For "The Ivory Game," the new Netflix documentary feature film about elephant poaching, an ARRI AMIRA was used as the main camera.
"Moonlight": DP James Laxton creates poetic look on ALEXA
In an unforgettable announcement at the 2017 Academy Awards, "Moonlight" garnered Best Motion Picture of the Year. Cinematographer James Laxton talked to ARRI about his Oscar-nominated work that was captured with the ARRI ALEXA Plus.
ALEXA XT and ALEXA 65 on "The Revenant"
Cinematographer Emmanuel Lubezki ASC, AMC works with ALEXA XT, ALEXA M and ALEXA 65 cameras, combined with ARRI lenses, on Alejandro Iñárritu's immersive epic.
Greig Fraser on "Rogue One: A Star Wars Story"
The first "Star Wars Anthology" movie is also the first film captured entirely with ALEXA 65. DP Greig Fraser ASC, ACS additionally used ARRI SkyPanel lights.
"The Girl on the Train"
The thriller starring Emily Blunt was shot on ARRICAMs with Master Primes.
ALEXA 65 on Oliver Stone’s "Snowden"
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system on Oliver Stone’s new thriller.
Christopher Manley ASC on "Mad Men"
Christopher Manley talks about "Mad Men"'s striking look, the switch from film to ALEXA and his jump to the director's chair.
ALEXA in South Korea
Cinematographer Cheon-Seok Kim's drive for higher image quality in South Korean TV series sees him turn to ALEXA for two major shows.
"Toni Erdmann" postproduces at ARRI Media
ARRI congratulations director Maren Ade, DP Patrick Orth, Komplizen Film and the entire team behind "Toni Erdmann" for a whirlwind of positive reactions from the international film world, which gathered on the Côte d'Azur for the 69th Cannes Film Festival.
First major award for AMIRA-shot film
Gianfranco Rosi wins the Golden Bear Award at Berlinale 2016 for his documentary about the European migrant crisis, "Fire At Sea," which was captured with AMIRA.