For "The Ivory Game," the new Netflix documentary feature film about elephant poaching, an ARRI AMIRA was used as the main camera.
In an unforgettable announcement at the 2017 Academy Awards, "Moonlight" garnered Best Motion Picture of the Year. Cinematographer James Laxton talked to ARRI about his Oscar-nominated work that was captured with the ARRI ALEXA Plus.
Cinematographer Emmanuel Lubezki ASC, AMC works with ALEXA XT, ALEXA M and ALEXA 65 cameras, combined with ARRI lenses, on Alejandro Iñárritu's immersive epic.
The first "Star Wars Anthology" movie is also the first film captured entirely with ALEXA 65. DP Greig Fraser ASC, ACS additionally used ARRI SkyPanel lights.
The thriller starring Emily Blunt was shot on ARRICAMs with Master Primes.
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system on Oliver Stone’s new thriller.
Christopher Manley talks about "Mad Men"'s striking look, the switch from film to ALEXA and his jump to the director's chair.
Cinematographer Cheon-Seok Kim's drive for higher image quality in South Korean TV series sees him turn to ALEXA for two major shows.
ARRI congratulations director Maren Ade, DP Patrick Orth, Komplizen Film and the entire team behind "Toni Erdmann" for a whirlwind of positive reactions from the international film world, which gathered on the Côte d'Azur for the 69th Cannes Film Festival.
Gianfranco Rosi wins the Golden Bear Award at Berlinale 2016 for his documentary about the European migrant crisis, "Fire At Sea," which was captured with AMIRA.
