility and superb light quality make the L5 a highly anticipated addition to the award-winning L-Series family.
New features available on the L5 include a PowerCON power connector and an on-board battery input that permits industry-standard batteries to power the L5 without any sacrifice in terms of features or light output. The resulting increase in portability opens up whole new application areas, giving productions with the L5 the tremendous freedom to move and work fast.
The L5 is approximately 45 % brighter than a 300 W tungsten Fresnel, but only consumes 115 W. When compared to the L7, the L5 is half the weight and size.
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8" / Junior 1-1/8" Combo Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8" / Junior 1-1/8" Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 16 mm / 28 mm Combo Pin (Baby 5/8" / Junior 1-1/8" Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru
Whereas other LED fixtures have taken forms that demand sacrifices in the quality of lighting designs, the L-Series is unique in that it fits perfectly into established working practices. This means that lighting designers will not have to adapt their creative techniques, nor will studios have to change their operating procedures; conventional Fresnels can be exchanged for L7 Fresnels on a like-for-like basis, achieving substantial and immediate cost savings with minimal disruption.
True Blue-style focus knobs provide the precise adjustment and rapid flood-to-spot that users enjoy from manual, mechanical control. Knobs on both sides of the fixture ensure easy access from all positions, eliminating the need for awkward reach-arounds. Focusing is neither tedious nor time-consuming; full flood-to-spot can be achieved in only three turns.
For broadcast studios, remote fixture control is of paramount importance, and all functions of the L7 are controllable through DMX. The L7 is also fully RDM compatible, providing bi-directional feedback and reporting of parameters including system status; hours on the light engine; and current DMX settings (with the ability to remotely assign and address all fixtures in a DMX network).
For location applications, the ability to rapidly access all lamphead parameters directly at the light is important. For this reason, an optional on-board controller is available for the L7 Fresnels, with manual intensity adjustment and DMX settings.
With the L7-C, additional controls for color temperature and plus/minus green can be switched to manipulate hue and saturation at the touch of a button, and two fast-presets can be stored and recalled with ease.
Shaping the beam to isolate talent and set elements. Cutting the field to eliminate spill light. Controllability is crucial to lighting, and the L7 provides the same ability as conventional Fresnels to cut and shape with barndoors and flags. The only part missing is the heat: the L7 features a completely cool light beam, keeping talent comfortable and air conditioning costs low.
Flattering, true-to-life color rendition, previously achievable only with full-spectrum tungsten sources, is a hallmark feature of the L-Series. The fully tuneable white light of the L-Series Color versions can be adjusted for different skin tones, camera sensors and mixed-light environments, while specific color shades can be matched through full gamut color mixing. Unlike other LED fixtures, this level of color control does not involve compromising the quality of the light field: the L-Series Fresnels are unique in combining uniform light and single shadow rendition with absolute control of color attributes.
Running costs is where the similarity to tungsten Fresnels ends. L-Series fixtures reduce electricity usage, which equates to dramatic cost savings in terms of power draw. Further savings are brought about by the exceptional life span of the LED light engine, which lasts around 200 times longer than a conventional tungsten lamp; the reduced maintenance and minimized power distribution will combine with other cost-saving attributes such as built-in dimming to effect a rapid return on investment.
The L-Series also facilitates energy savings outside the studio, as versatile location lighting setups can be achieved with available power, meaning no large generators and no expensive fuel bills.
We all know the pace at which LED efficiency is improving, so the L-Series is an expansible platform designed to adapt with the latest enhancements in LED chip performance.
The light engine is fully upgradeable, ensuring that the fixtures can take advantage of technology advances as and when they happen.
The firmware is also upgradeable through the USB port on the
rear of each unit, accommodating future control protocols such as ACN and incorporating other system enhancements that may become available in due course.
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