News & Stories 2020


DP Giorgi Shvelidze on ARRI’s ALEXA: “Can’t imagine working with any different camera”

Since the beginning of his career, award winning DP Giorgi Shvelidze, from the country of Georgia, has relied on ARRI equipment. In this interview, he talks about his most recent project: an interactive commercial video, shot on ALEXA XT and ALEXA Mini cameras with Master Anamorphic lenses.


The immersive camera movement of “1917”

Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”


ARRI equipment and services support Oscar® winners

The 92nd Academy Awards recognized many outstanding films this year. Oscar® winners including “Parasite,” “1917,” and “Joker” were all captured with ARRI camera systems and serviced by ARRI Rental. 


ARRI sponsorship continues to light up La Fémis in Paris

Renewed support from ARRI Lighting helped to realize short films created by third-year students at the renowned film school, La Fémis.


DP Craig Wrobleski CSC creates immersive horror with the ALEXA LF on Netflix's "In the Tall Grass"

Canadian DP Craig Wrobleski discusses his new film "In the Tall Grass," now streaming on Netflix. Wrobleski shares his experiences filming the supernatural horror, and his take on ARRI's large-format camera system.


DP Robert Cauble wins cinematography award for commercial shot with ALEXA Mini from the ARRI CPO program

Fully serviced and tested before being supplied by the ARRI Approved Certified Pre-Owned (CPO) program, Robert Cauble’s ALEXA Mini was put through its paces on “Story of the East,” a tourism commercial shot at remote and challenging locations in Indonesia.